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George Orwell and imperialism
Social Effect of imperialism
Social Effect of imperialism
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British author George Orwell was born in India and, after receiving his education in England, spent five years as an officer of the India Imperial Police from 1922 to 1927. In his essay titled “Shooting an Elephant”, Orwell reflects on a specific incident during his term as an Imperial officer which he claims gave him a deeper understanding of the evil nature of imperialism. Orwell explains the negative relationship between Europeans and the Burmese, and provides vivid imagery along with his point of view to identify the evil motive behind imperialism: pride. With the image of the Burmese prisoners, the image of the dead man, and the image of the dying elephant, George Orwell portrays the significant damage that was caused by imperialism.
Orwell begins by informing the reader that he had come to the conclusion that “imperialism was an evil thing”, and that he was more than ready to quit his job as an Imperial officer (323). As an officer, Orwell experiences firsthand “the dirty work of Empire” (323). One of the first images Orwell provides is that of the “wretched [Burmese] prisoners huddling in the stinking cages of the lock-ups” (323). Seeing the gruesome, harmful side to Imperialism on a day to day basis flooded him with guilt, yet he “could get nothing into perspective” (323). Orwell allowed his pride as a European officer in India to fog his logic; he could not let himself look a fool in front of those who already despised him, despite the control he had over
By this time, the elephant was eating in the field, and his “must” seemed to have worn off. A “sea of yellow faces” follows Orwell; the idea of the elephant being shot excites them (326). Orwell informs the reader that he had no intention of shooting the elephant and that he had only brought the rifle as a means of defense if necessary. However, with “two thousand people marching at [his] heels”, it would feel like defeat if he did not shoot the elephant (327). Orwell knew that killing the elephant would be wrong, but he could not risk being laughed at by the crowd of Burmese by whom he was already despised. Although he uses an elephant rifle, the shot is nowhere near deadly to the massive elephant. Orwell shoots the elephant over five times, each shot torturing the animal even further. Although the elephant had brought about death and disaster, it was innocent at the time of its death. The massive elephant who had caused such damage shortly before had become “powerless to move, and yet powerless to die”, just as the Burmese were powerless against the iron fist of imperialism (329). Orwell utilizes the image of the suffering elephant to demonstrate the ongoing suffering that the Burmese faced during the British occupation; he creates a vivid image that resonates within the reader to reflect how the experience resonated within himself, even years
In Orwell’s reflective narrative, “Shooting an Elephant”, he reveals the truth on imperialism. Through the utilization of irony and the method of appeals, Orwell shows the reader that imperialism is just a definition because the people are in control, not Britain.
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
In 1922, Orwell began working as the assistant superintendent of police in Myaungmya, Burma, and this is where his hatred toward imperialism and its tyrannical rule over the underdogs in society developed. He felt guilty torturing and flogging unwilling subjects. The community had taken too much power over the individual, and the imperialist society commanded Orwell to enforce this injustice: “I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny…with another part I thought the greatest joy in the world would be to drive a bayonet into a Buddhist priest’s guts. Feelings like these are normal by-products of imperialism” (qtd. in Lewis 41). Obviously, imperialism had affected Orwell to the point where he developed animosity towards the Burmese. As a policeman doing “the dirty work of the Empire” (qtd. in Lewis 41), Orwell acquired a hatred for imperialism, a belief that is focused on dominion over other individuals.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
Although shooting the, now seemingly calm, “mad elephant” is morally wrong to George Orwell, in his narration of Shooting an Elephant, he has to do so as he is a representative, or more so a pawn, of the British authority in the occupied country of Burma. Being such, he wages a war with his inner self to seek which decision needs to be carried out. With two outcomes in mind, one being that he will be seen as a fool if he does not shoot the elephant and the other being an authority of the law by truly showing it and protecting the villagers, he has an epiphany. With such an authority, the law and someone’s moral conscience diverge. He then realizes what must be done and shoots the elephant to protect the imperialistic authority. As the excitement
George Orwell’s “Shooting an Elephant” is a short story that not only shows cultural divides and how they affect our actions, but also how that cultural prejudice may also affect other parties, even if, in this story, that other party may only be an elephant. Orwell shows the play for power between the Burmese and the narrator, a white British police-officer. It shows the severe prejudice between the British who had claimed Burma, and the Burmese who held a deep resentment of the British occupation. Three messages, or three themes, from Orwell’s “Shooting an Elephant” are prejudice, cultural divide, and power.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
George Orwell dramatically writes about his time in Burma as an Imperial Officer in his essay “Shooting an Elephant”. He communicates in detail how he disagrees with the concept of imperialism but likewise dislikes the taunting Burmese community. Orwell goes on to recount the time an elephant rampages the village and how enlightening of an experience it was. Symbolism is a heavy orchestrator in this essay, with Orwell relating the concept of imperialism to several events such as the elephant’s rampage, the dead coolie, and the actual shooting of the elephant.
In “Shooting an Elephant,” George Orwell has conflicting problems concerning his position when it comes to shooting the elephant. Where Orwell was stationed at, in Burmese, he found himself being treated horribly by the Burmans because they didn’t welcome the British officers in their territory. One day, an elephant is in must and stomps around a village and terrorizes the villagers. Orwell has no ch...
Orwell speaks of how he is so against imperialism, but gives in to the natives by shooting the elephant to prove he is strong and to avoid humiliation. He implies that he does not want to be thought of as British, but he does not want to be thought the fool either. Orwell makes his decision to shoot the elephant appear to be reasonable but underneath it all he questions his actions just as he questions those of the British. He despised both the British Empire as well as the Burmese natives, making everything more complicated and complex. In his essy he shows us that the elephant represents imperialism; therefore, the slow destruction of the elephant must represent the slow demise of British Imperialism.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
Like the elephant, the empire is dominant. The elephant, an enormous being in the animal kingdom, represents the British Empire in its magnitude. The size represents power as it is assumed that the two are insuppressible. Also, the elephant and the British empire, both share hideousness in the effect it causes in Burma. To create a comparison between the elephant and the empire, the author describes the elephant as wild and terrorizing when the “elephant was ravaging the bazaar” (324); thus, it symbolizes the British Empire is restraining the economy of the Burmese. When the elephant kills the Indian laborer, it represents the British oppressing the Burmese. On the other hand, the elephant is a symbol of colonialism. Like the natives of Burma who have been colonized and who abuse Orwell, the elephant has a destructive behavior by being provoked and oppressed “it had been chained up” (324). Despite the fact of its aggressive behavior and the Burmese’ more astute rebelliousness could be undeniably good things, they are doing their best given the oppressive conditions, both the Burmese and the elephant have to endure. Also, the elephant symbolizes the economy of the oppressor, as well as the oppressed. This animal is a “working elephant” (326) in Burma, and for the colonial power. The Burmese are also working animals because they are hard workers and involuntarily are following the rules of the British empire.
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.