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What symbolism is used in everyday use
Zora neale hurston ipl.org
Journey to zora neale hurston
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Symbolism prevails in everyday life: a dove peace, the color black death, a red rose romance, and a smile friendship. But symbols fail to remain broad; they also appear unique to each individual. Janie, the main character, reveals various symbols along her growing journey to find a voice for herself. In Zora Neale Hurston’s Their Eyes Were Watching God, symbolism emanates through Janie’s life reflecting her development.
Throughout Janie’s journey she constantly struggles between freedom and control. Janie grows up well protected and controlled by Nanny, but the gate represents new beginnings. When Nanny sees “Janie letting Johnny Taylor kiss her over the gatepost,” she immediately forces Janie to marry Logan Killicks (Hurston 10). Janie fantasizes about love; she believes love will come with marriage, so she agrees to marry Logan Killicks. Once married, Janie’s journey takes off as she realizes that her “first dream was dead, so she became a woman” (Hurston 24). Janie’s life alters with Logan Killicks: she is forced to do harsh manual labor. One day she comes across a strange man named Joe Starks. He convinces her to run away with him, so she “hurried out of the front gate and turned south” (Hurston 31). Janie then meets Joe and starts another new beginning. The symbol of the gate reflects Janie’s growth as she progresses from a controlling environment to a caprice, but free environment. The gate also represents the beginning of Janie’s own decision making. Although she makes her own decisions now, she struggles at finding the right moments to express them. While married to Jody, she becomes voiceless and is forced to do hard labor. A citizen named Matt Bonner owns an emaciated mule that others ridicule and taunt re...
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...all of the possibilities for Janie. Jody “[speaks] for far horizon[,]” and this trait intrigues her; she wants to discover the unknown, and she does (Hurston 28). All of her experiences collectively bring her to the horizon; she “done been tuh de horizon and back now” and they develop her faith (Hurston 182). Janie looks to the horizon in search of hope, peace, and improvement. At then end of her journey, she “[pulls] in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder” with all of her experiences in the meshes (Hurston 184). The horizon gives Janie her experiences which develops her identity.
Each symbol exhibits Janie’s development as she faces freedom, rebellion, authority, destruction, and individuality. These symbols sculpt Janie’s journey into success and mold her into the woman she becomes.
Janie is a woman who has overcome the rules and restrictions she was given. Janie was nothing but "a rut in the road. Plenty of life beneath the surface but it was kept beaten down by the wheels" (Hurston 72). Eventually, Janie made it her purpose to rebel against this mold.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
Throughout the novel, “Their Eyes Were Watching God”, Zora Neale Hurston uses colors and other symbols to describe the state of relationships, feelings, and even show a certain point of view. As Janie goes through relationships, she encounters different colors. Hurston also shows us Janie’s feelings within those relationships as well as the common view of the world on Janie. Next to the colors, Hurston uses other symbols to show the reader even more specific meanings.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Their Eyes Were Watching God, written by Zora Neale Hurston, revolves around the small town world of Janie, a vibrant yet oppressed woman. The reader is taken through Janie’s experiences, which elicit tremendous emotional growth in the heroine. Their Eyes Were Watching God is teeming with symbols; however, one of the most prevalent symbols is Janie’s hair. Her hair conveys far deeper themes that the novel is imbued with. Described as long and flowing, Janie’s hair symbolizes her vivacity and free will; however, it also conveys the theme of being ostracized from a community you belong in. Janie’s hair, although lauded, gives her an appearance that is of stark contrast to the rest of her community.
Janie’s adolescent reflects the main cause of her unhappiness. When Janie turns sixteen years old, she kisses Johnny Taylor over a gate. Zora Neale Hurston uses a gate to
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
The contrast of these two places reinforces the theme of a search for love and fulfillment. To see what an ideal situation for an independent woman like would be, Hurston must first show the reader what Janie cannot deal with. Hurston has her character Janie go on a quest, one that was begun the day she was forced to marry Logan Killucks. The contrast in the setting is similar to one between good and evil.
The first way the author uses symbolism to show the overall theme is with color. Numerous times in the novel Janie is wearing a different color ostentatiously depending on what is taking place. Although the message is oblique, most can find meaning behind it. Starting in the first chapter the color Blue is mentioned. “ … Where's dat blue satin dress she left here in?” (pg.2) This is the beginning where Janie is coming back with nothing and the towns women are gossiping about her status and appearance. Even later the author shows that she wears blue because of Tea Cake, “Wait till you see de new blue satin Tea Cake done picked out for me tuh stand up with him in.” (pg. 115) Traditionally the color blue represents 2 depth and stability. It can also symbolizes trust, loyalty, wisdom, confidence, intelligence, faith, truth, and heaven. From early on Hurston is indicating that Janie will be some of those traits and through out the novel the reader realizes that Janie is actually loyal, stable,wise, and confident after she is introduced to Tea Cake.
Over time Janie begins to develop her own ideas and ideals. In Their Eyes Watching God. Each principle character has their own perceptions. towards the end of marriage. & nbsp;
Janie sets out on a quest to make sense of inner questions. She does not sit back and
From the beginning of society, men and women have always been looked at as having different positions in life. Even in the modern advanced world we live in today, there are still many people who believe men and women should be looked at differently. In the work field, on average women are paid amounts lower than men who may be doing the exact same thing. Throughout the novel, Their Eyes Were Watching God, Zora Neale Hurston brings about controversy on a mans roles. Janie Crawford relationships with Logan, Joe and Tea Cake each bring out the mens feelings on masculine roles in marital life.
The beginning of Janie’s journey is with her marriage to Logan Killicks, a man with tons acres of land to his name, but to Janie’s knowledge, is just an ugly old bag that has a huge lack of any love or companionship for her. For example, when Janie talks to Logan one night about their relationship he only says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (30). Logan is emotionally destitute towards Janie in the beginning of the marriage. She cannot relate to him in any way what so ever and they both know it as well. In addition, at a point later on in the marriage Logan asks Janie to help him with chores outside, she replies “you don’t need mah help out dere, Logan. Youse in yo’ place and ah’m in mine,” (31). Not only does Logan have an absence of emotion, he also has an absence of love and he expresses the exact opposite of it through his bitterness and anger for Janie. She can now understand that Logan sees himself as supposedly “higher” than her and she loathes it even more. The marriage between Logan and Janie isn’t equal...
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.