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Nathaniel hawthorne literary style
Nathaniel hawthorne literary style
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In both “Roger Malvin's Burial” and “The Minister's Black Veil,” Nathaniel Hawthorne centralizes the themes of sin, guilt, and repentance. Both are very much set in terms of what defines sin and, in turn, what would constitute action leaving an opening for forgiveness, and both leave many a question unanswered in the story being told. The main question for us becomes, then, one of applicability. Does either story hold a message, if so, what? In considering the two, it may be that they do indeed hold a message, but maybe that message is not one that Hawthorne himself could ever have intended. In this paper I will deal with the themes of guilt, sin, repentance and how Hawthorne developed them in both stories.
Considering first “Roger Malvin's Burial,” the reader is immediately caught off-balance in terms of the presentation of the background to the story. A battle has been fought and won. This, in the introduction, is presented in a fashion when Hawthorne tells us that “The battle, though so fatal to those who fought, was not unfortunate in its consequences to the country; for it broke the strength of a tribe and conduced to the peace which subsisted during several ensuing years” (20). In this lack of empathy for the Native Americans protecting their own homeland, we may realizes from the beginning that we are dealing with a writer whose sensibilities we may not ourselves share. As the story develops, this tends to be confirmed.
Two men, Reuben Bourne and Roger Malvin, have survived the battle and are trying to make their way back home. Both are wounded. As they stop in a forest by “…a young and vigorous sapling stood…,” Malvin entreats Bourne to abandon him and save himself (20). The men are familiar with one another and, at fir...
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...wthorne has a message or lesson to us and he delivers his message or lesson by his way such as he made his protagonist in both stories as guilty. His goal is to reveal something about unmoral and the people have, sin, guilt, shame, and they need a repentance. The sin, guilt, and shame, in the case of Bourne, a person who failed to keep his vow, he suffers guilt. the other hand, the sin, guilt, shame, in the case of Mr. Hooper, especially the mask is unbelievable that Mr. Hooper wears the mask and he did not take off even though when he is dying because the people’s sins. In both stories, we cannot accept Elizabeth's sacrifice, nor that of Cyrus. We would have been more moral for Mr. Hooper to have lifted his mask for Elizabeth and graced her with an explanation. Also we consider Hawthorne's stories exemplify a moral lesson, a lesson Hawthorne maybe never intended.
In the novel The Scarlet Letter and the short story “The Minister’s Black Veil”, Nathaniel Hawthorne incorporates romantic elements, such as beauty, truth, innocence, and sin, in his criticism of Puritan societies. In both texts, Hawthorne argues that all people, even those in strictly religious societies with corrupted standards, are capable of sin. Hawthorne uses symbolism and light and dark imagery to convey his argument.
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
Arthur Miller’s The Crucible and Nathanial Hawthorne’s The Scarlet Letter share remarkable parallels not only in their examination of early Puritan America, but also in the dilemma of the two main male characters, John Proctor and Arthur Dimmesdale. Both these men had sinful relations with another member of the town, and must deal with the adversity that resulted from their sin. Although both John Proctor and Reverend Dimmesdale become hypocrites in their society, Proctor overcomes his sin and is able to redeem himself, while Dimmesdale’s pride and untimely death prevent him from fully experiencing redemption.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
...t to acknowledge that fact than to live your life a lie. By keeping sin secret from the world like Dimmesdale, your conscience eats at your spirit until you are no longer able to live a healthy, normal life. Hooper's demeanor and sermons scared everyone into seeing their own sins and when looking at his black veil, they saw their own faults, which petrified them for they knew they were pretending to be one of the elect, and that none of them could be perfectly sinless. The horror and the hate people felt towards both the black veil and the scarlet letter was an outward manifestation of the horror and hate they all had for their own sins. Thus it brings us back to the theme that Hawthorne makes so clear in both the Scarlet Letter and "The Minister's Black Veil," that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
Lang, H.J.. “How Ambiguous Is Hawthorne.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
characters, Hawthorne and Miller display guilt and it’s source to the reader. In both The
Without an honorable reputation a person is not worthy of respect from others in their society. In Nathaniel Hawthorne’s novel, The Scarlet Letter, the struggle to shake off the past is an underlying theme throughout the novel. Characters in this novel go through their lives struggling with trying to cope with the guilt and shame associated with actions that lost them their honorable reputation. Particularly, Hawthorne shows the lasting effect that sin and guilt has on two of the main characters in the book: Hester Prynne and Reverend Dimmesdale.
Throughout Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the sensation of the veil, the separation it creates from good things in life, and the persistence of the black veil on earth symbolize sin in mankind. During the whole parable, Mr. Hooper is restrained by the black veil and cannot live a free, enjoyable life. Also, people around him cannot tolerate the overwhelming, dark feeling that the black veil generates. Similarly, sin can take over people’s lives and create a feeling of hopelessness and gloom. Hawthorne’s parable overall demonstrates power and impact of sin on
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Nathaniel Hawthorne’s ancestral connection to the Salem Witch Trials influenced his writing style. His ancestor was one of the judges that sentenced innocent women to death. This idea, of his ancestors sentencing innocent women to death, struck a deep meaning with Hawthorne and made him change from Hathorne to Hawthorne so he could distance himself from that event in history. The whole controversy over the witch trials deeply affected Hawthorne and is evident in his short stories. For example, in “The Minister’s Black Veil”, "But the strangest part of the affair is the effect of this vagary, even on a sober-minded man like myself. The black veil, though it covers only our pastor's face, throws its influence over his whole person, and makes him ghostlike from head to foot. Do you not feel it so?" (“The Minister’s Black Veil”). The black veil signified Hawthorne’s own skeleton in the closet; his connection to the witch trials that caused him so much trouble. Like the black veil the witch trials was only one small part of his ancestors life, but it threw influence over t...
On July 4, 1804, an author by the name of Nathaniel Hawthorne was born (Meltzer). As Hawthorne grew, he began to develop a view of himself as “the obscurest man in American letters.” Through the use of popular themes such as isolation, guilt, and earthly imperfection, Hawthorne was able to involve much of his life and ancestral past in his work to answer his own political and religious wonders (“Nathaniel”). Hawthorne successfully “confronts reality rather than evading it” in many of his stories (Clendenning).
Nathanial Hawthorne, an American author during the 19th century witnessed the power of sin to wreak havoc not only to an individual but a whole community. His novel The Scarlet Letter expresses this very idea by exposing the follies of mankind and the potentially detrimental effects of sin trough Hester Prynne, Reverend Arthur Dimmesdale, and Roger Chillingworth who all affected by sin in different ways. Utilizing powerful symbols and light/dark imagery, Hawthorne conveys to the readers, through these characters, the power of how one’s response to sin can positively change an individual or gradually destroy one by spreading like a contagious disease and ultimately consuming the victim.
Taylor, Olivia Gatti. “Cultural Confession: Penance and Penitence in Nathaniel Hawthorne’s The Scarlet Letter and The Marble Faun.” Renascence. 58.2 (2005): 134-152. Academic Search Premiere. Web. 9 Oct. 2013.
The Scarlet Letter, a novel written by Nathaniel Hawthorne and published in the year of 1850, still contains an immense amount of relevance today. The story questions the morality of many characters, also dealing with private and public coping mechanisms of the two main characters, Hester Prynne, seamstress, and Arthur Dimmesdale, minister. Adulterers such as themselves make the words “sinners” and “paramours” synonymous, causing shame and upturned noses to be plastered anywhere Hester was at the start of the novel. Dimmesdale, a coward of a man, only confessed his sin moments before collapsing to the ground of the scaffold and dying in his lover’s arms. In turn, Hester received the most chagrin for this act of both passion and impropriety