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How do the movie “Alien” and the story “ When I Was Miss Dow” perceive women as a lower class?
The past decade feminism and sexism has played a major role in the literature and movie industry. In both stories women are seen as being lower class. In the movie ‘’Alien” it demonstrate a heroic women and an alien slayer but on the other hand it greatly shows the feminism side of things. Along with “When I was Miss Dow” they expose the alien when transformed into a female as being a sex symbol and stereotype the negative side of females.
First off, in the movie “alien”, when Ripley encounters the alien for the first time, this scene demonstrates the first sight of women being lower class. Ripley asks for the crews aid to fight the alien. Rather
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This is seen when the alien takes form of a human female body. The alien soon realizes that being a woman makes men act differently. In such way, that there attitude changes dramatically; they have more of a childish behavior towards the alien. This has also an emotional impact on the specie that is transformed in to a female body; throughout the story the alien self imagine becomes dependent upon the employer’s attention. For example when she and Dr. Proctor fall in love with each other, they are about to become sexually involved she is unprepared for her feelings. The is also dew to fact in the story they explain that the alien species have not developed part of the brain for having emotions and sexual encounters. Meaning women are perceived as being sentimental and more susceptible to get hurt when falling in love compared to …show more content…
Which again directly relates to females being a lower class. Ripley is shown as a being the heroic and strong women and they other female crewmember is portrayed as being the negative female stereotype. For example; when Dallas and Kane were murder by the alien, the female crewmember “Lambert” was then frightened and loses her composer. This gives a negative stereotyping on women how there emotional and weak compared to opposite gender. Another example is when Ripley tells her crew that she’s going to check the last deck to make sure everything is cleared. One of the crewmembers replies with a remark that she wasn’t capable on her own since she’s a female. The movie focuses many times on female stereotyping, explaining that women are incapable of accomplishing anything on there own or they are to emotional in life or death situations. Another example is in “When I Was Miss Dow” when the alien transformers into a women’s body. She gets emotionally attached to the doctor and can’t seem to control her feelings towards him. This a perfect stereotype on how women are perceived as the weaker ones. The story demonstrates females being unable to handle emotional situations dew to the fact that they are not as “strong” as men can
Women were only second-class citizens. They were supposed to stay home cook, clean, achieve motherhood and please their husbands. The constitution did not allow women to vote until the 19th amendment in 1971 due to gender discrimination. Deeper in the chapter it discusses the glass ceiling. Women by law have equal opportunities, but most business owners, which are men, will not even take them serious. Women also encounter sexual harassment and some men expect them to do certain things in order for them to succeed in that particular workplace. The society did not allow women to pursue a real education or get a real job. Women have always been the submissive person by default, and men have always been the stronger one, and the protector. Since the dawn of time, the world has seen a woman as a trophy for a man’s arm and a sexual desire for a man’s
The film Blade Runner (1982) directed by Ridley Scott depicts women in a negative connotation. Blade Runner is considered a popular science fiction film and is seen to have shaped the genre, however, the film displays women as sex symbols and secondary characters, who are unimportant to the storyline. The film is centered around strong male leads who use their authority and power to abuse, belittle and sexualize women. The film’s misogynistic point of view gives the impression to the audience that this treatment of women is acceptable, which is offensive and completely inaccurate.
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
American commercial cinema currently fuels many aspects of society. In the twenty-first century it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female“media image” as an infrastructure of sex inequality. Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. “Double Indemnity can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity; neither one is an accurate or fare portrayal.
Many middle class and elite women followed the same thinking pattern of most men in the nineteenth century that women should focus on preserving their morality, improving society, and being domestic subservient wives (lecture). This ideal of true womanhood directly conflicted with working class women’s definition of womanhood and the changing work patterns in the United States. Because middle class and elite woman did not view working women as “true women,” these women often ostracized working class women, which caused tension and increased class divisions (lecture). Additionally, this class rift between women most likely contributed to the slow progress of the women’s rights movement that began in the later half of the nineteenth century. As men were reluctant to accept the shifting definitions of womanhood, many middle class and elite women were also hesitant to accept these changes and began to relate to lower class women in a more hostile
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
The Representation of Women in Some Like It Hot and Alien 3 This essay will be about how women are and have been represented in films in the past and how they are represented nowadays. I will be looking at the roles and representations of women in 'Some Like It Hot and Alien 3. Some Like It Hot was made in 1958. Marilyn Monroe starts in the comedy as Sugar Cane, a very feminine musician.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
In the thirty years since its release, Alien has become a film of various debates amongst film theorists. Academic analyses of the film draw attention to many differing themes, most popularly with feminism. Most critiques, academic and otherwise, ultimately conclude that Alien is a feminist film because of its representation of the workplace as a home to equality and a place where traditional gender roles have been obliterated. What is ultimately revealed by Alien is the anxiety of men during the era of second-wave feminism in which the film was produced. This film provides a step forward for feminists, but imagines men taking two steps back in equality.
The reading by Barbara Creed titled “Horror and the Monstrous-Feminine: An Imaginary Abjection”, is an in-depth examination on the role of women in horror films. Creed challenges the commanding patriarchal view, which frequently puts the woman in the position of the helpless victim. She argues that when the feminine is constructed as monstrous, it is frequently done in conjunction with its mothering role and function. Creed’s main thesis supports that the prototype of all cinematic definitions of monstrosity related to the feminine is linked to the woman’s reproductive body. Creed elects to use the term “monstrous feminine” instead of female monster, because for Creed it is the “femininity itself that is monstrous” (41). It has been unfairly
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 1). 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...