Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gertrude in hamlet analysis
Femininity in shakespeare hamlet
Femininity in shakespeare hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gertrude in hamlet analysis
Hamlet and its Gertrude
How queenly is the current queen in Shakespeare’s tragic drama Hamlet? Is she an unprincipled opportunist? A passion-dominated lover? A wife first and mother last? Let’s study her life in this play.
Courtney Lehmann and Lisa S. Starks in "Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into’ Kenneth Branagh's Hamlet," comment on the contamination of the queen in Shakespeare’s Hamlet:
Hamlet, a play that centres on the crisis of the masculine subject and its "radical confrontation with the sexualized maternal body," foregrounds male anxiety about mothers, female sexuality, and hence, sexuality itself. Obsessed with the corruption of the flesh, Hamlet is pathologically fixated on questions of his own origin and destination -- questions which are activated by his irrepressible attraction to and disgust with the "contaminated" body of his mother. (1)
At the outset of the drama, Hamlet’s mother is apparently disturbed by her son’s appearance in solemn black at the gathering of the court, and she requests of him:
Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Thou know'st 'tis common; all that lives must die,
Passing through nature to eternity. (1.2)
The queen obviously considers her son’s dejection to result from his father’s demise. She joins the king in asking Hamlet to stay in Elsinore rather than returning to Wittenberg. Respectfully the prince replies, “I shall in all my best obey you, madam.” So at the outset the audience notes a decidedl...
... middle of paper ...
...ges.com/hamlet/other/burton-hamlet.htm
Coleridge, Samuel Taylor. Lectures and Notes on Shakspere and Other English Poets. London : George Bell and Sons, 1904. p. 342-368. http://ds.dial.pipex.com/thomas_larque/ham1-col.htm
Jorgensen, Paul A. “Hamlet.” William Shakespeare: the Tragedies. Boston: Twayne Publ., 1985. N. pag. http://www.freehomepages.com/hamlet/other/jorg-hamlet.html
Lehmann, Courtney and Lisa S. Starks. "Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet." Early Modern Literary Studies 6.1 (May, 2000): 2.1-24
There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
Joplin published one of his greatest operas in May 1911 called Treemonisha. Treemonisha consisted of a 240-page manuscript which was written for the use of eleven voices and piano accompaniment. This piece became the first grand opera composed by an African American. In 1976, Treemonisha won the coveted Pulitzer Prize.
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
Hamlet is one of the most controversial characters from all of the Shakespeare’s play. His character is strong and complicated, but his jealousy is what conduces him to hate women. He sees them as weak, frail, and untrustworthy. He treats Ophelia, the women he loves, unfair and with cruelty. Similarly, he blames his mother for marrying her dead husband’s brother, who is now the King of Denmark. Hamlet’s treatment for women stems from his mother’s impulsive marriage to his uncle who he hates and Ophelia choosing her father’s advice over him.
The Balanced Scorecard is an effective tool to measure and monitor key financial and performance indicators that focus on financial, customer, internal business process, and learning and growth, as opposed to just focusing on financial progress, therefore making it a great tool for evaluating progress toward strategic short-term and long-term objectives (Strategic Management, 2014, p. 50-52). With the Balanced Scorecard management can lead proactively with regular monthly reviews, and corporate quarterly reviews (Strategic Management, 2014).
Scott Joplin is known as the father of ragtime and has played a critical role in evolution of American music. Within this paper, I will discuss how the primary elements within Joplin’s piano rags are reflective of his life and the time period in which he lived, how his music played a role in the American culture at the time he was actively composing and performing, and how his genre became the essential pioneer in the evolution of jazz. While arguing this, I will use the scores of his most popular piano rags such as Maple Leaf Rag and The Entertainer, as well as multiple biographical sources.
Gershwin wrote on his greatest operas in 1922, called Blue Monday. This piece was written for an African-American opera called George White's Scandals. After only one single performance in New York, it was withdrawn due it seriousness being out of place in it's context and misunderstood. Blue Monday was later retitled 135th Street. Many years after Gershwin's death, Blue Monday was revived at a omprehensive festival during 1970 given to Gershwin in Miami, Florida. Here, Blue Monday's popularity was made.
Since the late 1890’s films have been constantly changing the history of pop culture and the way people view war, politics, and the world as a whole. As the timeline of the history of film progressed, there were many different phases: gothic noir, slapstick comedy, tragedy vs. love, romance, and many more. Towards the more recent times, the central ideas of films started drifting to the greatness of the directors. Directors such as Stanley Kubrick, Martin Scorsese, Steven Spielberg, and many more were noted as outstanding directors of action and cinematography. In this paper I will speak about Wes Anderson, Martin Scorsese, and the ever so infamous Baz Luhrmann. These directors have changed the way filmmaking has been and will be looked at from this point on.
Scott Joplin was born in eastern Texas and raised in a town called Texarkana; the date of his birth though, is under debate. It was originally thought that he was born on November 24, 1868, but later research indicates that his birthday was more likely some time in the second half of 1867 (Berlin). He was the second child born to Giles Joplin and Florence Givins of their six children. He was of African decent and his father was a liberated slave, meaning that Jo...
Findlay, Alison. "Hamlet: A Document in Madness." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. New York: AMS Press, 1994. 189-205.
Clearly, Hamlet’s concern for the Queen, his mother, is of genuine association to the death of King Hamlet. Within this solitary thought, Hamlet realizes the severity of his mother’s actions while also attempting to rationalize her mentality so that he may understand, and perhaps, cope with the untimely nature of the Queen’s marriage to Claudius. Understandably, Hamlet is disturbed. Gertrude causes such confusion in Hamlet that throughout the play, he constantly wonders how it could be possible that events would turn out the way they did.
After this Joplin tried to make this new from of piano style he had grown to love more widely know form of music In 1911 he finished an opera called Treemonisha, designed to reach this status. Sadly this opera was not well accepted by the public and caused him to slip into a state of depression.
Heilbrun, Carolyn G. (2002). Hamlet's Mother and Other Women. 2nd ed. West Sussex: Columbia University Press.
Adelman, Janet. "Man and Wife is One Flesh": Hamlet and the Confrontation with the Maternal Body.
Compared to Shakespeare’s Hamlet, Almereyda’s adaptation creates a new reading and highlights various elements more directly through a change in the characterization of Gertrude, Hamlet’s mother. The movie advances her position as a woman, making her a commanding and prominent figure throughout. This new reading of Gertrude from the movie reflects the changes in societal views regarding women, due to varying time periods, progressing the position of Gertrude as a woman, and exploiting ideas of incest, misogyny, and