Searching For Meaning in Apocalypse Now
Francis Ford Coppola's film Apocalypse Now takes the audience into a tense and mystical journey through the Vietnam War. This long and agonizing journey is seen through the eyes of Captain Willard played by Martin Sheen. Sheen. Captain Willard is assigned to a mission that relies on him to assassinate Colonel Kurtz, who is played by Marlon Brando. Although Apocalypse Now is an examination of the many terrors of society that are connected to the Vietnam War, Coppola plays much of his film off Joseph Conrad's novel The Heart of Darkness. Conrad's story focuses on Captain Marlow who is parallel to Willard and the Colonel Kurtz possesses many of the same characteristics in both works. In both works, the Captain is to find the Colonel, but Coppola makes a very significant change in his film. This significant change is the transition of Captain Marlow assigned to find Colonel Kurtz in the Congo, to Captain Willard assigned to assassinate Colonel Kurtz in Cambodia. The fact that Willard has now become an assassin of Kurtz is very important in Coppola's over all point. It especially is important for the last ten minutes of the movie when Willard actually kills Kurtz. The final scenes of the film consist of Kurtz' reading of the poem "The Hollow Men" and the interplay of Willard killing Kurtz while the Cambodian Natives kill a water buffalo in a ritualistic setting. These changes and departures of the ending of Heart of Darkness are made so Coppola can make his point about the Vietnam War and society. The point being that the Vietnam War was completely meaningless and a lost cause among several others. However, as will be shown, these points come in conflict with eachother and are difficult to ...
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Apocalypse Now is definitely a movie fit for an audience who wishes to be stimulated with thought overload. The movie is filled with all kinds of metaphors to the Vietnam War and parallels to Heart of Darkness. Coppola makes alterations to Heart of Darkness to achieve his own personal point that is very different from Conrad's, but his point is still not completely clear. Coppola's opposition to the war is obvious but he throws in a lot of other elements to try to add even more onto that. Coppola uses Kurtz to examine the importance of not judging, "The Hollowness of Men", and the Christlike figure of Kurtz himself. All of these are great ideas, but the ideas are just scattered throughout the movie and show no cohesiveness. However, one can still appreciate Coppola's thought-provoking ideas without completely understanding what they all mean.
While there are differences between Francis Ford Coppola’s film, Apocalypse Now!, and Joseph Conrad novel, The Heart of Darkness, Kurtz and his influence on the main character remain very similar. Both the movie and novel depict a protagonist’s struggle to travel upstream in a ship in search of a man named Kurtz. While doing so, Marlow (The Heart of Darkness)/Willard (Apocalypse Now!) become progressively fascinated with Kurtz. Kurtz is claimed to have a profound influence on his followers and is becoming a huge influence on Marlow/Willard as well.
One of the many similarities between Heart of Darkness and "Apocalypse Now" is race. Joseph Conrad and Francis Coppola both use white men as the characters that have dominance (Bradley). The white men not only dominate their respective crews, but also the peoples native to the country the white men are visiting. The character Conrad uses, Marlow, and Coppola uses his character, Willard, both look at the natives as though white men are the civilized culture and the native people are the savage culture (Franklin). Both works also reflect the theory that "civilized" white men that go into an uncivilized land become savage and do not return to white civilization. An example of this that is in the book is MarlowÕs appointment with the doctor. The doctor measures Marlow's skull to compare its size at the present time to the size of his skull upon his return from the Congo. The thought is that a civilized manÕs skull is a different size than a savage's skull. When Marlow asks the doctor how what the results of this test have been in the past, the doctor comments that there are none because no civilized person has ever returned from the Congo. An example of this in the movie is when Willard faces his own personality of whether or not to complete his soldierly mission of killing Kurtz or to abort it. If he completes the mission he is still civil, if he does not, the Vietnam jungle has conquered him. The first soldier that is sent to kill Kurtz did not kill Kurtz, but in fact became one of his followers.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
From the very beginning of Shakespeare’s Othello, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s character in the beginning of the play, and the general perception at the end of the play, due to Iago’s many character flaws that cause him to create devious plans and a web of deception and lies, spun by his intense anger and hatred. The exposition of Othello holds many indications of the negative traits Iago possesses, and they escalate quickly as the play progresses. There are many points within the play that present Iago falling prey to his issues and therefore lets them control him. Iago’s anger and hatred kept him from dealing with these character flaws and lead to his descent into moral
Iago is a villain because he is manipulative. This is proven when Iago convinces Othello that Desdemona is cheating on him by just dropping little hints and letting Othello piece it together for himself. Iago would start the jealous trip by saying such simple things like that he “likes not that”, later Othello would return and say that he had “found not Cassio’s kisses on [Desdemona’s] lips” (III.iii.393). This shows that Othello put together pieces from little things that Iago said with a purpose to make Othello jealous and believe he was being cuckolded. Another instance of Iago’s manipulative tendencies is when the reader finds out that all along, Iago has been taking Roderigo’s money to purchase jewels to give “as gifts to Desdemona”, but that Iago ended up keeping and using for his own personal needs without Roderigo’s knowledge (V.i.17-18). Another example of Iago being manipulative in his villainous ways is when Emilia “has a thing for [him]” and ends up giving him Desdemona’s handkerchief from Othello (III.iii...
He claims a reputation for honesty and plain speaking, in the play the others refer to him as “honest Iago,” yet he invents elaborate lies in order to exploit and manipulate other people. Unfortunately he is surrounded with bitter irony. In chapter one Iago says “I am not what I am,” which can be interpreted as “I am not what I seem.” What is good for him is bad for others and people repeatedly rely on him and he betrays them. Much like a sociopath, Iago likes to have other unwittingly working to serve his purposes. Iago is also a man with an obsession for control and power over others who has let his obsession take over his whole life. Ultimately, Iago achieved his goal in destroying Othello and obtaining power, unfortunately he is not alive to bask in that
The poet Coleridge appropriately described the character of Iago as being one of "motiveless malignity." Throughout the play Iago’s motives are secondary to, and seem only to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridge’s assessment we must look at Iago’s character—from Iago’s point of view and that of the other characters—his motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him; all the while he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end.
Both Conrad’s, “Heart of Darkness”, and Coppola’s, “Apocalypse Now”, profoundly illustrate the journey of man into their inner self and man’s encounters with their insanity, fears and demise. The novella and film are comprised of numerous pivotal themes that facilitate the understanding of the deeper meaning of both works. Fundamentally, theme is an extensive message or idea expressed by an author and is a crucial element of literature since it sheds light on universal concepts. The most striking parallels that can be formulated when comparing themes in both the novella and the film are associated with human nature. Specifically, Conrad and Coppola incorporate theme of hypocrisy in order to portray man’s incredible potential for evil.
Since the beginning of time, people around the world have helped the human race throughout many rough moments and we considered these people as heroes. We all need or have received help weather we admit it or not and there are people willing to help us or act as a hero in our lives such as teachers, parents, and government. As a child I saw heroes to be people with supernatural abilities, but as I grew up, I found out that a hero is a person who has impacted your life from a troubling moment. I personally have received help from a man I never expected to have grown a bond with and I consider him as a hero to me. This person I call hero is Kerry Mondestin and he shows the nine characteristics of a hero.
Heroism can show itself in many shapes and forms from ordinary people to heroic and courageous people something to think about is that anyone can show heroism. A lot of people have shown heroism just by doing the right thing such as just helping someone or not acting mean towards others. heroism can show itself in many different forms but sadly some ordinary people don’t get recognized for the heroic acts that they do. Many different people just don’t recognize heroism from ordinary people as they just think of superheroes and supervillains. In reality anyone can achieve heroism as long as they strive for it. While ordinary people can sometimes not be recognized for acts of heroism, these heroes are courageous and can defeat all of the challenges
In the play Othello, the character Iago plays a paramount role in the destruction of Othello and all of those around him. Some critics state that Iago's actions are motiveless and that he is a purely evil character. However, during the course of this paper, certain motives for Iago's actions will be discussed.
In their conversations together, Iago seems to pity Roderigo, claiming to “have professed me thy friend,” yet he advises Roderigo into a position which would only help him further drive his plot forward, simultaneously leading Roderigo to believe that he is helping him (I.iii.379). When Iago is alone, he is less likely to brag about these ideas and more likely to run the audience through his thought process in a stream-of-consciousness. Through these monologues, the audience is able to see the more manipulative side of Iago that he disguises when around Othello. Iago carefully manipulates each character to the position that is most advantageous to him, yet still asks himself, “And what’s he, then, that says I play the villain,/When this advice is free I give and honest” (II.iii.356-57). Almost seeming to be proud of himself, Iago views his planning as nothing more than a game, “[his] sport and profit” (I.iii.429). Iago has no moral qualms about exploiting others’ weaknesses, a situation which ultimately gives him the upper hand against Othello when controlling
Our society has created heroes, because think that others can be a helping hand or even a role model to a better world. The need for heroes has gradually increased because more countries are falling about. In today’s world, we can confuse a famous person to be a hero. For example, Tom Cruise
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.