The Female Gothic perpetuates the feminine subjectivity as the text is being told from the heroine’s point of view. Jane is the subject from the beginning, but this seems to change when she meets Rochester. Jane Eyre has been analyzed as the story of a heroine fighting for her equality in a man’s world. Jane’s famous confrontation with Rochester where she declares herself his equal establishes a subjectivity that she appears to lose near the end of the narrative (Bronte 416). Jane the speaking subject objectifies Bertha and presents her as a dark form of desire and sexuality that truly needs to be repressed. Although Jane reproaches Rochester for his behavior with Bertha, she only cares about herself and dismisses the subject as soon as Rochester assures her that he will not treat her likewise if she were in Bertha’s place. She moves on to propose Adele as a companion and then …show more content…
However, she consents to be objectified by Rochester for whom she forsakes her feminine sexuality to become the angel that would dutifully serve him. In Jane Eyre, feminine sexuality is dismissed as perverted by the masculine standards and Jane, a female, rejects it as well.
Bronte’s novel is noted for its supposed celebration of femininity where the strong heroine is capable of taming the beast and becoming his equal. This is not to be doubted. Yet, Heather Glen proposes an underlying story of a heroine who is “not all-powerful, but precarious, powerless, threatened: one that speaks not of self-confirming triumph, but of uncertainty and impotence” (166). Jane adheres to Rochester then to John perpetuating every time the notion of the phallus. Despite the fact that Jane is the subject narrating the story, she slips into objectification when she consents to the role of the domesticated housewife and when she objectifies the Other responsible for her subjectivity. She abandons her subjectivity allowing the power of the Name of the Father to take over until
Jane Eyre, written in 1847 by Charlotte Bronte, relates a tale of tragedy, mystery, and gothic romance. Covering the multiple issues of England in that time, Bronte writes of orphan treatment, social class, and Britain’s controversial law of prohibiting divorce in all circumstances. Orphaned at a young age and unwanted by her guardian Mrs. Reed, Jane searches for higher prospects in education at Lowood, eventually earning a position as a governess at Thornfield. Complications disrupt her life, when she becomes engaged to her employer, Mr. Rochester, and soon after discovers that he is already married to a lunatic. Leaving Thornfield, Jane finds a home with St. John and his two sisters. Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative.
Jane Eyre is about a girl named Jane who struggles to find who she really is and with it what she really wants. “As a model for women readers in the Victorian period and throughout the twentieth century to follow, Jane Eyre encouraged them to make their own choices in living their lives, to develop respect for themselves, and to become individuals” (Markley). One of the reasons why this book gained merit was because of its striking presence within its time period. During the “Victorian Age” woman did not have much say in society, so this novel broke boundaries to societal norms that restricted woman from things they have today. “Brontë is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her nature.
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
realizes that they both need each other, Rochester is now physically dependent on her. But, Jane
According to Jane’s point of view, her foil, Bertha, is mirrored as an insane and unstable woman to the reader and herself who is an obstacle in her way of her unity with Mr. Edward Rochester. Jane doesn...
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
For the first half of Jane Eyre, Bertha is only known to the reader through her nearly phantasmal presence&emdash;the peculiar laugh, and the mysterious incident in which Rochester's bed was lit on fire. Only after the foiled wedding of Rochester and Jane, in which Mr. Briggs and Mr. Mason appear unexpectedly declaring that the wedding should not proceed, does Rochester explain to Jane that he has a living wife detained on the third floor of Thornfield Hall. "He lifted the hangings from the wall, uncovering the second door: this, too, he opened" (327). "In a room without a window" Bertha is found living as a wild animal sequestered from everyone but her caretaker Grace Poole. Like a ferocious beast, she is even tied down and bound.
This brought into question Jane’s grand need for independence. Jane’s equality in a relationship is derived from her desire for independence. Jane reveals her need for independence in her relationship with Mr. Rochester when she told him she would always call him master but she would not be inferior to him. Haiyan Gao asserts in her article “Reflection On feminism in Jane Eyre,” “Jane loves Rochester with all her heart and Rochester’s status and wealth make him so high above for Jane to approach, yet she never feels herself inferior to Rochester though she is a humble family teacher.” It is also notable that Jane does not pursue a relationship with Mr. Rochester with the intention of gaining money.
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
Jane Eyre from Charlotte Bronte’s novel Jane Eyre lived in the wrong time period. In the Victorian period, women were supposed to have femininity, be domestic, obedient, uneducated, and prepared for marriage. They were seen as clean and pure, dependent on men, and isolated from the outside world. Bronte wants the readers to think that Jane’s behavior is worthwhile due to how her life comes together. Jane goes against these Victorian roles most strongly by standing up against men.
He misleads her by supposedly courting a beautiful woman and then proposes to her even though they are in different classes and she is amazed but accepts. On the day of their marriage it is discovered that Mr. Rochester already has a crazy wife, Bertha Mason locked upstairs, which explains some strange goings on at Thornfield. Jane leaves Thornfield knowing she can't be with Mr. Rochester. She wanders about with nowhere to go and no money until she meets three relatives of hers whom she wasn't aware of and they take her in.
“The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (365). Jane Eyre, by Charlotte Bronte, shows the truth behind finding love, staying true to yourself and following God’s path. Bronte establishes Jane’s struggle of finding happiness in life by placing important characters throughout the plot who challenge Jane’s truth. Eliza’s religion for example is more about herself wanting to escape the world whereas Jane truly loves God with no strings attached. Jane’s moral and spiritual growth is affected by Helen’s influence of God, the internal struggle of Rochester seen as a Godly figure, and the manipulation of St John.
Bronte’s Jane Eyre is brimming with feminist ideology rebuking Victorian-Era gender-roll ethics and ideals. As a creative, independent woman with a strong personality and will growing up during this period of female repression, Bronte wrote Jane Eyre as a feminist message to society. She criticizes the average, servile, ignorant Victorian woman, and praises a more assertive, independent, and strong one. She does this through her protagonist Jane, who embodies all of Bronte’s ideal feminine characteristics. She is a strong woman, both mentally and physically, who seeks independence and is in search of individuality, honesty, and above all equality both in marriage and in society in a world that does not acknowledge women as individuals.
Soon after Jane is settled at Lowood Institution she finds the enjoyment of expanding her own mind and talents. She forgets the hardships of living at the school and focuses on the work of her own hands. She is not willing to give this up when she is engaged to Rochester. She resists becoming dependent on him and his money. She does not want to be like his mistresses, with their fancy gowns and jewels, but even after she and Rochester are married, she wants to remain as Adele's governess. She is not willing to give up her independence to Rochester, and tries to seek her own fortune by writing to her uncle. In the end, when she does have her own money, she states, "I am my own mistress" (Chapter 37).
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.