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Othello and desdemona relationship analysis
Othello and desdemona relationship analysis
Othello and desdemona relationship analysis
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Othello and the Heroine, Desdemona
In William Shakespeare’s tragic play Othello we see a very exceptional woman in the person of Desdemona, wife of the general. She, as Cassio says, is a “paragon” of virtues, unlike the other female characters in the drama.
H. S. Wilson in his book of literary criticism, On the Design of Shakespearean Tragedy, discusses Desdemona’s entry into the Moor’s life:
But Othello had not known Desdemona long; he had little knowledge of women in any case; his military life had left scant time for cultivating their society or studying them, before he met Desdemona; and there was a bitter modesty in the man, who thought it quite possible that, for all his greatness and his romantic past, a young girl like Desdemona might hold him but a passing fancy. (64)
In Act 1 Scene1, Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken him with loud shouts about his daughter’s elopement with Othello. In response to Iago’s vulgar descriptions of Desdemona’s involvement with the general, Brabantio arises from bed and, with Roderigo’s help, gathers a search party to go and find Desdemona and bring her home.
Once that Brabantio has located Othello, the father presses charges publicly in order to have Desdemona returned:
To prison, till fit time
Of law and course of direct session
Call thee to answer. (1.2)
The proceedings which take place before the Duke of Venice cause the father to permanently lose his daughter, mostly due to Desdemona’s own fluent presentation of her point of view in the city council chamber. This results in Brabantio’s virtual disowning of her and not allowing her to live in his house while Othello’s campaign against the Turks in Cyprus is in progress. Thus it would seem that Desdemona has been living her life with a father who is primarily interested in self and less in daughter.
Entrusted to the ancient’s care and that of his Emilia, Desdemona arrives at the seaport of Cyprus. Blanche Coles in Shakespeare’s Four Giants interprets the protagonist’s very meaningful four-word greeting to Desdemona which he utters upon disembarking in Cyprus:
Othello’s four words, “O, my soul’s joy,” tell us that this beautiful Venetian girl has brought great joy, felicity, bliss to the very depths of his soul.
The ring-tailed lemur gets its name from the neat ringed pattern on the fur on the
Sometimes people never know how another person’s actions affect them until it is too late. Shakespeare’s Othello rings true to this belief. Ever faithful to the “bro-code”, Othello strongly listens to Brabantio’s sullen advice, and warps Othello’s perception of his marriage to Desdemona. Othello believes every man in this play, but he does not believe in the woman who pledges her life to Othello even though Desdemona allows herself to marry in an unorthodox fashion. If it were not for Brabantio’s negative outburst, Othello’s small mind acquires no seeds of doubt towards his beloved wife Desdemona, and Shakespeare’s Othello premise ceases to exist.
But when he realises that it is Othello the Duke offers his regrets to Brabantio. Othello describes how his meeting with Desdemona took place. He uses a very educated way of speaking and to the audience he would appear to be the more intelligent of the two. Othello then asks Desdemona to be called for and for her to tell her side of things. was a wise move on Othello's behalf as he is using Desdemona as a. witness to their love.
The scene in which Othello and Brabantio argue their cases before the Duke is the culmination of the underlying conflict between Desdemona and Brabantio. Desdemona's direct part in the saga is less important than the effects of this conflict on Othello, who emerges an honorable and lawfully wedded man after his appearance before the Senate. However, the dubious nature of the marriage is to cause conflict later in the story, as Brabantio effectively disowns Desdemona and gives fuel to the gossip machine. Several times the fact that Othello stole Desdemona is given as proof that she can be stolen from him.
Othello is a play that asks us to examine the position of women in society. This play explores issues such as clandestine marriage, accusations of adultery, and it includes three different social classes of women. First, we have Desdemona, this is a woman from a noble family in Venice and has the least amount of freedom. Her behavior was watched very carefully. The perception of Desdemona is created by the language that other characters use to describe her. In Act 2, Scene 1, Cassio refers to Desdemona as ‘a maid/That paragons description and wild fame’; that she
Othello’s subjugation towards Desdemona is largely portrayed as being linked to the effect of th...
This passage is a soliloquy or speech from Othello to Desdemona’s father. He is telling how she has become his wife. Othello plea’s with Desdemona’s father for his blessing and to be a family. Othello states that her father has treated him well for many years and should honor his daughter for loving such a man. Othello and Desdemona is a love made in heaven. They are willing to fight alongside each other in battles and love one another in happy times.
Further dramatic tension is created in Lodovico’s polite address towards Desdemona being contrasted with Othello’s domineering commands (pg153). lines 1-10). Dramatic tension is also conveyed through characterisation in Othello’s embodiment of the attitude of a. typically patriarchal man, and Desdemona’s obedient tolerance. Evidently, Othello takes pleasure in publicly victimising Desdemona. who has in turn come to fear Othello.
Roderigo: A jealous suitor of Desdemona. Young, rich, and foolish, Roderigo is convinced that if he gives Iago all of his money, Iago will help him win Desdemona's hand. Repeatedly frustrated as Othello marries Desdemona and then takes her to Cyprus, Roderigo is ultimately desperate enough to agree to help Iago kill Cassio after Iago points out that Cassio is another potential rival for Desdemona.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
In Greek, Desdemona means ‘the unfortunate’, perhaps reflecting an ideology that she is not meant to be liked, merely pitied for her misfortune as a tragic victim (commonly defined as someone who dies due to the faults of others). Throughout Othello, Desdemona is presented as pure and innocent – in regards to this, Auden’s comment is unusual as Desdemona is seldom criticised; indeed many critics are complementary, giving her titles such as ‘gentle Desdemona’.
her father had turned down many suitors because Desdemona had claimed.... ... middle of paper ... ...mind. " Looking at the relationship between Othello and Desdemona, one can see.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...