Horatio – Hamlet’s Dearest Friend
In Shakespeare’s tragedy Hamlet there are many characters who can be accused of many sins – but not Horatio. Rightfully Hamlet compliments Horatio on his nobility and dignity; he is indeed a faithful friend. This essay will highlight this ideal friendship as part of a general consideration of Horatio.
Cumberland Clark in “The Supernatural in Hamlet” describes Horatio’s reaction when the prince intends to follow the ghost:
Hamlet addresses the spirit, which beckons him to follow it. Horatio tries to dissuade the willing Prince, for ghosts were credited with the vile intention of enticing men to their self-destruction (I.4.69-74):
What if it tempt you toward the flood, my lord,
Or to the dreadful summit of the clif
That beetles o’er his base into the sea
And there assume some other horrible form,
Which might deprive your seovereignty of reason
And draw you into madness? . . .
Hamlet obeys the Ghost’s command to follow him, ignoring the protest of Horatio, who is much relieved, on coming up with him later, to find him safe (101).
Who is the play’s historian? None other than Horatio. In the first scene Horatio gives a detailed history of what has gone before regarding King Hamlet:
Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dared to the combat; in which our valiant Hamlet--
For so this side of our known world esteem'd him--
Did slay this Fortinbras; who by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seized of, to ...
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...on: Frank Cass & Co., Ltd., 1964. p.14-16. http://www.freehomepages.com/hamlet/other/essayson.htm#demag-ess N. pag.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html
West, Rebecca. “A Court and World Infected by the Disease of Corruption.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT: Yale University Press, 1957.
Wilkie, Brian and James Hurt. “Shakespeare.” Literature of the Western World. Ed. Brian Wilkie and James Hurt. New York: Macmillan Publishing Co., 1992.
According to Duffee, “criminal justice is a term used to denote the distribution of penal sanctions and the administration of agencies involved in law enforcement, prosecution, and punishment.” In 1976, a man by the name of Guenther stated that he believed that the criminal justice system was “unfair, harsh, and biased,” and he argued that the system was a criminal processing system rather than a justice system.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.
My interpretation of the purpose of Holton’s Unruly American’s in general is that he wanted to convey a more accurate understanding of the development of the United States constitution, as appose to other perspectives that focus mainly on the framers. The constitution wasn’t just developed by the framers alone; it was heavily influenced by the many average American citizens during this time. Influences such as public demonstrations of outrage due to taxation as well as the influence of debt generated by farmers that couldn’t financially maintain themselves due to the country’s poor infrastructure. Holton also informed his readers about the importance of the creation of the Bill of Rights. All of the following events helped shape the constitution
Wilkie, Brian and James Hurt. “Shakespeare.” Literature of the Western World. Ed. Brian Wilkie and James Hurt. New York: Macmillan Publishing Co., 1992.
Many characters in the play have confidence in Horatio because of his trustworthiness. Horatio is very trustworthy, and not only in the way that he can keep a secret if needed, but he is honorable and keeps his word, and is honest to himself, showing integrity. Here, Horatio shows this trait by revealing to Hamlet that Hamlet’s father’s ghost had appeared.
Horatio serves often as the voice of reason, for instance; he is skeptical of the watchman's testimony that a ghost appeared during their watch in the previous night. Marcellus says of the watchman's testimony, "Horatio says 'tis but our fantasy, / And will not let belief take hold of him" (1.1.23-4). Horatio believes the watchmen only when he witnesses the ghost and even then is still skeptical. He is also the voice of reason when he asks Hamlet to restrain himself from meeting the ghost. He is afraid that Hamlet will hurt himself or go mad (1.4.63-91), finally telling Hamlet, "Be ruled, you shall not go" (1.4.81). Hamlet often seeks verification of events from Horatio as well. Horatio agrees with Hamlet, in 1.4, that the night is cold (1.4.2), and verifies Hamlet's belief that the ghost is "wondrous strange" (1.4.164). Horatio does not exaggerate about the length of the stay of the ghost. In 1.2, Horatio tells Hamlet that the ghost stayed in his presence for possibly "a hundreth" (1.2.137), followed by Marcellus and Barnardo's utterance, "Longer, longer" (1.2...
Wells, G. L., & Bradfield, A. L. (1998). “Good, you identified the suspect”: Feedback to eyewitness distorts their reports of the eyewitness experience. Journal of Applied Psychology, 83(3), 360-376.
Throughout the play Horatio constantly tries to bring Hamlet back to reality by advising him to follow his mind instead of his heart. When Hamlet decides to follow the ghost, Horatio strongly opposes by saying, “What if it tempt you toward the flood, my lord, or to the dreadful summit of the cliff that beetles o’er his base into the sea, and there assume some other horrible form, which might deprive your sovereignty of reason and draw you into madness?” (Shakespeare 1, 4, 69-74). Horatio’s warning to Hamlet suggests the idea that he views the unknown more cautiously than the reckless prince. Additionally Horatio’s inference about how the ghost might “drive [Hamlet] into madness”(1, 4, 74) displays a foreshadowing of Hamlet’s fate, emphasizing the idea that the warnings from the spokesman of common sense goes unheeded by the tragic hero. In addition to giving advice against the ghost, Horatio advises Hamlet in the matter of the match with Laertes saying, “If your mind dislike anything, obey it” (5, 2, 18). By this advice Horatio implies that he as well holds a suspicion against the King and Laertes and has doubts towards the match as Hamlet does, however, Hamlet ignores this sensible advice and leaves his life into the hands of
The Death penalty provides closure for the victims because then they are not haunted by the fact that their loved ones have died and that the person that did it will be faced with the same outcome, death. According to jones (2014)“In U.S, 63%
I personally disagree with the author W.W. Greg’s interpretation of Hamlet’s ghost, and believe that his assumption that Hamlet is simply hallucinating his father’s ghost is without merit. Many of W.W. Greg’s claims relate Hamlet to other plays that were written by Shakespeare, claiming that due to how Shakespeare portrayed ghosts in his previous works, it would follow that Hamlet also fits into the same mold as these past writings. W.W. Greg even states, “I should like to be told what Shakespeare's views were of ghosts in general ... I am forced to turn to Shakespeare's other plays for suggestions as to how he represented these phenomena” (Greg 395). W.W. Greg is simply claiming that trends in Shakespeare’s writings in the past logically must take the same form in the character of Hamlet’s ghost. This method of thinking simply does not hold up when examined critically, mainly due to the fact that there were multiple witnesses to the ghost, a...
In William Shakespeare’s tragic play Hamlet, Prince Hamlet conspires to avenge his father’s murder. Throughout the play, Hamlet spirals through bouts of insanity, depression, and hostility. However, across his tragic tale, Hamlet’s old friend Horatio remains a constant. A scholar and a loyal friend to Hamlet, Horatio acts as one of Hamlet’s many character foils, meaning his characteristics contrast to Hamlet highlighting certain personality traits and allowing the reader to understand Hamlet.
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Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html
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