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Media portrayal of gender stereotypes
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Shameless Informative Essay In 2011, I watched a new television series. The new series aired on Showtime after a show called Dexter. The new series is known as Shameless. Shameless is based on the long running series, Shameless U.K. Shameless is the American take of the U.K. version. There is a lot cruder language, and nudity in the American version. The series focuses on the Gallagher family, and they live in Chicago, Illinois. The show refers to the Gallagher family living on the Southside, which is the “ghetto” of Illinois. Both Shameless U.S. and Shameless U.K. have similar character names and plots. In this paper, I will focus only on Shameless U.S. Shameless is about the life of the dysfunctional Gallagher family. In this section, it …show more content…
will focus on the main characters of the series. The dad, Frank Gallagher is an alcoholic, drug abuser, and a negligent father. The mom, Monica Gallagher, is an absent parent, bipolar, and a drug abuser. Monica is not introduced until later in the series. Fiona is the eldest daughter, she is the caretaker. Fiona is a strong, responsible, and the main provider of the household. Fiona has raised her younger siblings since she was a young girl. Fiona is always trying to give her siblings everything they need. In season five, Fiona gets cocaine from a friend. She leaves it out and somehow her little brother, Liam, ingests it in his system. Liam is four at the time, and gets hospitalized. Fiona is put on probation and eventually violates probation and is sentenced to a couple of months in jail. Fiona gets married, but cheats on her husband with her ex-boyfriend. Then, she gets a divorce. Fiona begins dating her boss, who is an ex-drug addict. Fiona was about to get married for the second time, but she finds out her fiancé is still using drugs. Fiona calls off the wedding. Fiona stops trying to get in relationships. Fiona turns her life around gets a job a restaurant. She ends buying a laundromat and tries to convert it into a hipster laundromat. She sells the laundromat and makes a profit. Fiona invests in an apartment complex, so she can make a profit. Philip referred to as Lip, is the second oldest. Lip is the most intelligent out of his siblings. Lip is a scammer, and will find ways to trick the system. Later in the series, Lip gets a full scholarship to college, because of his academic excellence in high school. Lip also develops alcohol dependency, because of a bad breakup with his professor. Lip wanted to be an engineer, but gets expelled from college after smashing his professor’s car. He tries to get help by going to rehab and AA meetings. Furthermore, Ian Gallagher is the third oldest, and he is bipolar.
Ian finds out he is bipolar later in the series. Ian is also gay, and his family did not until the middle of the first season. Everyone in his family accepts him, except for his father, Frank. Ian is promsicu0s and drops out of school to go into the army. He impersonates his older brother, Lip to get drafted. Ian eventually crashes a helicopter and become military fugitive. Ian gets into a relationship with the neighborhood thug, Mickey. Mickey and Ian date until, Mickey goes to prison, because of attempted murder. Additionally, there is Debbie Gallagher, she is the fourth oldest, and is caring and motherly. Debbie tries. hard to grow up early. She tries to be accepted by the promiscuous girls in her middle school. Debbie wants male attention and she goes about it in a bad way. Debbie gets pregnant at 15. She manipulated her boyfriend into to having sex. She told him she was on birth control, but she was not and she got pregnant. Debbie wanted a child, because she wanted a family with her boyfriend. Fiona wanted Debbie to get an abortion, but she wanted to have a child, so she the baby. Debbie gives birth to a girl, Franny, named after her father, Frank. Debbie boyfriend leaves her when he finds out she was pregnant. He goes to live his dad in a different state. Debbie is a caring mom, but does not get support from her family. Debbie ends up getting engaged to a physically disable man, and they have an apartment. Debbie joins a trade school, and is studying to become a
welder. In addition, Carl Gallagher, has a destructive personality, is a bully, and is not intelligent. Carl is the fifth youngest, and he likes weapons, fire, and damaging materials. Carl has flunk many grade levels. Carl becomes a drug distributor in middle school. He gets caught with cocaine on him with his cousin. He is sentenced to juvenile detention. When Carl gets out he sells drugs, with his friend juvenile detention. Carl sees his friend get arrested, for killing a kid. Carl quits selling drugs. Carl gets a girlfriend, and she cheats on him and gives in Chlamydia. Carl starts to hang out with his ex-girlfriend’s dad, who is a police officer. Carl starts to go on police busts, and wants to become a police officer. Carl signs up for military school. Carl receives a scholarship and goes to military school. Next, Liam Gallagher, is the youngest. He is smart, innocent, and intuitive. Liam is black, so Monica cheated on Frank and got pregnant with Liam. Frank considers Liam as his own. Liam is the baby of the family, and the older siblings take care of him. Liam is hospitalized from ingestion of cocaine, but is well. The doctors find out he does not have cognitive or physical issues from the cocaine. Liam goes to a private school when he starts kindergarten. Frank gets Liam a full scholarship by manipulating the principal at the private school. The main characters are Fiona, Lip, Ian, Debbie, Carl, Liam, and Frank. The minor characters that are the Ball family. Kevin and Veronica Ball are friends of Fiona and the Gallagher siblings. Veronica or referred to as “V” is Fiona’s best friend. Veronica is sassy, comical, and not apologetic. Veronica and Kevin own a bar that everyone in town goes to. Veronica helps Fiona if she is ever in trouble, Kevin or referred to as “Kev” is sweet, fatherly, and illiterate. He is married to Veronica and they are an interracial couple. Kevin owns the bar, and is the father to twins. Kevin and Veronica both have twins, and this caused them to almost get a divorce. The twins put a strain on their marriage, because they only thought about the babies and nothing else. The Ball family fix their issues and get back together. Veronica marries a woman, Svetlana, without legal documentation. Kevin, Veronica, and Svetlana have a polygamist marriage. Svetlana takes their bar away from Kevin and Veronica. Veronica and Kevin split up with Svetlana. Kevin and Veronica’s marriage becomes stronger when they breakup with Svetlana. The Ball family gets less dysfunctional when they end their relationship with Svetlana. In conclusion, Shameless is a layered series. The characters show positive development. The series is one of my favorite on television. The Gallagher family is dysfunctional and entertaining. The show is relatable, and demonstrates life lessons. The series gives the audience an inside look on some families of the Southside of Chicago. The series is currently on break, but will be back this year.
Nothing is more American than the crossover appeal of products in the mass media; this appeal is what propelled the idea for the 1985 release of the film Clue, based on the Parker Brothers board game. Furthermore, in keeping with the game's theme, the film appeared in theaters across the country with different endings. With an ensemble cast of talented but little known actors—Tim Curry, Christopher Lloyd, Lesley Ann Warren, Martin Mull, Madeline Kahn, Eileen Brennan and Michael McKean—Clue seemed like a film destined to slip into obscurity. After all, it was a comedy, clever but crass. A deeper analysis of the film provides some insight into a running commentary that presents not just a murder mystery involving several comedic characters, but rather a complex allegorical situation that presents characters as archetypal figures for repressed forces in the dominant American ideology. In reality, Clue is a film about the crisis of the upper class white male in American culture.
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
"Pitch Perfect" is a musical comedy film that was released in the United States on Sept. 28, 2012. It was directed by Jason Moore and produced by Elizabeth Banks, Paul Brooks, and Max Handelman. The screenplay for "Pitch Perfect" was written by Kay Cannon and is loosely based on the nonfiction novel of the same name by Mickey Rapkin. The ensemble cast includes the following stars:
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Family comedies have evolved throughout the past century. What was once revered as classic has completely changed forms and turned into the comedic experience we witness today. Family sitcoms in particular have been converted to show a broader picture of how family’s interact in today’s world. This greatly appeals to today’s audiences and is what people want to see. Modern family specifically has tapped into what nontraditional families are all about and even with being so alternative has resonated with every type of family, making it one of the most popular shows on TV at the present moment. The pilot episode of Modern Family uses hyper-irony, allusions and uses references to technology to enforce comedic impact.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Fiona, eldest daughter, files a suit to take away his parental rights in order to become the legal guardian of the Gallagher children. In court she describes the time the children were kicked out of her uncles house when she was only six years old. There was nobody that Fiona and her two younger brothers could turn to and therefore had no other choice but to sleep in the back seat of the car. Fiona explains that her father pulls over in the middle of the night and tells them to go sit on the curb, as he would be right back. As Ian’s head begins to burn up Fiona runs down the street looking for help and states that it would have been easier scoring crack than a ride to the clinic. She finally made it on foot where she discovers that Ian has a fever of hundred and four. Frank appears few days later asking Fiona how much money she has on her. She explained that unfortunately she wishes she could say that was the only time; however, it was just the
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
I am writing a review on the very popular television show, Shameless. In part, this is one of my favorite shows, and it deals with current social and economic issues relevant in today’s society. Shameless is a drama-comedy, currently in its seventh season, set on the south-side of Chicago. There is a British television of the same name, based in Manchester that premiered in 2004. The American re-creation of Shameless premiered in 2011 and follows the lives of the dysfunctional, yet perseverant Gallagher family who are trying to make ends meet day after day. From working multiple jobs to stealing the family does whatever they can to survive. The Gallagher kids learn how to take care of themselves with the help of their neighbors, Veronica
In order to complete an analysis of a television show through six basic theoretical approaches, I chose to use the pilot episode of Gossip Girl due to its strong representation of class differences. In this episode, the interesting characters of the Upper East Side are introduced and viewers begin to get a sense of the lifestyles that they live. From the elite, to the middle class, issues and attitudes are established. All of the main characters attend an established private high school and seem to backstab each other as a form of entertainment. The main issues of this first episode are Serena sleeping with her best friend’s boyfriend, Lower class Dan’s infatuation with the upper class Serena, and Chuck being an overall bad person and predator towards women.
A word that has changed meaning since I first learned it is catfish. What used to be the name of
Almost anyone can relate to that one specific feeling of walking down the stairs and for a split second missing a step and watching your life flash before your eyes. For that one split second, your heart jumps out of your chest and for a brief moment you panic about whether you’re going to be able to catch yourself before you hit the ground. That split second is so fleeting that after it happens, about an hour later you’ve totally forgotten about it. But now imagine that split second being longer, lasting for what feels like eternity and constantly coming back whenever you think about it. That feeling of your heart lurching and your stomach twisting as you lose control.