Bloodbath in Futility In “Shooting an Elephant” much more happens than solely the shooting of an elephant. George Orwell depicts the murder scene of an elephant in Burma and precisely describes the events that led to its demise. Orwell uses various rhetorical techniques to instill the emotion felt in the moment of slaughter. Through the descriptions of the impending crowd and the crushing end of a majestical beast, Orwell appeals to the reader’s pathos. With these emotionally trying tales, Orwell excels at winning the reader over to the idea that imperialism has a massively negative influence on the oppressed and the oppressors. Orwell uses the rhetorical strategies irony, simile, and extended metaphor to convey his message to the reader. …show more content…
Orwell’s use of irony in “Shooting an Elephant” is instrumental to the contradictory feel of the essay.
“I perceived in this moment that when the white man turns tyrant it is his own freedom he destroys.” (6) The inert ironic nature of this statement truly depicts Orwell’s feeling about being an oppressor. He feels that he is oppressed by those he oppresses. On its death bed the elephant is both “powerless to move yet powerless to die.” It is ironic that such a powerful beast has been put in a position of complete futility. This situational irony alludes to Orwell’s own powerless situation. Orwell did not want to kill the elephant in the first place and yet, ironically, he bestowed it a slow, torturous death fit for the devil. Orwell is just one more to add to the bloodbath that directly results from imperialism. The bloodbath in futility shows the excessively abysmal effects of …show more content…
despotism. Orwell uses simile to consummate the idea that imperialism is corrosive to all, even the oppressors. “The friction of the great beast's foot had stripped the skin from his back as neatly as one skins a rabbit.” The diction and simile in this brief statement is superlative. The diction “great beast” and “neatly as one skins a rabbit” implies Orwell’s admiration of the elephant, even as he inspects its killing. The simile conveys this all using simple yet complex scribemanship. “[T]he elephant looked no more dangerous than a cow.” This, combined with a previous statement “cowed faces” concerning the Burmese peoples, makes it seem as if Orwell is personifying the elephant. This train of thought is furthered when he calls the elephant “grandmotherly.” Orwell envisions the elephant as a person not unlike his grandmother. This combined with the destruction of the life of the poor creature makes his situation even more futile than previously stated. In most rhetorical analyses of “Shooting an Elephant” the extended metaphor is the most prominent thing analyzed, and for good reason.
The Burmese people fought three wars and ended up seceding their social, economic and political life to the British despots. The extended metaphor in “Shooting an Elephant” is covert and blaring. The elephant and the British are one in abusive power. When the elephant raids the market place it symbolizes the exploitation and obliteration of the Asian economy under the British Raj. When the elephant kills the “coolie” it symbolizes the slave-like conditions that the British forced upon the Burmese peoples. The final resting position of the dead “coolie” symbolizes the innocence of the Burmese peoples, as he was in a crucifixion-like pose similar to Christ’s “final” resting place. The involvement of the Burmese people in football is a symbol of the imposition of British culture and the attempted obliteration of the native
culture. In conclusion, Orwell’s omnipresent use of rhetorical techniques in “Shooting an Elephant” instills strong anti-imperialistic values in its readers by appealing to their pathos tenaciously.
Have you ever wondered how animals interact and work together to get a job done? Many times, animals put their minds together to complete a task. But what many people do not realize is that animals interact with one another just as humans would. In many instances, people don’t realize the amount of intelligence and common sense that animals, such as the elephant, possess. The study of elephant’s thoughts and thinking were explained and backed up through three different mediums. This information was explained through articles, videos, and passages. Combined, these pieces of work clarified what the experiment was, what it was testing, the purpose behind it, and how the different pieces were
In Orwell’s reflective narrative, “Shooting an Elephant”, he reveals the truth on imperialism. Through the utilization of irony and the method of appeals, Orwell shows the reader that imperialism is just a definition because the people are in control, not Britain.
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
Orwell, George. “Shooting an Elephant.” Shooting an Elephant and Other Essays. Ed. Sonia Orwell. New York: Harcourt, Brace & World, Inc., 1950. 3-12.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
In the essay, “Shooting an Elephant”, George Orwell retells his experiences and feelings of being disrespected as a sub-divisional police officer in Moulmein, Burma. Early one morning, In the lower part of Burma, an elephant was reported ravaging the bazaar. As Orwell’s curiosity persuades him to go investigate the elephant, the author sees the damage that the elephant left behind. He prepares out of fear to “murder” the elephant with an elephant rifle. In doing this he excited the Burmese, who led a crowd behind Orwell, encouraging him to shoot the elephant who was now no more harmless than a cow. Orwell’s diction and actions, shows a complex tone towards the natives through his loyalties, his use of racist slurs, and his struggle with power and control.
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
The glorious days of the imperial giants have passed, marking the death of the infamous and grandiose era of imperialism. George Orwell's essay, Shooting an Elephant, deals with the evils of imperialism. The unjust shooting of an elephant in Orwell's story is the central focus from which Orwell builds his argument through the two dominant characters, the elephant and its executioner. The British officer, the executioner, acts as a symbol of the imperial country, while the elephant symbolizes the victim of imperialism. Together, the solider and the elephant turns this tragic anecdote into an attack on the institution of imperialism.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
The character, himself, is part of the British rule and is supposed to have all of the power. The Burmese, though, dangle the power in front of him. He is weak and unsure of himself, stating that he “wears a mask, and his face grows to fit it” (60). The character is not able to stand up for what he believes in -- that is, not shooting the elephant. There is a back and forth struggle in his mind about whether or not the elephant needs to be killed. Orwell’s character is fully aware that it is wrong and immoral to shoot an innocent creature, but eventually secedes to the demands of the Burmese, attempting to prove his cooperation and loyalty to those watching. In a way, the Burmese represent the pressures of society. Because of this, the audience can sympathize with the main character. There are always times when we, the readers, are unsure of ourselves, but we eventually make a decision. Whether we make the decision for ourselves or are assisted by others, in the end, we must take responsibility for our own actions. In a broader sense, Orwell’s character represents the internal conflict that everyone faces: should we conform to society or should we be our own
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.