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Merits and demerits of fairy tales
Conclusion in Charles perrault cinderella
Merits and demerits of fairy tales
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Any child growing up will be enamored by the lustrous glorified ending of a fairytale; most notably Walt Disney’s. As this child progresses into maturity a realization of how the world actually revolves occurs demeaning their once happy thought. Charles Perrault wrote his version of Cinderella to appeal towards the naïve, yet inquire those with sophisticated intellect. A mask is created by the mysticism of magic and buoyant endings. Beneath that masquerade lies wretchedness within family and how at times freedom is only possible with the help of something non-existent.
Innocence itself has varying meanings and can branch out in a variety of ways. One commonality is to be free of guilt either emotionally or physically. For a person to be truly innocent they must be purely guilt free in both realms. The whole plot of Cinderella revolves around her pure nature. The happy ending would not be as gratifying and deserved, causing much less resonation with the audience. Cinderella’s innocence clashes with her new family as they are selfish and devious. Unbeknownst to Cinderella, she is the envy of her two step sisters as they always want more and better. If they were not envious of their step-sister, they would not prohibit her from going to the ball. The patience of the kind hearted girl pays off as she endured pain from losing her mother to death and father to stepmother. Humiliation of becoming the mistreated servant is her reward all the while she does it with a smile happy to oblige towards all their requests. Hence, innocence is also selflessness. As Cinderella progresses in the story her good nature does justify itself as she is the one that has a magical godmother that helps her woo the prince allowing her not jus...
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... He related to them with them by showing that even the most pure person imaginable does not get along with her sister. Cinderella did get over the past and embraced new beginnings with her sisters by her side. Perrault implemented the idea that sibling rivalry exists and if somebody as innocent as Cinderella can forgive everything her sisters did to her, so can everybody else. In reality it is hard to embrace forgiveness, but family should always be there for a person. Something as simple as a feud from childhood should not affect such an important part of life. Cinderella illuminates that (Perrault, n.d.).
References
Leder, J. (1993, January 1). Adult Sibling Rivalry. In Psychology Today. Retrieved November 7, 2013
Perrault, Charles (n.d.). Cinderella. Baker College Composition: A Custom Approach (rev. ed.), 404-408. Boston, MA: Pearson Learning Solutions.
A young girl is forced to live with her step-mother and step-sisters after her father and mother die. She becomes the maid of the family, tending to their every need. Eventually there is a ball; she acquires a fairy Godmother, goes to the ball, falls in love with the prince, blah blah blah. All you really need to know is that she has a happy ending. A happy ending. No matter how much suffering she went through in her early years, at the end, it all came together and she had no more worries. And this is the problem. Cinderella is not realistic. It never was and never will be. Watching this movie when I was young made me believe there was a prince waiting for me somewhere. I grew up thinking that life was simple and uncomplicated, that I did not need to worry about the future because there was a man that would provide everything I wanted and needed. But as I got older, I realized this was not the case. I saw many of my friend’s parents divorce, people die, and the world fight with each other. My fantasy died off, and I realized I had to work hard for myself, and not others. The poem Cinderella by Anne Sexton made fun of the ending of Cinderella. She states, “Cinderella and the prince / lived … happily ever after … / their darling smiles pasted on for eternity. / Regular Bobbsey Twins. / That story.” (Sexton 11). Notice who she referenced and how she has a sarcastic tone. Cinderella and the prince smiled for others, trying to convince
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Bettelheim, Bruno. ""Cinderella" A Story of Sibling Rivalry and Oedipial Conflicts." Bettelheim, Bruno. The Uses of Enchantment. 1976. 279-282.
Fairytales, the short stories that most children heard as they went to bed, are actually folktales from previous decades. The fairytales today are primarily adaptations of older versions recreated by Disney— the pioneers of this generation. With that said, the modern versions consistently display good triumphing over evil, a prince charming that constantly came to the rescue, and a happily ever after ending. However, the original folktale version didn’t always come with fortunate events, but often were more violent and gruesome. With the fairytale Cinderella, Disney maintains a similar theme as its Grimm version; however, the conflicts, events, and characters that support this idea are rather different.
Over centuries of children have been enjoying the classic fairy tales of the Grimm Brothers and Charles Perrault. The fanciful plots and the vivid details allow children to be entranced by characters and adventures that can only be found in these stories. One of the most beloved fairy tales, which both the Perrault and the Grimms have their own separate versions of, is Cinderella. Cinderella is able to show how both versions are able to feed off the same plots while personifying the century and social economic situation in which they have lived.
The Grimm’s stories have strict criteria for good and evil. Good women are not the hero, they do not plan, nor do they get themselves out of bad situations; they are obtuse and wait until a Prince saves them. These qualities doom the female protagonists (and readers) to pursue the only destiny women have, and that is to be a wife and mother (Rowe, 1978). Cinderella is the heroine and the ideal good girl. She is unambiguously beautiful, kind, and compassionate. She does not complain or get angry. This is foreseen early in the Grimm’s Cinderella story:
As the poem begins, Sexton starts with how the Prince and Cinderella are living happily ever after, but compromising the original naïve direction, she gives the poem a modern context bringing the reader back to reality. While it is obvious to the audience the discrepancies in Sexton’s version, it brings out many jealousies many of us struggle with, such as wealth and everlasting happiness. Sexton makes her audience notice early on many of the pre-conceived notions and expectations we bring to fairy tales. Sexton knows that real life gives no reason to be perceived as happiness, because why learn something that will never amount to use in reality? This tale is Sexton’s answer to her audiences of the “happ...
In both stories, Cinderella and Zozella are basically rescued by man from their hard, sad life, who then marries them and makes them his queen. This is sending a strong message to not only females but males also that women cannot save themselves and that they need to be “rescued” by a rich man who will marry them and provide them with a luxurious life. However, in Perrault’s “Cinderella” there is a theme which is not present in Basile’s “The Cat Cinderella”, this theme is the idea that beauty equals kindness of character. Cinderella is shown to be good of heart and also incredibly beautiful, unlike her less beautiful, mean spirited sisters, Perrault describes her as “a hundred times handsomer than her sisters, though they were always dressed very richly” (Perrault, 16). This sends the message that if you’re kind you are beautiful and if you are not beautiful then you do not have a good character. This theme is even seen in today’s society where women are judged and judge others based on appearance. This theme is not present in “The Cat Cinderella”, Zozella is beautiful as well but her beauty doesn’t make a good hearted person and this is evident when she commits murder to get what she wants. Creating the stereotypical view of women being cunning and sly in order to get what they want, and sending a message to young girls that women are heartless selfish
It is more obvious in this tale than others, but some of these aspects are the nickname of Cinderella, the evil stepfamily, the three balls, and the beautiful slipper. However, Perrault and the brothers Grimm made some parts of the story very different. In the Grimm’s version, Cinderella’s mother was very important to her and she was very important to her father, while in Perrault’s her mother is not even mentioned and her father is more attached to his new wife than he is to his daughter. Perrault described the stepsister’s as less beautiful than Cinderella, while the brothers Grimm described them as just as beautiful but with bad personalities. Another major difference was Cinderella’s magic helper. In Perrault’s story Cinderella had a fairy godmother that gave her horses, a carriage, footmen to escort her, and new beautiful clothes, and in Grimm’s story her magic helper was birds that only provided clothes. A main difference that a lot of people would notice is the fact that in the Grimm’s tale Cinderella’s slipper was made of gold, and in Perrault’s it was glass which is what most people are familiar with. The endings of the stories also differed. The Grimm’s version ended in a much darker way. Both stepsisters got their eyes pecked out and were doomed to live a life of blindness, which was clearly not a very child friendly way to end a story. In
A prolific exemplification of the ideal female virtues portrayed in fairy tales is Charles Perrault’s “ The Little Glass Slipper”. Perrault presents the ideal female fairy tale character through his portrayal of Cinderella. Cinderella is a tame and forgiving individual who subjects herself to the will of her father, stepmother and s...
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
In “Cinderella” by the Grimm Brothers, the moral is that one should never lie or be wicked to others. In the story, Cinderella’s mother passed away and a year later her father gets remarried to an evil woman who has two daughters. The wife and daughters torment Cinderella, making her complete tedious chores. Eventually, Cinderella attends a ball for the Prince and they fall in love. However, she runs away every night and he cannot find her. The Prince finally takes one of her slippers and sets out to find the love of his life. He then goes to her household and asks all the sisters to try the slipper on. The stepsisters try to deceive the Prince but “the blood was streaming from” their feet and they are eventually caught. When Cinderella tries on the shoe it fits perfectly and the two get married. At the reception, two birds peck out the stepsisters’ eyes, punishing them “with blindness as long as they lived.” The archetypes in the story are Cinderella who is the damsel in distress, the Prince who saves her and the evil stepsisters and mother who are the villains. A convention is that true love always...
The classic tale of Cinderella is well known for the fight of overcoming great obstacles despite great odds. However, there are always a few ill-hearted people who go out of their way to cease any competition that they might face, as seen with Cinderella’s step-sisters. Samuel Jackson says is his distinguished quote, “The hunger of imagination…lures us to…the phantoms of hope,” to help develop a more defined view of a fairytale. The story of Cinderella fully embodies the ideals of a true fairytale by encompassing magic, hope, and struggle between good and evil throughout the duration of the plot.
The story teaches us that society expects women to be passive. Cinderella’s abuse by her stepsisters and stepmother cause her to live in grief silently without expressing her emotions. She does nothing to fight for her freedom except sing about all the dreams of happiness that she hopes will come true someday. She only wishes for things to change rather than attempt to do anything to change it for herself. Cinderella waits to be rescued by Prince Charming instead of fighting for her own freedom. This teaches women that they should suffer in silence without doing anything for themselves.
The narrator says this to further the idea that the character of Cinderella evolves during the entire tale. She begins being this beautiful girl to this bottom-feeder only bossed around by her own family. This is significant when the stepmother takes “her beautiful clothes away” and dresses Cinderella “in an old gray smock” with “wooden shoes” (Grimm 1). This change makes the character more vulnerable in which it can make the other characters push her around more. The taking away of beauty can also show the true colors of the other characters because it shows that they are insecure. They are scared of Cinderella and by changing a simple look, it can give them the confidence to rule over her. Another personality trait that Cinderella has is the “damsel in distress” princess. This was very common in older princesses like The Little Mermaid, Snow White, Sleeping Beauty, and Rapunzel. All of these characters engulf this idea that princesses are passive, naive, innocent, easy targets, and always wanting to be rescued. For example, Cinderella never speaks up to her stepmother. Many older princesses were commonly known for doing nothing and letting stuff happen around them. As a result, the quote illustrates certain personality traits that are common in