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Japan culture introduction essay
Treatment of women in literature
Japanese gender roles and values
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Japanese culture is one of the most well appreciated yet, sometimes intriguing and difficult to understand in comparison to certain other cultures. The differences between men and women, different religious ideologies and many symbolic beliefs are characteristics that makes this a culture of world-wide study by many people from other parts of the world. Because of its complexity to understand and learn, Japanese culture not only reflects this major differences in the present day, but it follows the tradition of the ancient culture. In fact, the author of The Sound of Waves, Yukio Mishima enhances the habits of the right and unique ways of this old culture in his main characters and there, touches several important themes found throughout the book in relation to sexism. By the use of imagery, Mishima exposes the subtle sexism apparent on the island of Uta-Jima based on gender roles, stereotypes and religious ideologies to distinguish the role of men and women within Japanese culture.
Mishima portrays gender roles to distinguish the role men and women had in the island of Uta-Jima. Gender roles become apparent as the novel progresses because Shinji is looking for a woman of beauty rather than of intellect or equality. That is why Chiyoko, “thinking of herself as unattractive” (Mishima 58) and being always so insecured of herself, she never believed she could marry the only man who was capable to tell her she was pretty, that is to say Shinji. Furthermore, the insecurity seen in women is not reflected in men, as Mishima introduces Yasuo, Shinji’s competitor, who feels he has the world in his hands and he can get Hatsue’s attention everywhere thinking she is in love with him, “there’s no doubt but what this girl has a fancy for me” (...
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... to her beliefs. Shinji had won Hatsue but never disrespecting her. While Mishima interacts with the theme of sexism in his characters and explore the value of traditional and religious values, the dichotomy between traditional ways and a more fluid morality still stands in our present society mostly developed in different religions.
Yukio Mishima in The Sound of Waves introduces the subject of sexism as an important element to differentiate between gender roles, concepts of stereotypes in men and women and Japanese religious ideologies. The problem of sexism is still seen in present days as a severe case of showing the differences between the roles a man and a woman have to have in their lives. It is important to know that Mishima is not the only writer who focus on making those differences clear even though is just pure reflection of the ancient Japanese culture.
This literary analysis will define the historical differentiation of female gender identity roles that occurred in the Memoirs of Lady Hyegyong and the Tale of Genji. The modern gender values in the Joseon Period define a more elevated freedom for women in patriarchal Korean society that is defined in Memoirs of Lady Hyegyong. In a more progressive gender role for women, Lady Hyegyong exhibits an aggressive male trait in angrily denouncing the execution of her younger brother, which advocates a less submission depiction of women’s rights in early 19th century Korea. In contrast to this aggressive female gender role, Murasaki Shikibu writes a novel through the perspective of Emperor Hikaru Genji and his illicit love affair with his stepmother, Lady Fujitsubo. Lady Fujitsubo is a strong woman, much like the mother of Genji, but she is a concubine with little real power in the court. Historically, the patriarchal culture of 11th century Heian Period in Japan is different from the Joseon Period in that
Joan Scott, an American historian in gender history and intellectual history, argues that gender is the key category to analyze history, and Joan Piggott and Akiko Yoshie point out the incontrovertible fact that women did rule in ancient Japan. Scott argues that it is crucial to study how culture constructed femininity and masculinity. She applied theory to the study of the relationship of gender roles in different societies, and also linked this history approach to poststructuralism. The examination of the category women must be carefully analyzed in terms of the process of how gender created the difference in male and female identities. Therefore, it is vital to study historical female sovereignty, in order to understand the political significance, in this case, of female emperors in ancient Japan.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
Sexism is a highly talked about issue read about online, seen in the news, and experienced in the day to day lives of many. The importance of this issue can be found in many writings. Authors such as Sandra Cisneros, Linda Hasselstrom, and Judy Brady have all discussed the topic of sexism in writings and how they affected their lives. Although each writer addresses the issue of sexism, each author confronts a different type of sexism; the kind we are born into, the kind we learn growing up, and the kind that is accepted by society at the end of the day.
Sexism is prejudice or discrimination based on sex or gender, especially against women and girls. It can be the belief that one sex is more superior to the opposite sex. In this movie, Jean Kilbourne narrates how media perpetrates the idea that the male is superior to the female. She proves her point through presenting examples of how women are altered in advertisements.
Other research has devoted to unveiling the origins and the development of their stereotyping and put them among the historical contextual frameworks (e.g., Kawai, 2003, 2005; Prasso, 2005). Research has shown that those stereotypes are not all without merits. The China doll/geisha girl stereotype, to some degree, presents us with a romanticized woman who embodies many feminine characteristics that are/ were valued and praised. The evolving stereotype of the Asian martial arts mistress features women power, which might have the potentials to free women from the gendered binary of proper femininity and masculinity. Nevertheless, the Western media cultural industry adopts several gender and race policing strategies so as to preserve patriarchy and White supremacy, obscuring the Asian women and diminishing the positive associations those images can possibly imply. The following section critically analyzes two cases, The Memoirs of a Geisha and Nikita, that I consider to typify the stereotypical depictions of Asian women as either the submissive, feminine geisha girl or as a powerful yet threatening martial arts lady. I also seek to examine
...ic female figures in Ancient Japanese literature. His sentiment is basically that such acts are melodramatic and lead only to regret on her part (pg. 25). I took it to mean that Murasaki Shikibu was criticizing those old tropes used in Japanese literature, and the unrealistic standards (which the men in Chapter Two later admit are impossible) are a criticism of the expectations placed on women in Heian society. All in all, the book points at the despairing conditions of women in the Heian Period, and as for Genji, who is described by the author and other characters as “perfect” in every imaginable variation of words, it is made clear through his actions and decisions that he is not perfect, and tends to be quite selfish—signifying that the male ideal is also unrealistic and unattainable.
his Essay will analyse, introduce, and discuss the terms Hegemonic Masculinity and Emphasized femininity, if it still applies in modern times and the use of these concepts to comprehend the role of the man and female in Eastern Asia, in relation to post-war Japan. In order to present a clear and linear argument I will divide this essay into three parts: In the first part I will define the term hegemonic masculinity, the common traits and the influence that it has in society; the essay will continue then in explaining and outlining the term emphasized femininity. The second part will analyse the impact of the notions of hegemonic masculinity and emphasized femininity in relation to post war Japan has. The last part will briefly identify some
The two main approaches to this type of criticism are very different, but help make distinctions in the text. Essentialists focus on the biologically determined sex of a character in literature, while others focus on constructivism or the qualities determined by society as strictly male or female. Constructivists argue that patriarchal gender roles harm women’s confidence and assertiveness, promoting stereotypes and false binaries. Gender constructivism favors the idea that gender and sexual categories are a societal construct that prefers men and restricts women. The application of this literary criticism to a text looks into the character and their relevance to the plot. Focusing on how the character promotes or rejects the imposed gender roles is a significant part in the use of this lens (Hildreth January
The male dominated society of the Heian and Tang periods led to the creation of biased ideals of men and women. Although the author of the Genji Monogatari, Murasaki Shikibu, was a woman, her perception of male and female ideals was also influenced by centuries of male dominated thought as conveyed through the vast amounts of Chinese culture which permeated the society she was a part of. Thus, one can read the Genji Monogatari as an example of gender ideals in Heian Japan as well its Chinese predecessor, the Tang dynasty.
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force at iron town. The men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture had been just like the western perspective where they were below men. This quote also shows that Princess Mononoke reverses the gender role from being submissive to being above men. Another quote that supports that women were not submissive says that “the young unmarried women in Japan have become a powerful group, demographically and economically” (Kyu Hyun, 2002, 39). The women who were in the upper class society of Japan had time on their hands and we know this because they had time to write literature. “Most of the canonical work from this period was produced by women of the upper social class” (Varner, 2005,
In every direction the sea rages and growls, tumbling its inhabitants in an ever-lasting rumble. Glory, honor, and duty are washed upon the glimmering golden shores of the Japanese empire. The sturdy land-bearers clasp hands with those thrown into the savage arms of the ocean. This junction of disparate milieus forms the basis of an interlocking relationship that ties conflicting elements and motifs to paint a coherent, lucid final picture. In The Sailor Who Fell From Grace with the Sea, Mishima incorporates the impact of contradictory settings of land and sea, combative ideologies of the Western and Eastern hemispheres, and inherent dissimilarities amongst the characters’ lifestyles in order to reinforce the discrepancy between his ideal Japan and the country he observed.
There is clearly an opportunity for those expectations to affect our behavior toward men and women so that they produce the stereotypes we hold” (2012, p. 67). She came to this conclusion based on her critical review of a study of college men and women from 1977 by Snyder, Tanke, and Berscheid. In the study, men were told to talk to a woman on the phone and half were shown a picture of an attractive woman and the other half were shown a picture of an unattractive woman before talking on the phone. However, all of the men were talking to the same woman. The woman also provided self-fulfilling prophecy for she began to behave differently based on whether the men were shown a picture of an attractive or an unattractive woman. If she was attractive, the men were nicer and the woman, herself, acted “more likeable.” This study demonstrates “that our expectations influence our own behavior, but they also influence the behavior of others so that they confirm our expectancy” (Helgeson, 2012, p. 67). Within cultural differences of gender role attitudes, Asian cultures perpetuate a traditional gender role ideology based on Confucian doctrine (Newton, 2016). The doctrine emphasizes the lesser status of women and how they must lie their obedience in line with men, such as their fathers or husbands. Men are also not expected to show emotions, men are the
“Sexism is an oppression that is hard to avoid, as it is difficult to rid ourselves of the social institutions of gender that we have been taught at a very young age (“Sexism in Society”).”
Bernstein, Gail Lee. “Women in Rural Japan” In Women In Changing Japan, edited by Lebra Joyce, Paulson Joy and Power Elizabeth. Boulder, CO: Westview Press, 1976.