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Character development essay examples
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The mirror is cracked but not shattered. Fragments of glass reflect pieces of her. Lily-white skin. Primped, hanging curls the color of corn. A button nose. Cherry ribbon lips. Opaque forget-me-not blue eyes. The dark pupils dilate and swivel, dilate and swivel, but her eyes are sightless. She sees, but she does not. The mirror is cracked but not shattered. She sees her face separately in each shard of glass. Some small, some large. A multitude of reflections, each one a clone of the other, each one a doppelganger, a twin. Never alone. Each reflection with an identical companion. Symmetry is beautiful. She aches. The mirror is cracked but not shattered. Her fingers graze the mirror. The pads of her fingertips tingle at the touch of each crack’s raised edge. A mirror; a symbol of frailty and a symbol of immense power. Reflective ice. What lurks beneath the translucent, razor-thin surface of a mirror? Her fingers reach for the reflections before her. The mirror is cracked but not shattered. The curtains unveiled her. Pretty as a doll. Silent as a mannequin. Lifeless as a marionette with no one pulling her strings. Beneath the spotlight’s glare, a reflection clearer than in a cracked-but-not-shattered mirror. The lipstick glued to her lips, the blush caked on her face, the bright red circles painted upon her cheeks. A freakish sight fit for the gypsies’ circus. Silence. Or laughter. Silent laughter. The fat tears roll down, leaving clean tracks in the thick makeup. The mirror is cracked but not shattered. Prone to melancholy, she muses. To be cracked like the mirror but not shattered. All the pieces together, but not completely complete. Complete completeness terrified her. Her own eyes see clearly, t... ... middle of paper ... ... So much frightens her. Irresistible completeness strikes both awe and terror in her. Her tiny hands ball into fists, the fingers like claws, like stilettos. Her porcelain whets into a blade. An inexorable desire rising, groaning like a glutton within her disgustingly perfect shell. The mirror is cracked but not shattered. With her white flawless claw, she smashes the cracked mirror. It shrieks one final time as its fragile fragments shatter and cascade to the barren floor. Fluorescent lights glare callously at her triumph below. A moment’s pause, as the silence embraces the passing of the mirror’s long life. The deadened air suckles eagerly from the mirror’s relinquished memory of reflections. Beneath her lie the pieces, abandoned and unwanted like broken teeth, no longer part of an incompletely complete work of wonderment. The mirror is shattered.
Mirror: a live entity. The movie shows that the mirror is alive and covered with gold draped. The portrayal of unsecure feelings of the Queen could be the identity of the mirror. It is because only the Queen can see the mirror alive. It shows the progress of the Queen and her fate in the story.
If looked at from a religious perspective light is symbolised as good and darkness as evil. I have incorporated that in my visual rep by the fragmentation of light and dark in the background. The face on the left has her lips painted black and disappearing into the background to convey that it really wasn’t appropriate for women to break out of the repressive and constrictive role of being nurturing mothers and the perfect housewives. If she was to comment on those roles, to admit to the isolation and frustration of being a mother out loud, it was considered wrong and sinful. Hence, why a lot of women took to mediums such as poetry or writing to have their voice be heard. The figures in my VR are bald because during the Holocaust the prisoners’ heads were shaved off to identify them as an inmate. The bald head is to symbolise imprisonment in terms of limited opportunities for women in the 50s and they were basically prisoners in their
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Her face is smooth, calculated, and precision-made, like an expensive baby doll, skin like flesh- colored enamel, blend of white and cream and baby-blue eyes, small nose, pink little nostrils-everything working together except the color on her lips and fingernails, and the size of her bosom.
outside of her house, marking her fall from grace, innocence lost, and the awakening of
she was pretty and that was everything” (225). This captivation with herself along with the constant looking in the mirrors and thinking her mother was only pestering her all the time because her mother’s own good looks were long gone by now (225) shows a sign of immaturity because she believes everything revolves around whether or not someo...
The mirror is another sêma. A mirror shows reflection and this reflection is of the memories that were shared between Chunhyang and Mongryong. A person can reflect on past events and build connections between places, objects, and people. The signs that people give to each other are important for recognition and building relationships. The importance of sêma can be seen in the Odyssey as well.
... middle of paper ... ...become. Then the. The cracking mirror can also be used to suggest a certain superstition connected to the breaking of mirrors which fits in.
Every time I look into a mirror I check my hair, maybe inspect my teeth to see if I do not have food wedged up my tooth I would not want people to observe as I smile. That is pretty much the reason I use a mirror. Oh wait, I also utilize one as I shave. That is it. I did not believe there could be a more profound way of looking at ones reflection. Henry Miller’s The Tropic Of Capricorn changed my view of who I was actually looking at. Imagine reading something so powerful it made you question the meaning on why you and specifically you were given life on this earth and why you were given the specific life you are living and what will eventually turn out to be your legacy? If I have your head spinning I apologize but that was the same reaction
...n seems to be the only thing that kept her together, and once is breaks, she does too. The end of the poem results in a finale of her knowledge, “And Finished knowing – then-“. At the end of both writings, the narrators’ self-awareness and realization explained their final actions.
...mirror revealing the dual natures within her femme fatale, by the intimate conversation she holds with Leonard by confiding in him of her loss in order to gain his trust. Another notable symbolism used in the film is the photographs which Leonard uses to recreate his short term memory. The fact that he is forced to rely on his old memories to survive turn out to be difficult because Leonard can't realize the true meaning of the photos he carries and therefore is not capable of reaching the same ending every time he sees them. In other words, his dependance on the photos to remember only helps him remember an alternate reality. Thus, as seen by Leonard’s dialogue, “We don’t need mirrors to remind ourselves of who we are”, Nolan explains that the deception of one’s memories cannot be justified whether it be for the better good for it can only lead one to harm’s way.
"She paused before the mantelpiece, studying herself in the mirror while she adjusted her veil. The attitude revealed the long slope of her slender sides, which gave a kind of wild-wood grace to her outline, as though she were a captured dryad subdued to the conventions of the drawing-room; and Selden reflected that it was the same streak of sylvan freedom in her nature that lent such savour to her artificiality" (15).
After locking her self in the solitude of her bedroom she begins to recognize things that one would not think of after a loved one just passed away. " She could see in the open square before her house the tops of trees that were all aquiver with the new spring life (paragraph 5)." This is the point at witch she begins to deal with the grieving process, but also starts to realize the beauty of life. She begins to see that ...
The concept is also significantly impacted by the use of a mirror which appears in both the stimulus and creative text. This object is included in the scene when Emma notices the hat as it is a reflection. The inclusion of this image through the mirror depicts something of altering appearance which largely impacts the dynamics of their household and unlike the characters fronts within the texts; the mirror shows a realistic reflection of their actual appearance with an inability to mask any
has left her weak, desperate, broken. The hope for recovery, long gone. The pain, over time,