Shakira is best known for her sexy dance moves, with her belly dancing abilities proving that her “Hips Don’t Lie.” Her music is just as sexy as her moves. Whether it is with a pop-y love song like “Whenever, Wherever” and “Hips Don’t Lie,” or ballads like “Underneath Your Clothes,” the Columbian songstress’ music embraces sexuality through melody and lyric. Here are just nine examples of Shakira’s sexiest song lyrics. Number Nine: ‘Whenever, Wherever’ Lyric: “Lucky that my lips not only mumble/ They spill kisses like a fountain/ Lucky that my breasts are small and humble/ So you don't confuse them with mountains.” Shakira’s debut Engilsh-language single introduced the United States to the singer’s Latin pop vocals and slight yodel, grabbing people’s attention. The sexiest thing about this song, other than its video, are the lyrics, which are pretty explicitly about sex. As you can read, she even talks about her breasts. …show more content…
Number Eight: ‘Empire’ Lyric: “Like the empires of the world unite/ We are alive/ And the stars make love to the universe/ You’re my wildfire every single night… And I’m like, And I’m like.” One of Shakira’s harder-rocking songs, this song is about two world’s colliding in love and passion.
As she sings “And I’m like,” the song climaxes into a swell of “oohs,” seemingly feigning sex
sounds. Number Seven: ‘Hips Don’t Lie’ Lyric: “And I’m on tonight/ You know my hips don’t lie/ And I am starting to feel it boy/ Come on let’s go, real slow/ Don’t you see baby asi es perfecto.” This song sounds like it is about her dance moves, and it is, but it’s also about seduction. If you listen closely, the words depict someone watching someone dance and being really turned on by it. Number Six: ‘Underneath Your Clothes’ Lyric: “Underneath your clothes/ There’s an endless story/ There’s the man I chose/ And there’s my territory/ And all the things I deserve/ For being such a good girl honey.” This love song is pretty sexy in its slowed down grace. As Shakira sings about how this man has changed her, she is also making it apparent that she wants to do more with him. This sentiment is reflected in both the lyrics and the melody. Number Five: ‘Give It Up to Me’ Lyric: “Got this she wolf appetite/ That keeps me up all night/ You know the way it works/ Don’t be afraid to ask// Aim high when the target is low/ FYI I am ready to go/ People say men are just like kids/ Never saw a kid behave like this.” All she wants to do in this song is to give her lover anything he wants. This also means sex, apparently, as she always seems “ready to go.” Number Four: ‘She Wolf’ Lyric: “Moon's awake now, with eyes wide open/ My body is craving, so feed the hungry.” While the sexiest part of this song is the video, the lyrics don’t slouch in that department either. Instead of being sexy, she is craving sex and her inner “she wolf” is coming out so she can find it wherever possible. Number Three: ‘Rabiosa’ Lyric: “If you like it mocha/ Come get a little closer/ And bite me en la boca.” This line is a seductive little invitation to kiss her. As the line gets repeated by both Shakira and Pitbull numerous times, it’s pretty clear that they are “rabidly” looking for more. Number Two: ‘Why Wait’ Lyric: “One more night with you / I won't think it through/ Time's money but you knew/ There's nothing in the world you can think of that I won't do to you. // Drowning in your sweat/ Till I drench my clothes/ You've seen nothing yet/ Wait till you let go.” In this track, she comes on very bluntly, that she is so seduced that she will actually do anything to this guy. The second verse is filled with dripping sweat and promises that she’s not done yet. Number One: ‘Long Time’ Lyric: “Hold me/ Show me all the talent G-d has given you/ I want us thinking outside the box (all night long)/ Just keep on going.” Many of the verses in this song have Shakira complimenting her lover on his “talent” in bed and to “keep going.” Aside from his G-d-given talent, he also has great “stamina and technique.” Thank you for ready our list of the top 9 sexiest Shakira songs. We hope you enjoyed it!
It’s no question that Janet Jackson is one of the most iconic and influential artist of all time. She has sold over 100 million albums; her tours have had some the highest selling debuts of all time, not to mention the chart topping hits she has created over the past 30 years. Janet’s presence alone is iconic. She has left an unforgettable impression on the music industry as a whole. Her music has affected fans and music lovers all around the world. Her influence is simply not a question it is a salutation to a musical icon that has embedded her legacy into musical history.
The song is set around Chief keef being on the phone and talking to a woman, he refers to the woman on the song as a bitch, hoe, and thottie. The word thottie is derived from the word thot, which is an acronym for “that hoe over there”. The song states “You wanna Glo up, baby, Keef got you/You's a gold bottle, these hoes pink Moscato/Baby I'm the owner, you can be my castle”. This line right here compares the woman to other women by saying she is a better bottle of liquor than other women and calls her his property when he says you can be my castle. Then he goes on to say in the song “ Baby cause I like you/Only reason I text you and why I Skype you/I just wanna fuck on you, I don't wanna wife you/But you gotta brush your teeth and do what I say though/(Hello?)/Bitch can you hear me?/Keep your pussy in park, no 360... I don't wanna smell you/Cause I'ma cut/you off, quicker than I met you/I'ma swipe your name up off my schedule/And if smoke this blunt, girl, I'm gon' forget you”. The lyrics basically says the women is just there for his sexual pressure and he does not plan on making her more than that; he also tells the women that he has to be the one in control if she wants to continue this relationship; then he tells her, he will completely stop communicating/seeing her, if she does not do what he wants her to do and she can be
Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).
Yet another former sugar-pop princess corrupting the morals of our youth is the singing sensation Christina Aguilera-- who first made her debut singing an innocent love song written for the Disney movie "Mulan" Many people also remember her cute, sap-filled lyrics from her first chart topper "I'm a Genie In a Bottle", yet she didn't achieve true star status until she took off some clothes and began belting out sexual double entendres and reciting lyrics rife with subliminal sexual subcontext.
"Hello" by Adele is a recent hit song widely heard and played since its release in October. Adele is known for her powerful voice and inspirational breakup songs. The songs that artists like Adele create are used to make a living. When people download illegal music online or use the music of other artists and not pay for the song, one is essentially stealing the artist 's hard work. In 1991, when the case of the music groups Negativland/U2 occurred, it was a chance for an artist to fight for what was theirs. In the case, Negativland sampled a song by U2 without permission and U2 and Island productions then sued them for this. The court made the decision that this was
The re-invasion of pop music has brought out the theme of love and relationships even more so then ever. If a songwriter has “writer’s block”, then the simple solution is to write a love song. “All I want is you (Come over here baby). All I want is you (You make me go crazy)... I‘m gonna love you right...” (Aguilera), is part of the chorus to Christina Aguilera’s song “Come on Over”. The attraction to this song to girls is in thinking that they could be in the situation of the female character in the song, finding the perfect guy and spending time with him. For guys, the attraction comes because a beautiful girl is singing this and they can pretend that she is singing to them. Something similar is also found in the song “Doesn’t Really Matter” by Janet Jackson. In this song she is stating all the things she loves about a certain individual. She can live with his imperfections and doesn’t care what anyone else cares. “Doesn’t really matter what the eye is seeing. Cause I’m in love with the inner being. And it doesn’t really matter what they believe. What matters to me is you’re nutty, nutty, nutty for me.” (Janet Jackson) This song is good in that it is a love song unlike many out there today. In this song we see that the main character loves her man because of who he is.
Blue Bossa is a jazz piece by Kenny Dorham. This song has many different types such as, vocal, instrumental, blues, rock, funk, latin, and more. Blue Bossa is in the key of C minor, but is commonly thought to be E flat Major, it major counterpart. It is comprised mainly of 2-5-1 progressions in either a minor or a major key. It is written in 4/4 time and usually has no, or little, swing. It also has small use of dynamics, mezzo piano for the backing in the solos, mezzo forte and forte to emphasise, decrescendos to transition from sections. The main 4 bar phrase used throughout the piece and is a great example of the piece’s relaxed feel. Combined with the substantial use of syncopation in the song, some staccatos, accents, and legatos are
Rihanna, from her very first music videos has compelled public eyes as an effigy, an icon and a statement of music lifestyle. Her independent outlook, badass attitude mixed with a Caribbean accent has undoubtedly confined not only music but the whole popular culture of our time. Diamonds, We Found Love, Bitch Better Have My Money and S&M are some of the top songs by this epic singer. Songs that today rule bars, dance clubs, parties and of course her numerous fans.
Most her songs are based on relationships. She incorporates many genres together, such as R&B, pop and hip-hop into one song that makes it hard to identify the genre of the song. Every one of her songs has a different messages and a different style. For example, with her first single “Russian Roulette,” from the album Rated R, Rihanna explains that her intention was to make the song “dark with some kind of thing to it”; she wanted haunting vibe to go along with her song. Her message doesn’t come out clearly and it’s hard to memorize the lyrics when listening to it for the first time. It takes a couple of replays of the four minute song to understand that it’s about how dangerous love can be because it can lead to broken heartedness. Besides the writing style of the two artists, their performance also determines how well they can attract their
In her music video “7/11,” Beyoncé appears as an indefatigable party-girl who explicitly expresses her passion and vitality: spinning crazily on the porch, dancing widely in the corridor, and acting hilariously in the center of a party room. This liveliness intensifies as the video approaches to its end in which the music accelerates, the background movements increases, and Beyoncé’s laugh expands. Underneath her endless energy lies the game 7/11, which incorporates alcohol to drive up the atmosphere in parties. Through the joint effect of rhythm and motions, the closing sequence indicates that 7/11 and its alcohol component assist Beyoncé in rocking the party, giving her the ultimate thrill as well as heating up the entire video.
When analyzing the music video, the viewer can find key points that emphasis the message to women that focusing on their self is the best way to move on. The most important symbolic point in this whole music video is that all of the cast is of color. A key visual that is important is Serena Williams being featured as a dancer. Williams is a six-time Wimbledon champion and the highest paid female athlete. She accepted the role to be in the music video because of the message that Beyoncé was displaying: having no shame over enjoying her life after a problematic ex. Though Williams is known to be a world class athlete, her being in this music video shows that she has a personal life past tennis that could have related to the lyrics in “Sorry.” Another detail of the visual aspect of this song is the Nefertiti/African inspired look. The braids and hair styles gave the looks of Egyptian culture and royalty. At one point of the music video, she poses as Egyptian royalty. Traditionally, Egyptian sculptures and paintings show women without arms. Beyoncé mimics the pose of no arms and then slowly breaks out of that image. There are also scenes of African beauty. A poem written by Somali-Brit Warsan Shire plays at the beginning of the music video as she begins the journey on the bus. The poem talks about what a cheating partner would say at a funeral of a dead women because of her broken heart. The journey on the bus represents the beginning of her journey of loving herself and not being sorry for who she is. There is a scene of Beyoncé on a bus with other females, with African painting on their face, called Yeboah face marking. Beyoncé, along with the rest of the cast has an African hairstyle during the whole video. The hairstyle shows women embracing their culture. Towards the ending, there is a line, “Becky with the good hair,” that
Track three is the beautiful Little Me. This song is about encouraging girls to be strong and to help them build back up their self esteem. The lyrics “You gotta speak up, you gotta shout out, And know that right here, right now, You can be beautiful, wonderful, Anything you wanna be”. This is giving advice to many of the girls that are struggling to find happiness due to their low self esteem. Track sixteen on the album is an unplugged versi...
Chandelier by Sia: The Eccentric Art of Sia Furler French poet Charles Baudelaire once said, “…dance can reveal everything mysterious that is hidden in music… Dancing is poetry with arms and legs” (1847). Sia Furler, better known as Sia, is an Australian recording artist and notorious for eccentric music videos and public image. Her 2014 hit single, “Chandelier” comes from the album 1000 Forms of Fear and is the first piece to a video trilogy along with the songs, “Elastic Heart” and “Big Girls Cry”.
shows that she is beefing with her then boyfriend Jamal, and how he is basically drunk making fun of her. “Your body on my body baby. What's up with you baby.” Then, throughout the album, she hooks up with another guy named Sean, and Jamal finds out, and you hear the fight between them. Her putting the skits in her album, can make you feel how her personal relationships
She also encourages the fans to sing along and even stops singing some lyrics to hear the crowd singing. For example, after a dramatic pause before the last note of If I Were a Boy (10:48-10:53) she holds out the microphone to have the crowd finish the lyric. During the song Crazy in Love (11:35-14:45) she brings out backup dancers and all of them dance throughout the song. Since this is one of her most known song this causes the crowd to sing and dance along. The crowd goes wild when she brings out her husband Jay-Z to rap his part of the song (13:11-13:55). She uses multiple flashing lights, crazy backgrounds, and fog to amp up the crowd during the song. The transition (13:56-15:30) between the songs Crazy in Love and Single Ladies (Put a Ring on It) consisted of Beyoncé encouraging the crowd to cheer louder. The song Single Ladies (Put a Ring on It) is her most popular song to dance to and that was shown by the crowd dancing her popular dance routine all throughout the song. She once again brings out dancers and dances her famous routine to the song. In the middle of the song she incorporates another song that is unfamiliar to me