Seinfeld
Seinfeld ranks among the best situational comedies of all time. It has been compared to I Love Lucy and The Honeymooners, both of whom received praise for there pioneering works in comedy. But I believe that Seinfeld takes the term sitcom to another level. This is accomplished by exhibiting the many attributes of the show. Seinfeld contains many characteristics of a great situational comedy.
The reason why Seinfeld is a unique show is because of its coherence.
This show has a variety of plots in one episode. Seinfeld takes these plots and relates them in some odd, but funny way. The other thing that is coherent in this show is the cast. I have not seen a cast that relate to each other so well since I Love Lucy. This shows cast resembles the cast of I Love Lucy because both casts have conflicting personalities. In Seinfeld for example, George and
Jerry's personalities are the exact opposite. George is a total neurotic, while
Jerry has a take it easy personality. Same for I Love Lucy, Lucy is always the leader and Ethel is always the follower. Without coherence Seinfeld would never be where it is today.
Seinfeld is very original in the ideas they use for there shows. This is where the show starts to resemble The Honeymooners and there unique ideas. The
Honeymooners' ideas were very unique for their time. Like the episode when
Ralph had a fight with Alice. It was a ground breaki...
I love Lucy was a very popular sitcom in the 1950s. Through humor and plot it brings out more of positive aspects and less of negative aspects for the 1950's that Coontz described in `What we really missed about the 1950s.'
Another reason the show is so successful is the voice acting. The voice actors are very devoted.
Furthermore, the show is in its fifth season and cast members change with the wind so to speak, yet the characteristics seem to be of the same.
The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
The Secret of Seinfeld’s Humor: The significance of the Insignificant, an article written by Jorge Gracia briefly outlines what the author believes to be the origin of the humour with which the popular television show Seinfeld achieved such broad based success. A show that embraced the ordinary of everyday life, while atypically avoiding the mainstay of violence and sex of most of today’s popular visual media and culture. Gracia (19??) begins his article by posing the question “how, can a show that deals with ordinary, everyday occurrences have such wide appeal”? This is a very general question that could be analysed in any number of ways. The author however, suggest one possible answer. That a show such as Seinfeld is effective because its humour is based upon the dramatic tradition of the comedy and tragedy.
re using it for fast punchlines... I can put a joke together well enough that I
...eir behavior or attitudes should in no way be emulated. While the characters’ ultimate fate could be seen as a reinforcement of social expectations, the lifestyle the characters live is portrayed in a positive context (after all, the callousness isn’t a function of their singleness), and that is what is important in a society where alternative lifestyles aren’t (or at least were not at the time) given equal time in entertainment and the media. The downside of Seinfeld is that its legacy has created an opposite, though equally negative situation in entertainment to that which it alleviated a decade ago: now the airwaves are dominated by shows about single people. Family sitcoms have fallen by the wayside. Perhaps one day there will be show that is equally appealing to all demographics. In the meantime, I suppose I can survive with reruns of a show about nothing.
Jerry Seinfeld's television sitcom, "Seinfeld," which went off the air in 1999, is still one of the most culturally pertinent shows today. The show dealt with little nuances of American society. A puffy shirt, for example, could be the main subject for an entire show. This show, which was derived from Jerry Seinfeld's observational humor, was voted as the "Greatest Show of All Time" by TV Guide in 2002. According to the show's official website, the ratings for the syndicated version of Seinfeld are ahead of many of the current primetime comedies ("Seinfeld" 2/5).
After watching episodes of I Love Lucy and The Andy Griffith Show, I saw many things that were the same or similar, along with many things that are different. Both of the shows were made during an era where the television entertainment industry explored America’s moral conscience. This was apparent because the themes always had a lesson or moral in each story.
Friends and Full House are true examples of a sitcom; a viewer can be sure to laugh during any episode at any point of the time. Both shows have characters that are just funnier than the rest, such as phoebe and Joey on Friends and Joey and Michelle on Full House. Phoebe and Joey are considered the out casts of their group, during the TV series Friends in a couple episodes Joey and Phoebe can be found struggling with financial care while the other have
We've come to a point where television has become so loaded with “vampire-this” and “werewolf-that,” that each show has begun to look like the reruns of another. Luckily, this definitely isn't the case for creator Vince Gilligan's, Breaking Bad. Breaking Bad follows the life of Walter White (played by Bryan Cranston), an ordinary high school chemistry teacher. With a loving wife and teenage son at home, over time, Walter has formed an exceedingly mundane routine for his life. After soon discovering that he had been diagnosed with inoperable lung cancer, Walter decided to take extreme measures in order to secure his family financially. Eventually, he would descend into a world so dark and utterly twisted, that it would eventually consume him. Walter White became Heisenberg; the greatest drug lord the streets had ever seen. As he ascended in status within the drug cartel, the love and trust he had from his family and friends quickly descended. There are thousands of reasons that explain why millions of people tune into Breaking Bad. This series offers a much needed relief from the Dracula descendents, which frankly, are slowly diminishing any scope of variety existing on television. Because of the outstanding acting, seemingly distorted reality, and uniquely relatable storyline and characters, this hit show tops the charts as the best modern-day television series that cable has to offer.
To begin with, here is one of her best performances throughout the seasons. In my favorite episode, Job Switching, Lucy and her best friend Ethel decide to switch roles with their husbands
The American animation The Simpsons is now in its 10th season as a show in its own right. It was created by Matt Groening as shorts for the Tracy Ullman Show and was bought by the Fox Network, which began screening it as half-hour shows in 1989. Initially its success was restricted to the 9-16 year old age group, and for animation there is nothing remarkable about this. Its success grew quickly and it is now popular in many countries with many different audiences. "In the 1990s we are seeing dramatic transformations in media industries and media cultures. In geographical terms, these transformations may be seen in the shift from national to global media." The Simpsons can be seen as both a remarkable piece of global culture and as a hugely successful piece of global television. (One need only look on an Internet search engine to discover that there are literally millions of Simpsons fan-sites around the world.). The Simpsons themselves are a simple family in a small town in Middle America called Springfield. They are: Homer (loyal but stupid father), Marge (dissatisfied, trapped housewife/mother), Bart (rebellious son), Lisa (unappreciated genius daughter), and Maggie (silent baby). The show also revolves around a number of other of the townsfolk, such as Mr Burns (Homer's miserly boss), Smithers (Burns's loving assistant), Apu (Indian shop owner), Principal Skinner and Moe (owner of the local bar). There are a number of reasons why we cannot simply view The Simpsons as a cartoon like any other. The rules and conventions that it follows are far more those of television or cinema than those of animation. The humour within The Simpsons exists on many different levels ranging from the obvious to the subtle, from the literary to the movie reference, and beyond. But most importantly we must consider the show's ability to make significant social comment, on general issues of culture and society, but more specifically on television, film and media, and on audience viewing and acceptance of these media. Traditionally, cartoons have been action driven and animation. Aside from the use of cameras to create the visual illusion of depth (Walt Disney famously explained the 'complicated' technique used to allow Mickey Mouse to walk along a street without distorting depth or perspective), cartoons had a language of their own, unique and separate from that of cinema or television. They were simple and without layered meanings.
You cannot help but get attached to the characters, and feel their struggles. I think most teenagers
Seinfeld: Critical Analysis “YOU’RE A RABID ANTI-DENTITE!” exclaims Kramer in the episode of “Seinfeld” I chose for critical analysis. This episode begins with George, George’s girlfriend, and Jerry in the familiar restaurant setting when after George’s girlfriend leaves, the neighborhood dentist, Tim Whatley, enters. After greetings and introductions are made Whatley confesses to the two of them that he had just recently converted from Catholicism to Judaism, and then proceeds to make a joke about doing a “Jewish workout” in the sauna at the gym that day and casually walks away. Meanwhile, George and Jerry, both taken aback by the joke, exchange confused and uncomfortable glances. Jerry is angered by this more so than George because he is