Psychologists have come to establish the universal process of grieving, or the seven stages of grief. These stages go as follows: shock or disbelief, denial, bargaining, guilt, anger, depression, and finally acceptance. Any person who has lost a loved one can understand this sequence of emotions. Those mourning a death tend to follow the seven stages; however, it is common for individuals to mourn differently than others. Authors William Faulkner and Herman Melville give the perfect example of this in their short stories, “A Rose for Emily” and “Bartleby, the Scrivener” both which contain a main character who is full of grief. The characters both express their grief with becoming distant, mysterious, and reclusive, but they also have many differences …show more content…
in how they handle their situations. The characters in these two stories have many similarities in how they handle their grief, they also have many differences. One example of this is their ability to work and interact with other people. After her father’s death, Miss Emily attempts to hold painting classes from her home but only does so for a very short time. Bartleby on the other hand, goes out into the world to find a replacement job for his previous one. He holds his position in the law office for a while before the Lawyer finally fires him. Another example of their differences are their relationships with other people. After Emily’s father passes away, she develops a relationship with Homer Barron. This is much more than Bartleby does. From the reading, there are no known relationships that Bartleby develops with anyone. In addition, a rather large difference between the two characters is the source of their grief. Miss Emily’s grief comes from her father, a loved one. Bartleby’s grief however comes from people he does not even know. The final difference between the two is the misjudgments they make. Miss Emily’s crime is very large compared to that of Bartleby’s. It can be inferred that Miss Emily poisoned Homer Barron. Bartleby was only guilty of making home of and refusing to leave his workplace. Emily Greierson’s downfall begins with her father’s death, which readers learn about early on in the story. After his death, Emily’s father left his house for her. For the townspeople, her father’s death “humanized” Emily. William Faulkner gives a perfect example of the stages of grief when describing Emily’s reaction to her father’s death. Faulkner writes, “The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom. Miss Emily met them at the door, dressed as usual and with no trace of grief on her face. She told them that her father was not dead.” This exemplifies the second stage: denial. It was only three days later when she moved on to the final stage. Accepting her father’s death, “…she broke down, and they buried her father quickly.” Miss Emily realized that she had no family and nothing left to cling to besides the house. Unlike in “A Rose for Emily,” readers to not learn about Bartleby’s grief until the end of “Barlteby, the Scrivener.” Herman Melville informs readers that Bartleby had previously worked at a “Dead Letter Office” where he was given the job of burning the letters that people would never receive.
Melville describes the narrator’s feelings towards this position by saying, “Conceive a man by nature misfortune prone to a pallid hopelessness, can any business seem more fitted to heighten it than that of continually handling these dead letters, and assorting them for the flames?” This quote goes to show the struggles Bartleby had to face in his career. Melville describes Bartleby as being “prone to a pallid hopelessness,” which illustrates Bartleby’s grief and withdrawal from society. After learning this, readers can make sense of the strange things Bartleby does in the …show more content…
story. Both Miss Emily and Bartleby become very distant due to their grief.
Faulkner describes that, “She was sick for a long time. When we saw her again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows—sort of tragic and serene.” This shows the distance Emily puts between herself and the townspeople as she grieves her father. As for Bartleby, he begins his distance at his work place. When he was hired, the Lawyer admired Bartleby for his consistent and quality work. It took the Lawyer by surprise when Bartleby replied to his request with, “I would prefer not to.” Bartleby’s response becomes quite common when a task is requested from him, only increasing his distance from
reality. In addition to their sharing of becoming distant, Miss Emily and Bartleby become very mysterious. Faulkner shows Miss Emily’s mysterious side when she goes to purchase poison. When asked what it was for, Emily replies, “I want the best you have. I don't care what kind.” Miss Emily tells the worker that she would like to purchase arsenic, but refuses to tell that man what she is going to use the poison for. Soon after this strange occurrence, Homer Barron “leaves town.” “A Rose for Emily” ends with the discovery of a body on one of Emily’s beds along with a gray lock of hair. This body is inferred by readers to be that of Homer Barron’s. The author first hints at Bartleby’s mysterious in the opening of the story by stating, “Bartleby was one of those beings of whom nothing is ascertainable…” Readers begin to see his mysteriousness when he refuses to leave his workplace. Although he is asked multiples times, each time he denies the request. The Lawyer states, “But having taken three days to mediate upon it, he apprised me that his original determination remained the same; in short, that he still preferred to abide with me.” His loitering ends up leading to his imprisonment. Finally, Miss Emily and Bartleby go to the extreme when handling their grief. The two characters first become reclusive. Emily locked herself away in her home for six to seven years. The only person coming in and out of the house was “the Negro man.” Occasionally people would see Miss Emily through her window. Like Miss Emily, Bartleby locks himself away in a sense. He becomes fixated on a white wall in his imprisonment. When introduced to the grub-man, Melville writes, “‘I prefer not to dine to-day,’ said Bartleby turning away… So saying he slowly moved to the other side of the inclosure, and took up a position fronting the dead-wall.” The scrivener refuses to eat or to merely peer away from the blank wall. Although “A Rose for Emily” and “Bartleby, the Scrivener” are two completely different stories, the main characters share many similar traits. While it may be common for people to follow the seven stages of grief, that is not the case for all. Both Miss Emily and Bartleby become distant, mysterious, and reclusive over the course of their grieving process. Even though these main characters have many similarities, they also grieve quite differently, like anyone forced to go through this process. William Faulkner and Herman Melville do a wonderful job of illustrating the effects of grief on individuals, though some of the effects are very extreme.
Ulf Kirchdorfer, "A Rose for Emily: Will the Real Mother Please Stand Up?” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 10/2016, Volume 29, Issue 4, https://www.tandfonline.com/doi/abs/10.1080/0895769X.2016.1222578
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
Mental illnesses affect individuals in many ways. Some can manage the illness, so they can have a sense of normalcy in their life. Other individuals live become overwhelmed by their illness. The actions they perform may seem socially unacceptable. By analyzing “A Rose for Emily” and “The Fall of the House of Usher” readers can recognize that both protagonists suffer from autophobia, sensory processing disorder, and paraphilia.
F. Scott Fitzgerald’s The Great Gatsby and William Faulkner’s A Rose for Emily uses setting, characterization, and figurative language to show us how old money is selfish and responsible with their money and how new money is selfless, but uses their money unwisely.
In “The Tell-Tale Heart” by Edgar Allan Poe and “A Rose for Emily” by William Faulkner both main characters are portrayed as irrational and are isolated from reality. The narrator in “The Tell-Tale Heart” murders an elderly man, as he is fearful of the man’s eye. Emily Grierson in “A Rose for Emily” lives secluded from society, until she marries a man, Homer. She ultimately kills Homer in his bed and leaves his body to decompose for many years. Both the narrator in Edgar Allan Poe’s “The Tell-Tale Heart” and Emily Grierson in William Faulkner’s “A Rose for Emily” deny reality so vehemently that they isolate themselves from reality. Their isolation and denial of reality cause both to commit murder.
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
Overcoming the grief that is felt after losing a loved one is a physically and mentally agonizing task. According to Dr. Christina Hibbert, a clinical psychologist who graduated from the California School of Professional Psychology, three main stages of grief include anger, depression and acceptance. Each one of these emotions can be seen in William Shakespeare’s Hamlet and The Descendants (2011, Payne) as the artists explore the effects of grief and the different emotional responses that one can have due to the loss of a loved one. Additionally, in Ismail Kadare’s Broken April, the Berisha family feels the sufferance that is associated with unexpected death, as well as the various temperamental reactions that one will have after losing a loved one. Each of these works of art represent a powerful example of the stages that one will go through after feeling the intense sorrow that is connected with death, as well as the unavoidable effects of grief.
One of the literary elements that Melville uses that convey the narrator's attitude towards Bartleby is diction. The author's diction in this short story is very descriptive and is also slightly comical. One of the ways this is used is when the author gently mocks the narrator by having him expose his flaws through his own words. For example, when the narrator talks of John Jacob Astor, a well respected man who complemented him, we find out how full of himself he is and how highly he thinks of himself. "The late John Jacob Astor, a parsonage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point…I will freely add, that I was not insensible to the late John Jacob Astor's good opinion." (Page 122, Paragraph2) Another example of the author's use of diction appears on page 127 in paragraph 2; "At first, Bartleby did an extraordinary quantity of writing. As if long famished for something to copy, he seemed to gorge himself on my documents. There was no pause for digestion. He ran a day and night line, copying by sunlight and by candle-light. I should have been quite delighted with his application, had he been cheerfully industrious. But he wrote on silently, palely, mechanically." Here the narrator's description of Bartleby's writing habits in the office, at first, tell us that he is very pleased with his progress and the work he has done but then it tells us that he is not very enthusiastic but...
The story of Bartleby was a very interesting story open for many different interpretations. Melville does and excellent job building suspension towards different thoughts as to what caused Bartleby to become an emotionless incapable worker. Here is evidence throughout the story to reflect the kindheartedness of the narrator. After reading this work the last quote “Ah Bartleby, Ah humanity” stood out as a cry of sadness for failing to understand and further assist Bartleby. After the numerous attempts He describes himself an elder lawyer that has his own office with a total of four employees including Bartleby. The narrator takes the time to learn the qualities of each individual not just on a performance basis however, personally as well.
Bartleby is a man who is in charge of his own life by having a free will and living a life of preference. His infamous line "I prefer not to" appears in the story numerous times. His choice of preference leads to the downfall of his life. Bartleby made several crucial mistakes that lead to his downfall. His first mistake was when the attorney asked him to make copies and run errands for him and Bartleby preferred not to do so. "At this early stage of his attempt to act by his preferences, Bartleby has done nothing more serious than break the ground rules of the attorney's office by avoiding duties the attorney is accustomed to having his scriveners perform" (Patrick 45). An employee is also supposed to do tasks in the job description and when these tasks are not accomplished or done correctly, not once but several times, it usually leads to termination. Bartleby is a rare case because he does not get fired. This in turn results in his second mistake. Since he was able to get away with not doing anything, Bartleby opted to take the next step and quit his job or in his own words, "give up copying" (Melville 2345). Quitting caused him to have more troubles than he had before. Bartleby then...
In the beginning of the story, the narrator finds Bartleby to be very helpful and an excellent worker. He sees him as the person that will make up for the flaws in his other employees. The narrator states, “… glad to have among my corps of copyists a man of so singularly sedate an aspect, which I thought might operate beneficially upon the flighty temper of Turkey, and the fiery one of Nippers.” As the story progresses, the lawyer bounces back and forth between being irritated and perplexed by Bartleby. He attempts to fire the unresponsive employee but Bartleby refuses to leave. The narrator gives in and allows Bartleby to stay. When Bartleby is arrested, the lawyer feels bad for him and pays for him to have better meals. Upon Bartleby’s death, the narrator feels especially bad for
What is to be said or done about the many "Bartlebys" of the world? They come in many shapes and sizes, and are misunderstood and boggled about for different reasons, but they all trigger a sense of softhearted humanity in all they touch. Herman Melville's Bartleby lets the reader make what they please concerning the baffling scrivener who, quite simply stated throughout the story, "would prefer not to" do just about anything. Yet his employer just can not seem to get angry, for Bartleby does not refuse to work, he simply, and seemingly sadly, states that he would rather not perform his instructed duties. He does not say it in vain, but rather in sadness. There is something about Bartleby that calms the reader, yet makes them slightly angry over Bartleby's persistent stubbornness.
William Faulkner used indirect characterization to portray Miss Emily as a stubborn, overly attached, and introverted women through the serious of events that happened throughout her lifetime. The author cleverly achieves this by mentioning her father’s death, Homer’s disappearance, the town’s taxes, and Emily’s reactions to all of these events. Emily’s reactions are what allowed the readers to portray her characteristics, as Faulkner would want her to be
Throughout history and uptill today, stories have many similarities and differences. Two stories that are very similar are The Cask of Amontillado by Edgar Allan Poe and A Rose for Emily by William Faulkner. Both authors express uprising and planning of a death then finally killing a loved one.
In "A Rose for Emily," William Faulkner's use of setting and characterization foreshadows and builds up to the climax of the story. His use of metaphors prepares the reader for the bittersweet ending. A theme of respectability and the loss of, is threaded throughout the story. Appropriately, the story begins with death, flashes back to the past and hints towards the demise of a woman and the traditions of the past she personifies. Faulkner has carefully crafted a multi-layered masterpiece, and he uses setting, characterization, and theme to move it along.