Society plays a crucial role in everyone’s lives as it directs the way one behaves, observes, and interacts with other people, as well as their surroundings. Antigone and “Borders” written by Sophocles and Thomas King respectively, demonstrate the roles and decisions executed by the protagonists according to societal expectations. To briefly summarize, Antigone is a play set in the ancient Geek era where the protagonist, Antigone, breaks a law which holds a punishment of death to give her traitorous brother a respectable funeral. On the other hand, “Borders” is a short story set in modern times in which the protagonist, who is the narrator’s mother, attempts to cross the border to visit her daughter without surrendering her Blackfoot status …show more content…
to a Canadian or American citizenship. Both women defy their expected societal roles of being timid, simple-minded, and submissive to a man and instead demonstrate their courage and intellectuality throughout their journeys. Therefore, the decisions made by Antigone and the narrator’s mother both hold the similarity of challenging female roles. By believing in their decisions, withstanding male authority, and accepting the consequences, but execute them contrastingly, both Antigone and the narrator’s mother break past social expectations to fulfill their own ambitions. Antigone is a character whose decision goes beyond withstanding against injustice as a female, but rather, is more about honouring her brother’s death as a sister. For instance, ANTIGONE. Will you lift up his body with these bare hands an lower it with me? ISMENE. What?! You’d bury him- when the law forbids the city? suggests that Antigone is willing to risk her life for an acceptable burial of her brother (line 52-53).
In addition, it illustrates that Antigone is stepping out of the traditional, societally expected role of a female to give her brother respect despite his traitorous actions. It also illustrates that Antigone reacts sensitively to the situation. This portrays her female attributes. However, it also demonstrates that Antigone is courageous because she decides to take action rather than compromising to appease society. To disregard a ruthless death penalty is a trait that was uncommon to women and even men back in ancient Greece. Nevertheless, Antigone appears to be tougher than other people, which disrupts the typical female role because it contrasts her sister’s timid character–who, unlike Antigone, is afraid to raise her voice against injustice. Therefore, Antigone’s decision to go against societal norms and stay rooted with her morals showcases that she is reaching beyond what is traditionally deemed acceptable for women. The same sentiment applies for the protagonist in “Borders.”
The short story “Borders” highlights a major concern of native individuals conforming their self-identity to attain the citizenship of a country. The narrator’s mother illustrates this circumstance by deciding to preserve her Blackfoot status as singular. To elucidate on this notion is the following dialogue:
MALE BORDER GUARD. Now I know we have got Blackfeet on the American side and the Canadian
…show more content…
got Blackfeet on their side. Just so we can keep out records straight, which side are you from? MOTHER. Blackfoot side (King 309) This quote shows that the narrator is not willing to surrender her status, even if it helps the government keep their “records straight.” In addition, the narrator’s mother shows determination to stay singular despite the hardships she faces, which further illustrates that she believes her actions are right and justifiable. She also demonstrates that she has the bravery to affirm her decision, which is the opposite of submissive, and therefore, considered to be a male dominant trait. It is also crucial to note that she does not let her native status make her feel inferior. Instead, she is proud of being a Blackfoot and she lets the readers know this throughout the story. She repeatedly says Blackfoot when she is asked for her citizenship, which adds weight to her decision because it illustrates that she does not take her identity lightly. It is clear throughout the story that the mother of the narrator takes the form of a determined male in order to fight for herself and her culture. She does not possess the predominantly determined trait of a timid and easily manipulated female. Antigone is a character who actively and vocally defies the laws and authorities of the King with immense courage.
She expresses, “nor did I think your edict has such force that you a mere mortal, could override the gods” (lines 503-504). This implies that she considers no law that is made by man to be an ultimate verdict. In addition, this also implies that Antigone would break societal customs that dictate the behaviour of women because no man himself would go through with a drastic decision that would lead to his death. Moreover, this displays that Antigone makes a point by her actions rather than her words because she instead of questioning the sentence, she carries out the final rites of her brother, anyway. It is important to note that it is her emotions which cause her to take the pronounced step. This illustrates that it is indeed her female attributes which drive her forward, which in turn makes the readers understand that there is purpose and passion behind her drastic behaviour. So, Antigone’s action against the King indicates her willpower against authority because no one would take her words seriously because she is a woman “not born to contend with men” (line
75). The main crisis in “Borders” is the way the mother resists the authority of two countries simultaneously. She defends her decision of remaining singularly Blackfoot and does not easily become apprehensive by any of the border security guards. This makes the reader believe that she is willing to go through hardships to protect and conserve her Blackfoot status. To point out, the narrator says “it would have been easier if my mother had just said ‘Canadian’ and been done with it, but I could see she wasn’t going to do that” specifies that creating further trouble is the least of the narrator’s mother’s concerns because she does not want her Blackfoot status to be under the influence of Canada or the United States (King, 307). In fact, this critical analysis by Eva Gruber also highlights the mother’s persistence, “realising her tenacity, however, the American border guard calls it ‘a little misunderstanding’ and launches into an explanation about legal matters, whereas the Canadian border official, in an attempt at political correctness and diplomacy, patronizing signals understanding, but nevertheless does not accommodate to the woman’s cultural needs” (Gruber). Moreover, this demonstrates that this woman is going against societal rules and norms to express the importance of her culture, which the authorities did not want to understand. Furthermore, she indicates that she has to go through extreme ends for the authorities to recognize that she is not bailing on her decision because she is a native woman. Instead, she stands her ground until the authorities have no option but to let her cross the border. Therefore, she illustrates that she is not willing to back down from a fight from two countries that are willing to disassociate her culture form her identity. Antigone is an audacious character that is willing to stand by her noble decision even if it results in a death penalty. She elucidates her resolution extremely vocally and without any uneasiness; CREON. You, tell me briefly, no long speeches – were you aware a decree had forbidden this? ANTIGONE. Well aware. How could I avoid it? It was public. CREON. And you still had the gall to break this law? ANTIGONE. Of course I did. (Lines 496-499) This passage suggests that Antigone is willing to go through many hardships that come with her decision and she faces them confidently. The passage also illustrates that she is not selfish but indeed selfless, as she is giving up her life for the sake of burying her dead brother. Most importantly, it expresses her humanity; even if she knows that her brother died fighting his other brother over power, she is still willing to take the risk for him because he is family. Moreover, it conveys her feminine characteristics because she is portraying the picture of an ideal loving and caring sister. And this is a natural response because she, like any other female, is taught to be caring and nurturing towards family. Hence, the drastic step Antigone took appears to be valid because she is doing what she is taught, which is how to be a female. She represents a strong and defiant female who is not afraid of the consequences of losing her life because she is putting it on a stake for her family. The narrator’s mother is also a defiant and confident woman. She is shown time after time taking control of her life and identity knowing there might be multiple challenges she could encounter. To emphasize is the phrase “we had nowhere to go, that neither the Americans nor the Canadians would let us in,” which indicates that the narrator’s mother knows that her decision to drive from border to border is making the trip difficult not only for herself but her son as well (King 312). Not to mention, it also illustrates that the mother is trying to dismiss her motherly characteristics like being nurturing and affectionate and puts up a hardened exterior because she wants acceptance for herself. However, she did express some hope for her son to ensure him that they will gain justice eventually, which demonstrates that even if she tries to venture out of societal norms, her motherly instincts will always be there (King 312). This establishes that the mother is willing to push until she gets her way which is again, typical of male qualities. Therefore, the violation of societal expectations reveals the narrator’s mother’s strong will to surpass the fear of any aftermath of not complying to government authorities from two bordering countries.
“…a mere mortal, could override the gods, the great unwritten, unshakable traditions…These laws I was not about to break them… and face retribution of the gods.”(505-513) This provides a basis for Antigone’s hubris, her belief in God, standing for what is right, defying man’s rule. As the play progresses Antigone’s hubris becomes more apparent as she claims, “Give me glory! What greater could I win than to give my own brother a decent burial?”(562-563). This pride in committing a moral and God-willed deed reaches a point where Antigone thinks that it is
The gods' laws come before mortal laws in Antigone's point-of-view, which is how I believe also. In death, you will answer to your god and no man will have control of your fate in the world that lies hereafter. Therefore by obeying the gods, hopefully, will result in a happy afterlife, which are what most people strive for in ancient times and now. If man does not honor you for noble efforts, your gods' will. Antigone's act was honorable. She stood up to the highest of powers so she could honor her brother, knowing the consequence would be death. Most likely she figured there is only a certain amount man can do to you, so she might as well stand up for not only her family and beliefs, but her gods as well (lines 377-389).
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Antigone shows throughout the play that she is always thinking that she must do what is best for other’s and not just herself. She is willing to do what is needed to follow the law of the gods, even if it is breaking the state law.... ... middle of paper ... ...
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
In Antigone and Things Fall Apart, the readers are left with glaring lessons of injustice that, if left unchecked and unquestioned, would never change. Achebe and Sophocles offer characters who go against society’s norms and traditions for the good of humankind. Throughout history, leaders, such as Mahatma Gandhi, Martin Luther King Jr., and Susan B. Anthony, have helped to bring equitable balance to mankind. Individuals who represent opposing views mold and change the course of history; without such risk takers, life may never progress for the good of humanity.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...
Ultimately, I find that Antigone is a play that can be interpreted in many different ways. Through the examination of characters, events and scholarly arguments I have attempted to show that the catalyst for Antigone’s tragic end stems from the edict of Creon, an edict that as a ruler he is within his rights to make – but which Sophocles ultimately forces Creon to acknowledge as wrong. However, whilst the actions and events leading up to this event cause Antigone to disregard the law in order to pay burial rites to her brother, her treatment of Creon and acceptance of her fate must show that she herself accounts for a decent share in the responsibility for her own death.