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Character of viola in twelfth night
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Shakespeare's Theme of Disguise in Twelfth Night
One question that must be looked at when observing this play is
‘Disguise’. The theme is one of the most important aspects of any
story, as it can ultimately put the storyline into perspective for the
reader.
Simply the appearance of the play and this gives us a closer look at
William Shakespeare’s intent within this play we call "Twelfth Night"
The title Twelfth Night" indirectly relates to the play and supports
the theme of disguise.
William Shakespeare was very versatile when writing a performance
simply because of the levels of writing he had created.
Reading through the play and then reviewing it is very much
differently than focusing on what all the words and acting are saying.
The play makes one think about in what term is there a real meaning
behind the whole thing.
It is said that the philosophy on human nature is that we ought to be
ourselves and not copy. This tends to make everything straightforward
and somewhat real, as it causes less confusion between the sexes.
Characters and language in this play can support this.
In Act 1 Scene 1 Orsino says "If music be the food of love, play on;
give me excess of it"
It seems that Orsino in the play has "fallen in love" with Olivia
.Yet we as the audience understand that he has not ‘Fallen in Love’ as
such, but the idea of falling in love is better suited to his belief,
But not being able to admit this to himself he ultimately falls in
love with the countess’s daughter. Orisno says and I quote" Give me
excess of it" thus showing his need for love, almost like a drug, he
will do anything for it, with this it shows a change in Orsino's true
character.
The plot eventually thickens and Orsino’s love is rejected by Olivia
yet he doesn’t give up, he continues to try, using Viola/Cesario as
Last year at St. Louis University. I had a roommate with the complete opposite view on this question. He explained himself this way. Human nature consists of three basic components. These are to live.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
upon her. She knew she had fallen in love with Duke Orsino and had the
Andrew is funny, it is not intentional. His faults include a lack of wit, a
Wells, Stanley, and Gary Taylor, eds. "Measure for Measure". William Shakespeare: The Complete Works. Oxford: Clarendon P, 1998.
make him think he is mad and they also make Olivia think he is mad
In William Shakespeare’s play “Twelfth Night” the alleged Puritan Malvolio is the unpopular rigidity, hypocritical and gullible steward made to look a fool by those he has humiliated (Sir Toby, Sir Andrew, Maria, Fabian and Feste) which appeals to the audience. Malvolio is more the victim of his own psychic propensities than he is Maria’s gull, as his own beliefs appear to engineer his downfall. In Suzann Collins trilogy the “Hunger Games” the down to earth “pure” President Snow obtains those exact qualities of Malvolio. He appears to be on the people’s side but we soon learn that he overwhelms himself with power and takes himself down.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Orsino is the first deceiver we meet. He is also being deceived, by himself. He is fooling himself by believing that he only has to tell a woman he loves her, and she will fall in love with him. He is in love with the idea of love itself. He is so infatuated with love, he makes parallels about love. He says it is that same as music and flowers. He then continues the parallels and makes the connection about love being the food of life. Without it, you would be needing the 'hearts and flowers.'
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
In the comedy Twelfth Night written by William Shakespeare many of the characters experience emotional pain. The pain that a character name Olivia experiences is the death of her brother, causing her to mourn. Malvolio who is Olivia's steward is involved with emotional pain caused by humiliation, which occurs more than once in this play. Lastly, a great deal of characters battle with the feeling of unrequited love. Even though Shakespeare wrote this as a comedy, there was still a mass amount of emotional pain throughout.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
The opening soliloquy of Act I Scene I, given by Duke Orsino, is another perfect example of Shakespeare using music to show the upcoming storyline of the play. At first, Orsino is using music as a metaphor that feeds the appetite of love. He speaks for a minute about his love for the music playing, and then changes abruptly by saying, “Enough; no more” (7). Already Shakespeare is foreshadowing Orsino’s fickleness when it comes to music which in turn stands for love. Of course, further into the play, it is shown that Orsino truly is fickle when it comes to love. As soon as he finds out that Cesario is in fact the woman Viola, he instantly forgets all the passion he had for Olivia and marries Viola.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.
Function of Disguise in Twelfth Night by William Shakespeare William Shakespeare's Twelfth Night is a play based around disguise in the form of deception and becoming someone different. In Twelfth Night, disguise takes many different shapes from physical disguise to mental disguise. Disguise is one of the main topics of the play and helps to create the plot. It brings in confusion and comedy as well as the darker and sadder side of the play which is disguised as fun and happiness. Disguise is evident from the very beginning of the play.