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The media's portrayal of body image
How culture affects self identity
The media's portrayal of body image
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Culture has the ability to instill shame in children starting at a very young age. In society thousands of ads and unrealistic standards are shown that can cause shame to build up inside one's self. Cultural issues ranging from body type, to economic status, and even race can become drivers of shameful thoughts and feelings. Shame is a very prevalent concept in real life and in literature. This concept is developed in literature because it is an essential part of real life and who a person becomes as they develop their identity. Authors use the idea of shame to develop the identity of a character and to show how a character is feeling and what the social pressures are in their life. They can also use shame to illustrate aspects of culture …show more content…
A very prevalent concept in Esperanza's life is shame, and throughout the novella Cisneros uses indirect characterization to show how this idea builds onto Esperanza's identity. In the vignette “My Name” Esperanza was talking about her name and what it meant. She knows that in English her “name means hope” but in her culture “it means too many letters. It means sadness, means waiting” (Cisneros 10). A name belongs to an individual, it is important in establishing identity. It is the person's heritage, and it always had a story behind it. Esperanza does not like her name, and it can be inferred that she feels humiliated for her name and what it means. This shows how Cisneros used indirect characterization to show how Esperanza felt shame. Shame can destroy a person, and her name is just one little piece of who she is that Esperanza feels embarrassment for. Additionally, in the vignette “Bums in the Attic” Esperanza …show more content…
These insecurities cause her to feel shame for her name, actions, and now appearance showing how the shame inside her builds up throughout the novella by the use of indirect characterization. In the vignette “Beautiful and Cruel” she was speaking to the idea of men coming for women and giving them their future, not the women paving their own path. She think she is “an ugly daughter” and that she is “the one nobody comes for” (Cisneros 88). This further adds on to her shame because it is showing how she thinks that she is so ugly she doesn’t deserve to be loved by anyone. Cisneros is using indirect characterization to show us her feelings, and the shame inside her for her appearance. She is shameful because society puts many beauty standards on girls that are unrealistic by any means. Esperanza has fallen into the trap that many girls have fallen into, and she believes these unrealistic standards. She thinks that she is ugly because of what she sees in her life and this is causing her to feel shame for not only her name and her actions, but now her physical appearance. Furthermore, in her community there are four skinny trees in her neighborhood and she feels like “They are the only ones who understand [her]. [She is] the only one who understands them”. She also compares herself to them and said they were “Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here but
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Using repetition, Cisneros conveys a feeling of not belonging, that can make a person stronger. A sense of not belonging is created in the chapter,”House on Mango Street.” As Esperanza talks to a nun in this chapter about where she lives, Esperanza states,”The way she said it made me feel like nothing. There. I lived there”(Cisneros 5). Esperanza repeats that she,”lived there” many times to show how important it is to her that she doesn’t belong, or want to belong, to Mango Street. In ,” The Three Sisters” this point is shown again. As Esperanza talks to three Aunts, they say to her,”You will always be Esperanza. You will always be Mango Street. You can’t erase what
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Esperanza is the heart and soul of this story. She changes and develops new habits over the course of the book. Because of how the book is written, she’s also the main character who gives the story it’s unity. Everything in the story is told in her perspective anyway so she could be the narrator and the protagonist. Even the stories about other characters have some sort of connection with Esperanza. She is The House On Mango Street, she is Esperanza.
Throughout her review, she mentions the titles of each chapter but does not explain in full detail what they serve to the piece. She says, “‘My Name,’ ‘Chanclas’, ‘Elenita, Cards, Palm Water,’ ‘Four Skinny Trees,’ ‘Bums in the Attic,’ ‘Beautiful and Cruel,’ ‘The Monkey Garden,’ ‘The Three Sisters,’ and ‘A House of My Own,’ are the most significant pieces because they mark the narrative development of identity” (55). Within the quote and following explanation, Valdes fails to create a developed deconstruction to why these pieces seem to help support the claims Cisneros makes in her novel. Each chapter provides a small glimpse of Esperanza’s life and are all critical in order to fully understand her coming of age and her
Cisneros uses descriptive words particularly well when she says, “At night Nenny and I can hear when Earl comes home from work. First the click and whine of the car door opening, then the scrape of concrete, the excited tinkling of dog tags, followed by the heavy jingling of keys, and finally the moan of the wooden door as it opens and lets loose its sigh of dampness” (71). The use of descriptive words in this passage gives readers a great mental image. It is easy to tell where Esperanza is and what she is experiencing. In this specific passage, Cisneros uses words that correspond with human senses. This keeps readers engaged in the book and keeps them reading. Imagery in this book helps readers know what Esperanza is going
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
According to Deluzain, the meaning of a person’s name is symbol of identity of the individual and represent the history of the future life (3). Hope is what Esperanza has in her soul. Cisneros writes that Esperanza should own a proper house, and it is not the one her parents has already, actually she is waiting for something better (7). Esperanza builds an image of a passive woman, defined by the destiny in a clearly macho society. The name of Esperanza is a very positive connotation, where wait means progress, jumping obstacles, confident that the change is positive.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
There are many aspects that can lead to tragedy in texts, shame can be a strong aspect however there are others that can be just as dramatic as an aspect for a tragedy to take place. In this essay I will be looking at the effects of shame and other aspects of tragedies.
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.