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Significance of the witches of the macbeth
Essays on problems of superstition
The role of the three witches in Macbeth
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Shakespearean Spirits and Present-day Phantoms The discussion of the supernatural is truly the biggest riddle within the universe; and despite its everlasting existence within cultures around the world, these unnatural forces continue to persist without an explicit answer. Haunting millions of lives throughout the past centuries, the mentioning of magical or paranormal forces were labeled as the answer when describing unearthly sights and phenomenons. However, when trying to interpret the “messages” left behind each occurrences, these events usually end up claimed as signs of omen, foresight predictions, or indications of good fortune or news. Comparing supernatural events to two iconic Shakespearean plays, the mentioning of mysticism plays …show more content…
The ghosts (or spirits) play significant roles in promoting the affluence of skepticism within these two main characters: Macbeth and Prince Hamlet. Having both being murdered by evil forces, the deceased warrior and old king continue on their legacies through the forms of non-physical entities, thus entering into the lives of those whom affected them personally or through kin. Their presences in the protagonists’ lives individually emit a specific message or purpose towards the host they haunt. For instance, Macbeth, after having to be visited by the ghost of Banquo, caused him, the newly crowned king, to cause a scene at the banquet table; in response to his uncouth actions and illogical blabbering, the guests react with shock and confusion for the ghost itself was invisible towards them. (“Macbeth”) It also does not help the fact that the prophecies of the three witches is what drives forth his desire in the first place. His desire and greed of wanting to become king causes him to murder the lovable King Duncan (along with influences from his wife), and his guilt and yearning for the title clash within him as his wanted to longing to keep this title for himself but did not have the heart to kill him. The murder of the old king rouses his doubt, along with his desire to have his future sons continue his line on the throne. With these two characteristics and motive on hand, he must eliminate Banquo, person given the third prophecy. Through his death, he return in a form of a silent yet specteric messenger, giving Macbeth the memo that, “he cannot easily extinguish the human force within himself that the torment of fear.”(Ribner) He also sends out the idea that Macbeth’s recent mindset “will continue [to carry on] until [its] own final destruction.” (Ribner) Banquo’s ghost helps point out that within the king’s mind contains the tormenting of madness, therefore his purpose of his apparition
Guilt surrounds Macbeth for the second time when he sends out the murderers to kill Banquo, his old friend. Macbeth had no other choice but to get rid of Banquo. Banquo had witnessed the three witches and the prophecies. One prophecy was that his son would become king one day "To make them kings, the seeds of Banquo kings"(Act3 scene1 line70). In order for Macbeth to be safe is to kill Banquo. Banquo may assume what had happened and tell the people of Scotland. "For Banquo’s issue have I filed my mind; for them the gracious Duncan have I murdered; Put rancors in the vessel of my peace only for them, and mine eternal jewel".
Both Banquo and Macbeth are introduced as loyal captains in the king`s army, but as the play progresses, Macbeth is overcome with the desire of power due to his reception of the prophecies. Upon hearing, Banquo does not become greedy for power, but, alternatively, he is suspect and cautious begins wondering if “we [Macbeth and Banquo] eaten on the insane root that takes the reason prisoner?” (1.3). Realizing the witches were simply trying to make him ambitious, Banquo remains loyal to his king and his country, despite knowing that he will have a dynasty to rule Scotland. Despite having the motivation, Banquo does not commit treason against his king but rather wants to “keep my [his] bosom franchis'd and allegiance clear” (2.1), meaning that he has no desire to betray the king for personal gain. Conversely, upon hearing the witches’ prophecies, Macbeth becomes ambitious for power and follows them blindly. He is curious about the witches’ prophecies and demands they “stay… [and] tell me [him] more” (1.3). When he hears that the prophecy that his heirs will rule Scotland he will be king, Macbeth`s ambition is born and his thoughts instantly turn to murder, even though the witches had not mentioned murdering King Duncan which shows that Macbeth has previously thought about murdering his king. As a result, Macbeth has no loyalty to neither his king nor his country and commits treason. While both Banquo and Macbeth hear the witches` prophecies that promised power, only Macbeth conceded to their prophecy and became overcame with ambition. Macbeth is a direct antithesis to the honorable, dependent Banquo. He transforms into a greedy man who is obsessed with his
Following this murder, Macbeth sees Banquo's ghost at the banquet. He is filled with feelings of regret and, as a result of his troubled mind, sees Banquo's ghost.
Since it was an interesting issue which many people of Shakespeare’s time felt they were affected by, Shakespeare wrote about it. “Macbeth” with its supernatural theme was the 17th century’s equivalent to the modern day horror movie.
Macbeth’s ambition is to remain king for as long as possible and he will kill anybody who stops this from happening. Macbeth feels as if he was given a childless rule, and that his legacy will not continue on in fears his rule will be taken away by someone outside his family. Macbeth states, “For Banquo’s issue, I have filed my mind; For them the gracious Duncan have I murder 'd, put rancors in the vessel of my peace only for them, and mine eternal jewel given to the common enemy of man. to make them kings, the seeds of Banquo kings”(Shakspeare 3.1.64-69). Macbeth had committed murder, poisoned his own mind, and destroyed his soul only to end up benefiting Banquo’s heirs. Macbeth, being the paranoid character that he is, feels threatened by this and orders both Banquo and Fleance to be killed. In Act 3, Macbeth says that, “and mine eternal jewel, given to the common enemy of man, to make them kings, the seed of Banquo kings!” (Shakspeare 3.1.67-9). Seeing this choice of act, leads Macbeth’s blind ambition doing all he can, in order to remain where he is, even if he is ‘blind’ to what it going on and fails to truly understand the concept of his choices in killing Banquo, which only further deteriorates his mind because of his thirst for power, causing
In Shakespeare's play, Macbeth, the appearance of Banquo's ghost plays an important role. But it also leaves us to wonder if it is a sign of Macbeth's failing sanity, or an actual apparition appearing to frighten Macbeth. Closer examination shows evidence that this is indeed a figment of Macbeth's imagination. First, it is not the first, but the third, or arguably, the fourth time Macbeth has seen or heard was isn't there. His wife too, will have struggles along the same lines. In addition, it can be argued and demonstrated the Macbeth had lost his sanity before this point. And in a broader view, we see that the ghost of Banquo is treated much differently than ghosts used in Shakespeare's other works are.
I personally disagree with the author W.W. Greg’s interpretation of Hamlet’s ghost, and believe that his assumption that Hamlet is simply hallucinating his father’s ghost is without merit. Many of W.W. Greg’s claims relate Hamlet to other plays that were written by Shakespeare, claiming that due to how Shakespeare portrayed ghosts in his previous works, it would follow that Hamlet also fits into the same mold as these past writings. W.W. Greg even states, “I should like to be told what Shakespeare's views were of ghosts in general ... I am forced to turn to Shakespeare's other plays for suggestions as to how he represented these phenomena” (Greg 395). W.W. Greg is simply claiming that trends in Shakespeare’s writings in the past logically must take the same form in the character of Hamlet’s ghost. This method of thinking simply does not hold up when examined critically, mainly due to the fact that there were multiple witnesses to the ghost, a...
Macbeth’s private ambitions are initially displayed in the beginning through asides and soliloquies, making him seem ‘golden’; displaying Macbeth as ‘good willed’ and ‘honest’. However, it is until Macbeth encounters the three witches, that his own flaws are shown. The three witches arguably play the most import part in the play- with their prophecy’s fanning the flames of ambition within Macbeth, serving as the primary motivation to plot the death of Duncan- and as result Banquo; with there prognostics resonating deeply with his ambitious tendencies. As the prophecies come true, the possibility of becoming king increases and Macbeth immediately "yields to that suggestion whose horrid image doth unfix [his] hair" (1.3 144-145) as he fantasizes about killing Duncan. Macbeth becomes self aware of his thoughts; however, the idea that Malcolm poses a threat to his ambition outweighs his own moral conscience. He summons darkness to conceal his thoughts of murdering from heaven: "Stars, hide your fires;/ Let not light see my black and deep desires:/ The eye wink at the hand!" (1.4
Taking the view I do of Lay Macbeth's character, I cannot accept the idea (held, I believe, by her great representative, Mrs. Siddons) that in the banquet scene the ghost of Banquo, which appears to Macbeth, is seen at the same time by his wife, but that, in consequence of her greater command over herself, she not only exhibits no sign of perceiving the apparition, but can, with its hideous form and gesture within a few fee of her, rail at Macbeth in that language of scathing irony . . . (117)
Banquo's ghost highlights Macbeth's hypocrisy, when he tries to deceive the others at the banquet, at drinking a toast to his friend Banqo, making him realise that he cannot easily hide behind pretence. All these forms of the supernatural help to play a huge roll in the destruction of Macbeth, and without the supernatural, the play would not be as interesting and exciting, and also would not end with the same disastrous consequences. The supernatural causes Macbeth to betray his king, as well as becoming a traitor to his own country, which he certainly would not have done if he were his own self. The supernatural therefore shapes the events of the play; while the narrative gives the audience and readers insight into the central characters, and makes them feel emotionally involved in the story.
In both Hamlet and Macbeth, the supernatural plays a very important role. Supernatural elements are crucial to the plot and they also have a more thematic part as well. Shakespeare presents the ghost in Hamlet, and the witches and ghost in Macbeth, as disrupting elements that not only enhance drama, but also tear apart the existing order of things. They force the title character of each play to undergo their own internal struggle that grows from their insecurity of living up to the image of a man.
However, this experience is not one that gives him courage or ambition but one that gives him fear, enough to make a man go mad. At the party, Macbeth sees Banquo’s ghost which he describes as “a bold one that dare look on that which might appall the devil” (III.vi.63). He begins to act like a madman in front of all those loyal to him and reveals that Banquo is dead. Despite Lady Macbeth’s attempt to cover up his act by blaming it on a childhood illness, Macbeth’s followers begin to lose question their king, lose trust in him, and even wonder if he is the one who murdered Duncan. After the banquet, Macbeth seeks the witches out of their cave so that he can learn more about his future and silence those who are plotting against him despite what the consequences may be. This reveals that Macbeth has completely fallen for the witches prophecy. There, he sees a line of eight kings followed by Banquo’s ghost. The last king holds a mirror to reflect a never-ending line of kings descended from Banquo. When he sees this, he exclaims“ thou art look like the spirits of Banquo: down!” (IV.i.123). This vision confirms that Banquo’s descendants inherit the throne and contributes to Macbeth’s anxiety, fear and to his further loss of control. He becomes even more insecure about his position as king and can no longer make his decisions
The supernatural, is an integral part of the plays of William Shakespeare. In addition, the supernatural is, in fact, an integral part of the structure of the plot of Hamlet. The supernatural appears in Hamlet in the form of a ghost. The role of the supernatural is very important.
The supernatural appears to the audience in many varied forms. In Hamlet there appears perhaps the most notable of the supernatural forms, the ghost. However, in Macbeth, not only does a ghost appear but a floating dagger, witches, and prophetic apparitions make appearances. The role of the supernatural is very important in Hamlet
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.