Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Stereotypes of native Americans
Stereotypes of native Americans
Stereotypes of native Americans
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Stereotypes of native Americans
Although it is a short piece, the text “Happy Trails” by Sherman Alexie is a multilayered and fascinating representation of Native American Indian history and culture. Early in the work, after introducing his relative Hector in its first paragraph, the narrator reflects on the man and then makes a general statement about the nature of all Indian men that alludes to the overall meaning of the entire text. He states, “Indian men live wild-horse lives, running beautiful and dangerous, until some outside force—some metaphorical cowboy—breaks them” (Alexie 1). Because it appears early in the text it would be easy as readers to miss the importance of this statement, but this moment signifies a notion being illustrated and alluded to throughout the entire work. …show more content…
What the narrator is saying is Indians could often blame confrontation or tensions outside of themselves for their losses.
The history between literal cowboys and Indians proves to have broken Indian culture. The narrator mentions his “favorite uncle was only one degree away from slavery, the Indian Wars, the Battle of Wounded Knee and genocide” (Alexie 2-3), and makes perfectly clear that some form of real violence is the reason for loss of his people, their culture and now Hector. He utters, “I imagined that all my aunts, uncles, and cousins, [and his father] were buried in Hector’s empty coffin” (Alexie 3). Hector and his grave become a symbol in the story for the “broken” life and culture of the Indian man. However, every group has aspects it’s not proud of. Though Indians could blame tensions between whites for their losses the narrator tells the story through an authentic lens and admits its own people could be partially responsible. Now, years later, although racism and prejudice still exist the white man is not necessarily primarily destroying the culture or the people. This is why he says, ‘metaphorical’ versus
literal. The ‘metaphorical cowboy’ in the statement alludes to opinions that follow this group and the topic of the story—Hector. No one knows for sure much of the real histories of its people, because those who were there have been lost and those now are continuing to be lost due to some other form of tension or violence. The narrator’s assertion, “Hector was murdered by another Indian” (Alexie 3), suggests the outside force may be coming from within the group. But the important thing the narrator and the text make clear is the need to preserve the culture by continuing the stories for and about its people. He suggests, in Indian culture, “Everything—our worst losses and our greatest beauty—is deemed sacred and necessary” (Alexie 1). The narrator, as an Indian man himself, is explaining within the culture and living amongst the people the lives of Indians are beautiful until tensions change or motivate them to sway from their culture or heritage. Each Indian man has a wild, striking story to tell and trail to leave. It is obvious at the end of the text that the narrator himself is grappling with the ‘metaphorical cowboy’ but intends to keep his story alive.
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
The negativity seen in today’s society and the awful stereotypes about Aboriginals would never exist if was not for all the racism and savagery they had to endure. Zen Master and peace activist Thich Nhat Hanh said, “Hope is important because it can make the present moment less difficult to bear. If we believe that tomorrow will be better, we can bear a hardship today.” A reader can identify that one of the main messages to be taken from Indian Horse, is that hope drove Saul to keep on working hard and that residential schools were never able to take away Aboriginal people’s hope. A reader would think that Saul’s acceptance of coaching the Moose is not for his own gain, but also to help the kids who play on the team, both physically and
In the book Bad Indians, Miranda talks about the many issues Indigenous People go through. Miranda talks about the struggles Indigenous people go through; however, she talks about them in the perspective of Native Americans. Many people learn about Indigenous People through classrooms and textbooks, in the perspective of White people. In Bad Indians, Miranda uses different literary devices to show her perspective of the way Indigenous People were treated, the issues that arose from missionization, as well as the violence that followed through such issues. Bad Indians is an excellent example that shows how different history is told in different perspectives.
In the introduction, Hämäläinen introduces how Plains Indians horse culture is so often romanticized in the image of the “mounted warrior,” and how this romanticized image is frequently juxtaposed with the hardships of disease, death, and destruction brought on by the Europeans. It is also mentioned that many historians depict Plains Indians equestrianism as a typical success story, usually because such a depiction is an appealing story to use in textbooks. However, Plains Indians equestrianism is far from a basic story of success. Plains equestrianism was a double-edged sword: it both helped tribes complete their quotidian tasks more efficiently, but also gave rise to social issues, weakened the customary political system, created problems between other tribes, and was detrimental to the environment.
One of the hardest realities of being a minority is that the majority has a thousand ways to hurt anyone who is part of a minority, and they have but two or three ways to defend themselves. In Sherman Alexie’s short story The Toughest Indian in the World, Roman Gabriel Fury is a member of the Native American minority that makes up less than two percent of the total United States population (1.2 percent to be exact). This inherent disadvantage of being a minority, along with various cultural factors, influences the conflicted character of Roman Gabriel Fury and his attitudes toward the white majority. Through his use of strong language, demanding tone, and vibrant colors, Roman Gabriel Fury is able to reveal his complex feelings about growing up Indian in a predominately white world.
In Sherman Alexie’s “This Is What It Means to Say Phoenix, Arizona” and “Dead Men’s Path”, the reader is given a glimpse into two different stories but share many similar characteristics of traditions. Tradition is the handing down of statements, beliefs, legends, customs, information and cultures within a group of people from generation to generation. However, these two stories will reveal that the protagonists in these stories, Michael from “Dead Men’s Path” and Victor from “This Is What It Means to Say Phoenix, Arizona,” will ignore their own traditions that they face throughout the story. In other words, the protagonists are westernized and have forgotten their own culture, which reflects the theory of the melting pot. The ignorance of ancestry and traditions brings the worst fates into the lives of the protagonists in each story.
Although the work is 40 years old, “Custer Died for Your Sins” is still relevant and valuable in explaining the history and problems that Indians face in the United States. Deloria’s book reveals the White view of Indians as false compared to the reality of how Indians are in real life. The forceful intrusion of the U.S. Government and Christian missionaries have had the most oppressing and damaging affect on Indians. There is hope in Delorias words though. He believes that as more tribes become more politically active and capable, they will be able to become more economically independent for future generations. He feels much hope in the 1960’s generation of college age Indians returning to take ownership of their tribes problems and build a better future for their children.
Author and Indian Activist, Vine Deloria makes compelling statements in chapters 1 and 5 of his Indiana Manifesto, “Custer Died For Your Sins.” Although published in 1969 this work lays important historical ground work for understanding the plight of the Indian. Written during the turbulent civil rights movement, Deloria makes many comparisons to the Black plight in the United States. He condemns the contemporary views toward Indians widely help by Whites. He argues that Indians are wrongly seen through the historical lens of a pipe smoking, bow and arrow wielding savage. Deloria views the oppressors and conquerors of the Indian mainly in the form of the United States federal government and Christian missionaries. The author’s overall thesis is that whites view Indians the way they want to see them which is not based in reality. The behavior of whites towards Indians reflects this false perception in law, culture and public awareness.
A young Apache at the time, Geronimo set out one day with his family from their homeland, which is now located in southeastern Arizona, on a trading mission into Mexico. Many other families also went with him. The men went into town to trade each day, leaving their families behind. On this momentous evening, they returned home to find that Mexican soldiers had ferociously attacked their camp. They had murdered their women and children and stolen their supplies and horses. The dead were scattered everywhere. Geronimo’s wife, three children, and his mother were among those slaughtered. He found their bodies lying in a pool of blood. “I had lost all,” Geronimo said. His heart was broken. He would never be the same again. The loss of his family led Geronimo to a lifelong hatred of all Mexicans. He was filled with hatred, and he would spend a lifetime pursuing vengeance for all that he and his people had lost. He became one of the most feared Apache warriors of all time. The career and accomplishments of Apache warrior Geronimo were indicative of the fight for a Native American way of life in conflict with that of the progressing American frontiersmen and Mexican soldiers.
In “This Is What It Means To Say Phoenix, Arizona,” Alexie creates a story that captures the common stereotypes of Native Americans. For instance, in the story the narrator states, “Who does have money on a reservation, except the cigarette and fireworks salespeople?” (Alexie). This quotation shows that the narrator addresses the idea that all Native Americans must own businesses that sell fireworks and/ or cigarettes in order to be successful. In this example, Victor is shown to not identify with the Native Americans because he does not pursue the same job opportunities as many Native Americans do. Victor's character is used as a contrast to the stereotypes that , there he represents reality. Another instance in which the author incorporates a stereotype about Native Americans is when Thomas-Builds-the-Fire first makes conversation with Victor. Thomas-Builds-the-Fire informs Victor about the news of Victor's ...
Louise Erdrich’s short story “American horse” is a literary piece written by an author whose works emphasize the American experience for a multitude of different people from a plethora of various ethnic backgrounds. While Erdrich utilizes a full arsenal of literary elements to better convey this particular story to the reader, perhaps the two most prominent are theme and point of view. At first glance this story seems to portray the struggle of a mother who has her son ripped from her arms by government authorities; however, if the reader simply steps back to analyze the larger picture, the theme becomes clear. It is important to understand the backgrounds of both the protagonist and antagonists when analyzing theme of this short story. Albetrine, who is the short story’s protagonist, is a Native American woman who characterizes her son Buddy as “the best thing that has ever happened to me”. The antagonist, are westerners who work on behalf of the United States Government. Given this dynamic, the stage is set for a clash between the two forces. The struggle between these two can be viewed as a microcosm for what has occurred throughout history between Native Americans and Caucasians. With all this in mind, the reader can see that the theme of this piece is the battle of Native Americans to maintain their culture and way of life as their homeland is invaded by Caucasians. In addition to the theme, Erdrich’s usage of the third person limited point of view helps the reader understand the short story from several different perspectives while allowing the story to maintain the ambiguity and mysteriousness that was felt by many Natives Americans as they endured similar struggles. These two literary elements help set an underlying atmos...
[1] The silent film, With Daniel Boone Thru the Wilderness, was produced in 1926: a time of prosperity, an era without the skepticism of the modern American mind. People were not yet questioning the stories and histories they had been taught as children. The entertaining story told in this Robert North Bradbury film is loosely based on the life of an American hero. However, the presence of several insidiously inaccurate historical representations demonstrates how an entertaining film might not be as innocent as it initially seems. This film fails to question certain key issues concerning the Daniel Boone legend. In fact, it does quite the opposite. The creators of this film wholeheartedly bought into the many warped myths and distorted “facts” surrounding the story of Daniel Boone. Amazingly, the ethnocentric (read racist and colonial) ideals found in 19th century whites apparently still existed in 1926, and, to a certain extent, still do today. This essay will explore the factors that contributed to the twisted representations found in With Daniel Boone Thru the Wilderness. Hopefully, the work of this essay and many others like it will help the next generation of Americans (and filmmakers) to avoid the same injustices and societal pitfalls that have plagued mankind for ages.
Cooper's romanticizing of the Old West, created an inaccurate picture of Native Americans, but he was not the only one. Eighteenth and Nineteenth-century literature shows us many incorrect representations of Native Americans. With passages like the one above, captivity narratives, and the descriptions of Indian wars, is it any wonder that people were afraid of the Indians they would encounter out west? When people moved out into the frontier all the biased opinions they had been fed went with them. They took the mental pictures that the media of the day proposed and made them real in their minds eye. But the fear they took with them was almos...
All in all, the treatment of the American Indian during the expansion westward was cruel and harsh. Thus, A Century of Dishonor conveys the truth about the frontier more so than the frontier thesis. Additionally, the common beliefs about the old west are founded in lies and deception. The despair that comes with knowing that people will continue to believe in these false ideas is epitomized by Terrell’s statement, “Perhaps nothing will ever penetrate the haze of puerile romance with which writers unfaithful to their profession and to themselves have surrounded the westerner who made a living in the saddle” (Terrell 182).
Tayo faced a struggle of recognizing his essence: the true definition of himself outside and most especially inside. Being a half Native American and half-Caucasian in an environment of a Native American tribe in Laguna, he was constantly reminded of being an outcast. Externally, whenever he would try to fit in any of his race, both sides would reject him with ridicules. As Emo stated against Tayo, “There he is. He thinks he’s something all right. Because he’s part white. Don’t you, half-breed?” It presented hatred from a full-blooded Native American because, “the only reason for this hate was that Tayo was part white.” In fact the shame of being a “half-breed” continued down to his relatives. Auntie’s, “shame for what his mother (Tayo’s) had done, and Auntie’s shame for him (Tayo),” was surprising even though she was one of the closest blood relative of Tayo. On his Caucasian side, encounters were similar with the Native Americans. He was not truthfully acknowledged by the Caucasians he encountered under the shadows of his military uniform, which symbolizes “his service and loyalty” for the United States because, “they had the uniform and they didn’t look different no more. They got respect” . He was automatically disregarded as “the different o...