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Shiloh summary by bobbie ann mason
Shiloh summary by bobbie ann mason
Shiloh summary by bobbie ann mason
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Shiloh by Bobbie Ann Mason In the short story titled "Shiloh", Bobbie Ann Mason does an extremely effective job of getting her message across. This story is about a couple that gets married a young age that probably was not ready to be married. They experience a series of events, which shape them and determined there future. The author in this story does a fabulous job because this story was easy to read and understand. "Shiloh" was written in 1982 so the story plot isn't old and hard to grasp. It is set in recent times and features common people. Mason presents problems that people can relate to and identify with. She shows that staying in comfortable situations isn't always the best thing to do; sometimes you should go out of your shell and experience some kind of growth or change. "Shiloh" was written in 1982. Is set in the Kentucky backwoods, and uses characters that are vividly portrayed so the reader can feel like they know everything about them. The characters are common people from a small town. Mason does a great job of putting these elements together to capture the reader's attention. She is writing for a large audience and is efficient at drawing their attention. The target audience is the lower to middle class, and she inserts entities into the story that they can relate to. For example the character Leroy who is a truck driver, "likes to lie on the couch and smoke a joint", and Norma Jean, "works at the Rexall drugstore". These people are average people and a large section of society can easily relate to them. Mason uses the characters to present problems and conflict that are central to the American society. The problems that are examined in this story are very prevalent in our culture. Dysfunctional marriages/relationships and identity problems are some of the main problems that occur with Leroy and Norma Jean. During the time period when this story was written there was a big movement in our culture for change. This development was called the women's rights movement. As Mason states, "Something is happening. Norma Jean is going to night school. She has graduated from her six-week body-building course and now is talking an adult-education course in composition at Paducah Com.
Some main themes in chapter 12 and 13 revolve around new ways of life, ideology, and America’s perpetuating wars. Biddy Mason’s life growing up around these multiple changes in her culture clearly reflect her actions when she is older. Mason worked on a plantation, coerced miscegenation, was heavily exposed to the new Mormon faith, walked across the continent, legally upheld emancipation, and was successful later on in California formerly known as Mexico. Biddy Mason’s successful life was possible because of the world she lived in and the newly added rights to African American women.
A story review. Relationship changes over the passing of time as circumstances in life shape a person's way of thinking and way of life. Whether it flourishes or decays depends greatly upon how both people react to these alterations.
Shelby Foote's Shiloh is a novel about a real Civil War battle told from the point of view of a few common soldiers, both northern and southern, who fought there. Because he chose to depict the action from these points of view, he limits what can be said of the big picture. If one can ignore that big picture, the book works very well at showing the reader what the experience must have been like for individuals caught up in different parts of the fight. Yet needing to provide some of that picture, Foote has each character present background on specific generals and their actions leading up to Shiloh. This exposition is, for the most part, pretty clumsy and simply detracts from ...
The social, cultural and political history of America as it affects the life course of American citizens became very real to us as the Delany sisters, Sadie and Bessie, recounted their life course spanning a century of living in their book "Having Our Say." The Delany sisters’ lives covered the period of their childhood in Raleigh, North Carolina, after the "Surrender" to their adult lives in Harlem, New York City during the roaring twenties, to a quiet retirement in suburban, New York City, as self-styled "maiden ladies." At the ages of 102 and 104, these ladies have lived long enough to look back over a century of their existence and appreciate the value of a good family life and companionship, also to have the last laugh that in spite of all their struggles with racism, sexism, political and economic changes they triumphed (Having Our Say).
Summary and Response to Barbara Kingsolver’s “Called Home” In “Called Home”, the first chapter of the book Animal, Vegetable, Miracle: A Year in Food Life, Barbara Kingsolver presents her concerns about America's lack of food knowledge, sustainable practices, and food culture. Kingsolver introduces her argument for the benefits of adopting a local food culture by using statistics, witty anecdotal evidence, and logic to appeal to a wide casual reading audience. Her friendly tone and trenchant criticism of America's current food practices combine to deliver a convincing argument that a food culture would improve conditions concerning health and sustainability.
The setting in the short story “Shiloh” by Bobbie Ann Mason works well to accentuate the theme of the story. The theme portrayed by Mason is that most people change along with their environment, with the exception of the few who are unwilling to adapt making it difficult for things such as marriage to work out successfully. These difficulties are apparent in Norma Jean and Leroy’s marriage. As Norma Jean advances herself, their marriage ultimately collapses due to Leroy’s unwillingness to adapt with her and the changing environment.
The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These appalling memories are an account of the impact of colonization on the Haisla territory which continues to haunt the Aboriginal community throughout generations.
In the novel, Beauty by Robin Mc Kinley, the family of a wealthy merchant looses their wealth when the shipment boats get lost at sea. There are three daughters named Hope, Grace, and Honour, whom is nicknamed Beauty, and a father. The family is forced to move to the country and start a life more modest than accustomed. After the family adapts to country life, one of the older sisters gets married to an iron worker who used to work at the shipyard owned by the father. They have babies. Life goes on in the country.
The novel Saint Maybe by Anne Tyler is a beautifully thought out book that follows the complicated life of seventeen-year-old Ian Bedloe as he seeks forgiveness for his sins both from himself and from God. Ian blamed himself for causing his older brother, Danny’s suicide and his guilt slowly ate away at him until he was drawn into the Church of Second Chance. By this time, Ian was in college and both Danny’s daughter and step-children were orphaned and being taken care of by his elderly parents. So Reverend Emmett, the pastor of Ian’s newfound church, decided that the only way Ian could find forgiveness from God and from himself was to quit college and offer up all his time to raise Danny’s children. The plot spans the time frame of about 25 years, in which time Ian and the three children slowly mature and become very developed, intricate characters, and the story takes place in the city of Baltimore through the years 1965 to 1990. Anne Tyler spins a very believable tale, using a writing style that easily reminds the reader how quickly life goes by.
The main character of this book is Susan Caraway, but everyone knows her as Stargirl. Stargirl is about 16 years old. She is in 10th grade. Her hair is the color of sand and falls to her shoulders. A “sprinkle” of freckles crosses her nose. Mostly, she looked like a hundred other girls in school, except for two things. She didn’t wear makeup and her eyes were bigger than anyone else’s in the school. Also, she wore outrageous clothes. Normal for her was a long floor-brushing pioneer dress or skirt. Stargirl is definitely different. She’s a fun loving, free-spirited girl who no one had ever met before. She was the friendliest person in school. She loves all people, even people who don’t play for her school’s team. She doesn’t care what others think about her clothes or how she acts. The lesson that Stargirl learned was that you can’t change who you are. If you change for someone else, you will only make yourself miserable. She also learned that the people who really care about you will like you for who you are. The people who truly love you won’t ask you to change who you are.
Little Brown Baby by Paul Laurence Dunbar Paul Laurence Dunbar is one of the most influential African American poets to gain a nationwide reputation. Dunbar the son of two former slaves; was born in 1872 in Dayton, Ohio. His work is truly one of a kind, known for its rich, colorful language, encompassed by the use of dialect, a conversational tune, and a brilliant rhetorical structure. The style of Dunbar’s poetry includes two distinct voices; the standard English of the classical poet and the evocative dialect of the turn of the century black community in America. His works include
The major idea I want to write about has to do with the way Mrs. Hale stands behind Mrs. Wright even though it seems like everyone else especially (the men) would rather lock her up and throw away the key. We see this right away when she gets on the County Attorney for putting down Mrs. Wright’s house keeping. I find this to be wonderfully symbolic in that most women of this time usually allowed the men to say whatever they wanted about their sex, never standing up for themselves or each other
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
The story that Jess Walter tells, much like any other novel, is one of joy and sorrow. Lives intersect and separate, people fall into and out of love, and dreams are made and broken. What Walter does with his plot though is quite different. He writes it in a way where the whole book itself relies on the reader’s ability to realize that though some people meet for only a brief amount of time, their dreams and hopes, can hinge on even the briefest moments. Sometimes the characters in the novel have their stories intersect, some in very interesting ways, and other times you see their story as it is and was, just them. Walter does a wonderful job of bringing together many different lives, many stories, and showing how just because you feel alone, does not mean you are, your life and story can at any moment intersect with another and create a whole different story. Perhaps, Alvis Bender puts the idea that Walter is trying to convey into the best words, “Stories are people. I’m a story, you’re a story . . . your father is a story. Our stories go in every direction, but sometimes, if we’re lucky, our stories join into one, and for a while, we’re less alone.”
Red is the prison’s head chef and Norma is her sidekick. Both women are in prison due to the pressures of their husbands to maintain a certain role. Red’s husband was involved in the Russian Mafia thus making her conform to the roles of a “mafia wife” that is to be quite, be helpful, and above all be respectful. Red eventually is forced to be a drug mule for the mafia landing here in jail for life. Norma on the other hand was involved with a cult leader who forced woman to marry him to make the cult larger. Norma is a mute character due to the continuous oppression by this man leading her to a complete psychotic breakdown and pushing her husband off a cliff to his death landing Norma in jail for life. Both women were once fighting for basic human rights within their own lives. Both were never looked to as an influence in a highly oppressed patriarchal society. They were women who were forced to play the historical roles of the “lady of the house.” De Beauvoir writes, “We can see now that the myth [of woman] is in large part explained by its usefulness to man. The myth of woman is a luxury. It can appear only if man escapes from the urgent demands of his needs; the more relationships are concretely lived, the less they are idealized” (1271). Simply, these women were oppressed to play the historical role in their home life in order for their husbands to feed his needs. They are just a pawn in the