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Hamlet and the Devil
Hamlet, for reasons of trepidation chooses not to kill Claudius, his nemesis, in the altar room. This fatal procrastination results in the unnecessary deaths of Laertes, Ophelia, Gertrude, and Hamlet himself. This casts a most inauspicious light upon Hamlet, but only if the original premise is true. The obverse side of the argument is that Hamlet, because he desires all those who are in league with Claudius to suffer the same ignominious fate that his father suffers. Thus he delays his revenge in order to intensify the misery of the other characters. This also casts a most inauspicious light upon Hamlet, but only if the general premise of the book is true, that Hamlet is the hero and is not enslaved to evil. That general premise is false. For even the Prince admits that he may be under the thrall of the Devil, who is able to “assume a pleasing shape” and is “very potent with such spirits [of melancholy]”.
The first victim to fall under Hamlet’s preternatural wrath is Polonius. Hamlet, in rage that someone is spying on him, deliberately thrusts his sword for a mortal kill. When he discovers that it is Polonius, he shrugs and is not bothered in the least by it. Even though it appears that Hamlet is a ruthless murderer, Polonius is not totally blameless. Polonius, because he wishes to gain the favor of the new king by proving his own worth, is determined to find the reason for Hamlet’s madness. He thus spies on Hamlet and even forbids his daughter to see her. His connection to Claudius, and his spidery machinations are reasons for his downfall.
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...nection with Claudius deserves to die and painfully if possible. Each character exhibits a tragic flaw that is fatal. Although it may seem unfair, Hamlet is the ultimate arbiter of life and death in the play. Because Hamlet is possessed by the Devil, he chooses to let Fate decide what happens. Thus Fate/Devil tells him to duel with Laertes. This is the first step of the beginning of the end. Hamlet and Laertes both are fatally wounded, the Queen is poisoned, and finally the King is poisoned and stabbed. Instead of only killing the King, Hamlet directly and indirectly kills everyone. Only Horatio is not affected, for he remains true with Hamlet even to the very end when he tries to poison himself in order to accompany his prince to death. Horatio is the epitome of fidelity, even his stoic nature melts away when he witnesses the poignancy of the tragedy of Hamlet.
The turning point of “Sea Oak” is Aunt Bernie’s resurrection in which the seemly contemporary story has turned into a horror fantasy. Rising from death, Aunt Bernie has not only gained her energy but also her dissatisfaction about her previous living condition. She angrily yells to her family members, ‘“Because I am getting me so many lovers. Maybe you kids don’t know this but I died at freaking virgin. No babies, no lovers. Nothing went in, nothing came out. Ha ha!”’ (9). Using the repetition of “No” and “Nothing”, Saunders depicts Bernie’s life with an absolute emptiness. The change of Bernie’s character from a generous, optimistic lady to a selfish, scary authoritative figure has placed a situational irony for readers. In Jennifer L. Hochschild’s book Facing Up to the American Dream: Race, Class, and the Soul of the Nation,” she argues that “Americans are exhorted to ‘go for it’” (Hochschild 21). Carrying the burden of a big family with more than half lazy hands, Bernie never follows this slogan to fight for her own rights, and her ambition to chase her dreams only rises after her death. Though she has worked hard her whole life, she doesn’t die in peace, The good-hearted Bernie who sacrifices her life to support her family but still dies regretfully. This ironic path of Bernie’s life is Saunders’ mockery to awaken diligent working class people as well as his
The close of Indian and French conflicts in 1763 resulted to severe financial crisis that included: having to increase revenue, since the crown imposed multitude of new taxes to the colonies of America. Specifically, the Stamp act of 1765 that emphasized on striking tax on paper as well as printed goods irritated the colonists, resulting to establishment of American radical slogan, "No taxation without representation.” Later after eight years, in 1773, colonists opposed to British taxing tea deserting 342 chests of tea in the British Harbour, referred to as "Boston Tea Party.” By April 1775, American soldiers fought the British soldiers in Massachusetts’s at Concord and Lexington, the first clashes in what advanced to be the American Revolutionary
In the beginning of Achilles’ life, the Greek goddess, Themis, prophesized that he would either die young and famous in battle or live a long nonexistent life without battle. His mother, Thetis, took this as a death omen and placed Achilles in the magical waters of the Styx River. She did this to help him be immortal but did not account for the area that she held, his ankle, to be left vulnerable (Claybourne). This beginning to his life leads him to believe that he was better than anyone else because the gods protected him. It is him believing that he is superior that leads to his fatal flaw of being egotistical.
The facts of this conflict are all pretty straight forward and by recounting the facts I hope to bring to light the truths that justify Achilles' anger. First off Agamemnon had distributed the booty fairly and all the more powerful Achaeans had gotten a concubine, Agamemnon just happened to choose the daughter of one of Apollo's priest. When Apollo sends a plague to the Achaean camp Achilles' concern for his comrades leads him to call an assembly with the purpose of interpreting the plague and taking necessary action. Agamemnon reluctantly agrees to return his concubine to her father if he is repaid another concubine by one of the other powerful Achaeans. At this Achilles stands up for himself and the other Achaeans, he insults Agamemnon by saying that Agamemnon claims his greatness. When Agamemnon takes Achilles' concubine, Achilles probably expected the other Achaeans to stand up for him as he had done for them earlier. But he is left alone. His honor insulted by a man that he had served loyally. Humiliated, by a group of people to whom he owed nothing. A great sense of betrayal overcame Achilles.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Achilles agreed that Patrokolos should wear his armor into battle, this decision along with the fact Achilles was no longer fighting, ultimately caused Patrokolos’ death. When Patrokolos died at the hands of Hektor, two things happened. First, being distraught over his friend’s death, Achilles feels responsible/ Guilt ensues but is channeled to more anger. Hektor, the slayer of Patrokolos now becomes the target of Achilles rage. Achilles is ready to fight, but more accurately ready for revenge. Achilles said, “I will not live nor go about among mankind unless Hektor fall by my spear, and thus pay me for having slain Patrokolos son of Menoetius,” (The Iliad, Chapter 18, Lines 89-91). When Achilles decided to fight, the fate of Hektor was already decided. Also, because he decided to fight, many more Trojans died. His fury with all of Troy was unleashed. Achilles killed and killed. The carnage was
Achilles is a great warrior and the central character of The Iliad. His traits were highly lauded by the Ancient Greeks. Achilles most apparent heroic traits are his courage, glory, wealth, lineage, and his camaraderie. Achilles’ largest tragic flaw is his pride. His pride causes him to turn his back on his allies in the midst of war after Agamemnon has dishonored him. (Iliad Book I) After being begged to return and as things become grim, Achilles’ close friend Patroclus decides to go in his stead. Killed by Hector, the death of Patroclus causes a change in the stubborn Achilles. His indignation at being dishonored is gone; he has lost a friend because of this pride. “Despite my anguish I will beat it down, the fury mounting inside me, down by force. But now I’ll go and meet that murderer head-on, that Hector who destroyed the dearest life I know. For my own death, I’ll meet it freely.” (Iliad Book XVIII 133-8) Despite a prophecy that he will die if he avenges his friend, Achilles returns to the front enraged and ready for battle. His downfall of losing his closest friend due to his stubbornness has wrought a change in Achilles and he now returns to the battle to avenge and honor his friend’s death.
The Chinese healing art of acupuncture is one that can be dated back at least two thousand years. Some authorities maintain that acupuncture has been practiced in China for even four thousand years. Though its exact age is vague, what is certain is that up until the recent twentieth century, much of the population of the world was uninformed about acupuncture, its origins, and its capacity to promote and maintain good health. Even today in relatively "advanced" nations such as the United States there are many who hold acupuncture under the stereotype of a new or radical medicine, one which would almost always be a second choice after more familiar Western approaches to handling illness.
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.
...n reference to Claudius: “It is a poison tempered by himself” (5.2.330). This statement could easily be applied to Hamlet himself. Had Hamlet simply killed Claudius in justified retribution instead of sparing him for the sake of unleashing a harsher torment upon him: Hamlet would have had a chance to have a happy ending with Ophelia, the woman he loved. Instead, Hamlet chose escalation, vengeance, and he ruined himself and all he loved in this pursuit. For dramatic affect and masterful literary necessity William Shakespeare had Hamlet choose his vengeance. Although this marks the ending of Hamlet as a hero and the beginning of the tragedy in the play, it could have been done no other way in keeping with the spirit of Hamlet. Put quite simply, had Hamlet chosen retribution instead of revenge, Hamlet, Prince of Denmark, would not exist as the famous play that it does.
Claudius is one of the main characters responsible for his own death in the play because he portrays himself to be untouchable; not thinking clearly of the consequences to his actions. He starts off by killing his own brother and marrying his queen, Gertrude, only because he lust power and sex. His cold-hearted actions make him the antagonist of Hamlet and most deserving of death. Through all of his malicious actions, he plans a duel between Laertes and Hamlet assuring Hamlet’s death as well by poisoning a drink and the end of Laertes’ sword. He definitely got a taste of his own medicine because he died a rightful death by the sa...
Throughout Shakespeare’s play, revenge intertwines to bring about the deaths of most of the main characters. Hamlet’s course of revenge initiates the first fatality when Polonius gets caught spying on him and Gertrude (III. iv. 24-25). By pursuing revenge, Hamlet killing Polonius paves the way for more lives to be lost. Claudius sees the murder as an opportunity to eliminate Hamlet, because Laertes’s obsession with revenge leaves him vulnerable. Laertes’s and Hamlet’s revenge lead to the deaths of Gertrude, Laertes, Claudius, and finally Hamlet (V. ii. 287-357). The revenge of each character ironically ended their own life. By acting upon revenge and having inimical intentions, the individuals brought fatalities that were unnecessary.
He gets a chance to kill the crown, and thinks ‘’Then trip him, that his heels may kick at heaven/ And that his soul my be as damnes and black/ As hell, whereto it goes’’ (3.4.98-99). But he hesitates, Claudius prays so he might go to heaven if Hamlet kills him now; he wants Claudius to burn in hell and wants himself to go to heaven. He looses his temper and kills the person behind the curtain, ‘’ How now, a rat? Dead for ducat, dead’’ (3.4.25-30). He assumed that was Claudius who sneaked into his mother’s closet and now he goes back to being a sinner so he can kill the crown now, but the one behind the curtain turns out to be Polonius. Hamlet does not care about him although Ophelia loves Polonius. Hamlet decides to take action after he sees Fortinbrass and his army ‘’O, from this time forth/ My thoughts be bloody or be nothing worth’’ (4.4.68-69). He sees that they go to death willingly and he does not stand up against Claudius, with this he sets his mind to killing Claudius. Sadness comes with the loss of Ophelia and he goes in a duel with Laertes. Horatio tries to change his decision, but Hamlet says ‘’Not a whit, we defy augury. There is a/ Special providence in the fall of a sparrow’’ (5.2.233-234). Hamlet decides to do the duel and he thinks that he cannot run from his destiny. He gets into a duel full of cheats, Hamlet looses his mother to
... be overstepping the boundaries of morality. Not only does Hamlet want to kill Claudius, but he also wants to damn his soul. This contrasts greatly with Claudius’ act of murder, which is carried out with no preference for the victim’s afterlife. As a result of Hamlet’s tendency to over-think situations, his mission of vengeance is once again delayed.