Sherman Alexie: What it means to be an Indian in America

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Sherman Alexie: What it means to be an Indian in America

“Dr. Mather, if the Ghost Dance worked, there would be no exceptions. All you white people would disappear. All of you. If those dead Indians came back to life, they wouldn’t crawl into a sweathouse with you. They wouldn‘t smoke the pipe with you. They’d kill you. They’d gut you and eat your heart.”

-Marie, Indian Killer, 314

The identity of the modern Native American is not found in simple language or description. Neither does a badge or collection of eagle feathers determine Native American identity. As Alexie demonstrates through the character of Dr. Mather and Wilson, pony-tails and store bought drums are mere materialistic symbols and stereotypes: they have no real value or respect for the history behind a person’s cultural heritage. Hanging out in Indian bars is insufficient. The identity of the Native American is formed in a context of opposition and resistance, of irreversible historical travesty, and of inescapable conflict. Given the complex and lengthy history of U.S. atrocities against the Indians, and the equally violent aggressions of Indians against whites, bloodshed and animosity were the basis original Indian- U.S. relations. The original brutality these relations cannot be underestimated; nor the intricate series of laws and Acts passed throughout the ninteeth and twentieth centuries for the destruction of Indian culture and heritage. Yet, as Alexie argues, the forces of hatred cannot be exclusively emphasized in determining the identity of the Native American.

Indian Killer by Sherman Alexie is a work of humor, an investigation of community identity and family love, as well as a discussion of race and hate. Marie’s speech to the hapless Dr. Mat...

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...efers back to Marie’s hostile statement. Although not every Indian feels as Marie and Reggie do, certainly not John Smith in his dream, the ominous metaphor of the owls marks Alexie’s prediction for the future: unless hate can be reconciled, the spirit of murder and blood shed will continue to plague man kind. While the title of the work serves to encompass victims of both white and Indian cultural backgrounds and closes on the image of the ambiguous killer, (could it be Wilson dancing wildly with his store bought cassette tape? Or could it be Reggie living large in his bloody victories?), the content of the novel is a living account of human actions to historical contexts. Alexies’ work is exaggerated beyond reality, to be sure, yet his assessment of Native American identity is intriguing and universal in the story of recovery from human inflicted violence and hate.

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