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Gothic imagery in literature
Gothic imagery in literature
Literature the gothic genre
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The use of gothic literature is very prevalent in the literary works Sharp Objects, Don’t Ask Jack, and The Black Cat. The fascination of the past is a common element in all of these works. The authors aim to explore the human capacity for evil through internal and external struggles with the characters and their pasts.
In the novel Sharp Objects by Gillian Flynn the past plays a major role in Camille’s (the main character) life. Due to the pain of loosing her younger sister and growing up with a mom who did not love her, Camille copes with the pain her past brings her in unfortunate ways such as cutting and alcohol consumption. For example, when Camille was told she was pretty, she would “[think] of everything ugly swarming beneath [her] clothes” (Flynn 156). The way she thought of herself was tied directly with how her mother treated
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her growing up. Because of the non existent love shown to Camille by her mother, it lead her to believing at a young age that she really was unsightly. As the book progresses you see the strong desire for Camille to be loved because of the void her mother (Adora) left in her life. Adora would “parade Camille around town, smiling and teasing [her]… When [they] got home she’d trail off to her room like an unfinished sentence… searching for clues to what [she] had done to displease her” (Flynn 97). This quote is an important part of the book because while visiting her home down for work, Camille wishes for her mother’s love even as an adult because of the way she was treated as a kid. Camille’s recollection of her past caused her a great amount of suffering throughout the novel. In the literary work Don’t Ask Jack, the jack-in-the-box the kids played with stuck in their memory forever.
Although they did not play with the jack-in-the-box together, each child had their own encounter with Jack. Jack would ascend from the box, motion to the kids to come closer, smile, and “[tell] them each things they could never quite remember, things they were never able to entirely forget” (Don’t Ask Jack 2). Each kid’s memory with Jack stuck with them as adults showing the role Jack played in their lives. Jacks effects on the kids caused the girls, now women, to refuse to visit the house in which they had grown up. The youngest brother was found in the cellar of the old house “trying to burn the great house to the ground. They took him to the madhouse, and perhaps he is still there” (Don’t Ask Jack 3). This quote makes the reader wonder the things Jack told the brothers and sisters when they were little that caused such damage on their lives, even as adults. Each kid’s memory with Jack in their old house affected them as they grew up and left an unforgettable mark on their lives, something they would never be able to
forget. In the literary work The Black Cat by Edgar Allen Poe, the narrators past actions cause him to completely change as a man. After killing his cat, Pluto, the narrator gets another cat to replace Pluto. This cat looks exactly like Pluto except for the fact it has a white speck on its chest. The narrator soon begins to build a hatred for the new cat because it reminded of him of the cat he had once loved, Pluto. The white mark soon appeared to the narrator as “the representation of an object that [he] shuddered to name” (Poe 10). The reader can infer the object the white speck on the new cat represented to the narrator was a noose, the object he used to kill Pluto. Because the new cat reminded him of his past actions, the narrator “loathed, and dreaded , and would have rid [himself] of the monster had [he] dared- it was now, [he said], the image of a hideous- of a ghastly thing- of the gallows”(Poe 10). The new cat now brought the narrator great fear and horror because it reminded him of the evil acts he had committed on his old cat. He ends up killing the cat because he could not stand its presence anymore. Throughout the story, the narrators past brings up new challenges he has trouble dealing with which causes him to completely deviate from the man he once was. The authors in these works all used the literary element of fascination with the past to bring up adversity and show how the characters handled it. The past plays a significant role on a person and can leave certain memories that create a lasting affect.
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Jack, on the other hand, is doing nothing but causing chaos. Jack fails to realize that the boys need security, stability, and order on the island. Jack was a leader of the choir before the boys landed on the island. These boys, who were in the choir, still want to follow Jack; however, they have no discipline at all. The only thing that is on Jack’s mind is hunting.
While literature often follows some pattern and can be predictable, it is often evolving and can change in an instant depending on the author. In most Gothic literature, a derivative of Romanticism, there is a gothic space in the work – a limited space in which anything can happen in contrast to the normal world in the work. In addition, normally, order is restored at the end of Gothic literature – the good is rewarded and the bad is punished. In his Gothic novella, The Terrible Vengeance (1981), Nicolai Gogol decided to expand the ‘normal’ idea of Gothic literature by, in the work, transforming the traditional Gothic space to encompass anything and everything; in addition to the use of space, through the ending in which there is no reward, Gogol conveyed the idea that evil is prevalent everywhere and in everyone.
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
The gothic often presents dangling characters and plot lines, which contribute to the main point of the gothic: suspense. Brown’s works depend on the use of suspense as a literary technique and is evident in Wieland within Clara’s first person point of view narrative. Her constant reflections on how difficult it is for her to continue on with the series of events. Such actions, although they may seem trivial, persuade the reader to continue on to find out what happens
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Jack, thinking he might have been that very baby, retrieves the bag he was found in as an infant in which Ms. Prism identifies by some distinguishing marks to have been her own. Jack realized the woman that had been teaching his niece was his mother. But then Lady Bracknell explained that she was not, but Lady Bracknell’s poor sister Mrs. Moncrieff was. The irony continues to explain how Jack and Algernon were biological brothers. They were pretending to be earlier to play out their game of Bunburyism.
Jack didn’t know what to do in this situation, but all the while he suspected that his wife was cheating on him as well. Jack calls his sister Ellen to get her opinion, but in the process she ends up deciding to come down and stay with them for a while. Jack seemed hesitant but grateful for the company because Julia was never home anymore, she was too busy working at the fab plant for Xymos. When Julia hears that Ellen is coming over, she decides to leave work early. When she pulls in, Eric the middle child says he see someone in the cart with her, but when she walks through the door, she is alone. After dinner, julia abruptly leaves, but as Jack sees her pull out, he sees the figure of a man in the passenger
Gothic Literature highlights the contrast of power and it is always