Silent Spring Figurative Language

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How far will humans go to avoid inconvenience at the expense of other life forms? Biologist Rachel Carson intricately addresses this issue in her book, Silent Spring. When the book was written, in 1962, how our actions affected the environment was still widely unknown. The killing of colossal amounts of lesser life forms to avoid the undesired facets of their presence was common practice and the secondary effects of these killings that stemmed to human life wasn’t kept in check. In this impassioned passage, Rachel Carson confronts the mistreatment of the environment in order to provoke societal reform towards a conservationist way of life.
In the beginning of the passage, Carson incorporates substantial amounts of allusion displaying the …show more content…

When questioning the practice of eliminating burdening animals, Carson employs the metaphors, “chains of poisonings” and “wave of death.” These metaphors depict the eradications as shackling to the environment and bringing forth sweeping amounts of death. These negatively connoted comparisons evoke unpleasant feelings toward the extermination of invasive species. Further along in the passage, Figurative language is again utilized in the analogy, “Who has placed in one pan of the scales the leaves that might have been eaten by the beetles and in the other the pitiful heaps of many-hued feathers, the lifeless remains of the birds that fell before the unselective bludgeon of insecticidal poisons?” The analogy weighs the pros and cons of use of insecticides to show that it is heavily degenerative to the ecosystem. The reader then discovers that the figurative scale is heavily tipped towards the negative side of results. Metaphor and analogy used in the passage paint a vivid picture in the reader’s mind of the tragedy that occurs when animal populations are poisoned to avoid any possible undesirable dimension of their …show more content…

In an attempt to play of the hearts of readers, the author uses the periodic sentence, “Yet at so fearful a risk the farmers, with none to hinder them, waged their needless war on blackbirds.” This device conveys the farmer to be in a position of power with no restraint in his actions. The set up allows the main clause to sadden the reader at the choice to kill the blackbirds. This unnecessary tragedy argument is again used in the author’s diction when words such as, “lethal film” and “authoritarian” are used in description of the farmer’s actions, and the farmer himself. The chosen words relay the abuse of parathion to genocidal actions and tyrants. Syntax and diction play a major role in assigning the parathion perpetrators an appearance of pure

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