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Gender roles of women in literature
Social identity and self identity
Gender roles of women in literature
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Society’ Affect on Self Identity Throughout history it is seen that gender roles have a large influence upon women and their place within society. It has been seen to affect the way women are discerned and feel about themselves as individuals, as well as their role within their marriages. “Sweat” by Zora Neale Hurston, “The Awakening” by Kate Chopin, and “A Doll’s House” by Henrik Ibsen are all examples of how women’s feelings about themselves, as individuals, and within their marriages are affected by gender roles. These effects can be seen about the main women protagonist in each story and how their respective societies affect them. Within their respective story setting Delia, the main protagonist of “Sweat”, Edna, the main protagonist …show more content…
In Nora’s case she saw that she was failing at her role as a mother because she had done so many immoral actions, including committing fraud. When talking to Torvald he says “And still this Krogstad’s been going home year in, year out, poisoning his own children with lies and pretense; that’s why I call him morally lost.” (1041), showing where this idea that Nora’s immoral actions are going to poison her own children just like Krogstad’s actions poison his own children. She did not want her negative actions to be rubbed off on her children, so she saw her only escape was to walk away from her household so that her children would not be “poisoned” with the same immorality that she possessed. Still this shows how she views her role in her marriage as a failure because she is unable to raise her children right. This is similar to Edna’s view of her failing role as mother for her children. She was in a unfulfilling marriage and decided to have two affairs with men that she knew. When she reflected back on her choices she realized how this would negatively affect her children. Edna realized that she did not want to have her unfavorable choices be rubbed off onto her children, so she committed suicide to save them from her “poison”. These two women saw that because of their immoral actions that they were at an indifference with their …show more content…
In these respective texts, each woman protagonist had to face a problem whether it was put onto them because of them or another. These plights that they were put into helped them realize their true identity and who they really were. In “A Doll’s House”, Nora had committed fraud and had brought much dishonor to her household, helping her realize in the end that she is truly immature. She realizes that she is just like a child and that everyone in her life is always making decisions for her. The best example of when people make her life decisions for her is when Mrs. Linde decides for Nora that Krogstad should let Torvald read the letter with the truth of what she has done. She always needs someone to make the hard decisions for her, just as of she was their child. Nora finally sees that she needs to mature before she can take care of a whole home and family. Her realization that she needs to become mature and a capable adult that can solve her own problems, is what leads her to leave. She knows that she can not take care of her children because she, too, is a child at heart. This is very similar to Edna in “The Awakening”, how she realizes that her true identity is not what society wants from her. She does not want follow the societal rules that are in place during this Victorian time period. She is in an unfulfilling marriage that leads her to cheat on her
Zora Neale Hurston’s short story “Sweat” is about a woman, Delia who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome towards her. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religions and moral symbolism that controls the character’s actions throughout the plot.
Throughout her life Nora had spent her time pleasing the men around her, first her father and then Torvald. As the reality erupted that her marriage to Torvald was loveless and not salvageable, she ignored Torvald's demand that she not leave him. He even made attempts to sway her decision by insinuating they could go on in the house as brother and sister. Her need to be a valued human in society had prevailed over the dependent, frail, creature that once belonged to Torvald. She set out to find her independence in spite of the limitations that society had placed on women. Her displeasure had burned a path beyond her little, secure world and the burden of being a plaything was lifted.
Nora has been a doll all of her life, fortunately, she has an awakening that kindles her passion for freedom. Torvald restricts her freedom. Torvald adorns Nora to his wishes and desires and basically strips Nora of her identity. Nora wants a happy marriage; hence, she appeases Torvald. When she is being blackmailed, she believes that Torvald will be her savior. However, Torvald’s selfish reaction to the news is Nora’s auspicious awakening. She knows that her marriage is a sham and that she does not know who she is. Nora leaves Torvald so that she can have the liberty to gain knowledge of the world and herself. Nora’s awakening has provided her with the freedom to fulfill her life.
In the play " A Doll's House", written by Henrik Ibsen, Nora, the main character of the play, decides to abandon her husband, her home and her children in order to find herself. She finally realizes she has to leave when confronted with a problem in her relationship with her husband, who keeps treating her like a doll, reflecting the childish treatment she always received from her father before. She finds the strength to leave with her childhood friend Kristine, who has led a hard life, and has the wisdom to guide and support her. Nora leaves the role of the doll child and doll wife she played her whole life, and becomes an independent self-thinking adult, when she realizes that the world is different than she always thought it was, and that she herself is not who she thinks she is.
Women have been given by society certain set of duties, which although change through time, tend to stay relatively along the same lines of stereotypical women activities. In “A Doll House” and “Simply Maria” we see the perpetuation of these forms of behavior as an initial way of life for the two protagonists. Nonetheless; we see a progression towards liberation and self discovery towards the development as a human being by breaking the rules of society. Such attitudes soon find opposing forces. those forces will put to the test the tenacity of these women; and yield freedom and ownership for their lives which are owned by others at the start of their stories.
Through their quest to find their own freedom and individuality, Nora Helmer, from A Doll’s House, and Edna Pontellier, from The Awakening, each uniquely discovers themselves. Since the beginning of the play, Nora was very loyal to her husband and even told him how she would “not think of going against your [his] wishes” (Ibsen 6). However, she does not act like an individual because she is controlled by her husband, along with other men, and acknowledges their role as her superiors (Ibsen 20). After Torvald, Nora’s husband, finds out about her secret, she finally understands, that since she was little, her role in society was primarily to be a “doll-child” and a “doll-wife” for the men in her life (Ibsen 87-8). In contrast, Edna got to a point in her life where she just neglected her role established by society because she was tired of being treated as property rather than a person. She spends time without her husband, grows accustomed to the idea of freedom, and discovers her longing for a role as an individual in the world (Chopin 23). Edna tries to escape the obligations that belong to many women of that time like raising the children or waiting for visitors. As Nora is compared to a “doll-wife”, Edna is portrayed as a bird,...
In A Doll’s House Ibsen focuses on the way women are seen, especially in the context of marriage and motherhood. This can be seen clearly by Torvalds narrow views of a women and her role as a “good” wife and mother. He explains to Nora that women are responsible for the morality of their children. He sees women as children and the helpless creatures that are detached from reality. Women are also the influential moral forces that are responsible for the purity of the world by their influence within the home. As a first impression Nora plays a very generous and open role. She seems to be very content in her surroundings and acts toward her husband in a very caring and loving way. She gives the impression that she is extremely dependent on her husband and would do nothing to hurt him. In the beginning of the play there are a few hints that contradict the true nature of how Nora really is deep down inside. There are a few instances in which Nora lies to her husband even before we ever find out about the big lie which is her marriage. She is confronted about eating some cookies she flat out lies to Torvald and tells him no. Another example is displayed when her hus...
In Henrik Ibsen’s A Doll’s House, and Kate Chopin’s The Awakening, the works represent the unyielding social standards pressurized onto women and how they negatively affect the female protagonists. It is also shown how the women are able to triumph over the social standards and reach towards a life of greater satisfaction as individual women. While finding themselves, they also look for an outlet, an escape. The two women achieve the ultimate goal of absconding the pressures of society and domestic life by finding an escape route through abandonment, and death.
The one thing that every person is granted in life is having the option to choose. Choosing whether to stand or to sit; to go or to stay; to speak up or to stay quiet and fictional characters should be no different. In Henrik Ibsen’s play, A Doll’s House, the protagonist Nora Helmer is always making decisions that she feels are beneficial. Nora is like a typical housewife: devoted to her husband, children, and home. Just in the beginning of the play, she is seen coming back home after a day spent shopping for Christmas presents for her family. The reader grasps that she is a loving individual, but it also seems as if she is naïve. This all changes as the play continues. Just from how she handles situations and knowledge from her past, the reader understands that there is more to Nora Helmer than what her husband perceives. From vast choices like illegally stealing money and leaving her husband to minor ones like not wanting to see her children, it is revealed in the story that Nora is an intelligent and strong young woman.
The Struggle for Identity in A Doll's House A Doll's House by Henrik Ibsen, is a play that was written ahead of its time. In this play, Ibsen tackles women's rights as a matter of importance. Throughout this time period, it was neglected. A Doll's House was written during the movement of Naturalism, which commonly reflected society. Ibsen acknowledges the fact that in 19th century life the role of the woman was to stay at home, raise the children and attend to her husband.
A Doll’s House illustrates two types of women. Christine is without a husband and independent at the start of the play whereas Nora is married to Torvald and dependent on him and his position at the bank. Both begin at different ends of the spectrum. In the course of the play their paths cross and by the end of the play each woman is where the other started. It appears that a woman has two choices in society; to be married and dependent on a man or unmarried and struggle in the world because she does not have a man.
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...
...on as a disgrace to society because women are not expected to leave there husbands. Nora proved that she can withstand enormous amounts of pressure and that she is capable of doing things when she is determined. She is eventually freed from that doll ouse, as she calls it, and it allows her to leave without being afraid to learn about her and the world around her.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
During the time in which Henrik Isben's play, A Doll?s House, took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the house. Nora is portrayed as a doll throughout the play until she realizes the truth about the world she lives in, and cuts herself free.