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How did Seamus Heaney's early life effect his poetry
Seamus Heaney evocative language and imagery
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Seamus Heaney's Background and Poetry
Seamus Heaney had a Roman Catholic upbringing in a rural area of
Northern Ireland. How does his poetry reflect his background?
Heaney's poetry is able to reflect his background by his use of
language and the technique he expresses his experiences. I will cover
his background into three sections: his childhood, the community and
his reflections.
I will start by looking at his feelings and experiences in the poem
'Death of a Naturalist'. The poet remembers the time when he was a
young child. He saw the reality of what frogs were really like in the
outdoors compared to what was taught in school. In school, the frogs
are described like a typical teacher talking to young pupils. It is
very patronising and cosy hiding the fact that they are 'rank',
off-putting and sickening in certain ways. For e.g. "the dam
gross-bellied frogs were cocked" and " Poised like mud grenades, their
blunt heads farting". They are described as being like grenades due to
their size, shape, colour and the "scary" croaking noises that the
creature makes. It was a new experience for him for he had not heard
the noises before," to a coarse croaking that I had not heard before".
He did not feel in the right situation and it was like he had never
felt like that before. During his experience, he felt insecure,
anxious and self-doubting. He puts himself down for he blames himself
for the "obscene threats" the frogs were giving him.
His use of language is able to quickly adjust the mood from a pleasant
school setting to a horrid, smelly and repellent atmosphere. Heaney
understood the straightforward and simplistic teachings at school but
is bewildered and scared when he approaches the frogs. The po...
... middle of paper ...
... fascinated by her he knows he shouldn't be because
she has done wrong. Even though he feels so deeply of this girl he
realises how foolish he was by letting them carry on with the
punishment; "I who stood dumb".
In some cases Heaney is able to use oxymoron in order to describe how
society can be a catastrophe at times. He uses the descriptive words
"civilized outrage" to show this. He puts two opposite words together
to form a different meaning. Hence the word "civilize" and "outrage".
Heaney has experienced many tragedies in his life from "Mid Term
Break" to "Punishment". He clarifies this using his own expertise of
writing to create descriptive poems like these. What must be said
about him is how he is talented enough to deliver what is suppose to
be delivered, very effectively in order for a reader like me to have
such an impact on what is said.
He hadn't been able to live his life the way he wanted and only
One instance when he felt was realizing that he had loved a woman that had committed war crimes and also when she came to the pool one last time to see him, but he did not run up to greet her. She felt guilt after knowing all she done/been apart of with the Nazis.
Rapper Kanye West once stated “My greatest pain in life is that I will never be able to see myself perform live.” Though West’s quote possesses an air of arrogant egocentrism, it still establishes a sort of inherent, human, craving for being able to recognize and truly view oneself in relation to the world. However, this longing is ultimately futile, as the laws of nature prevent West from fulfilling his self-gratifying dream. In the poem “Hailstones” by Seamus Heaney, the speaker maintains a longing for this same sense of familiarity, regardless of what consequences it may bring, even though this craving is nothing in comparison to the powerful, physicality of the hailstones.
In Seamus Heaney’s poetry, there is a recurring theme of his talking of the past, and more predominantly about significant moments in time, where he came to realisations that brought him to adulthood. In “Death of a Naturalist” Heaney describes a moment in his childhood where he learnt that nature was not as beautiful as seem to be when he was just a naive child. Heaney does this on a deeper level in “Midterm Break” describes his experience of his younger brothers funeral and the mixed, confusing feelings he encountered, consequently learning that he no longer was a child, and had no choice but to be exposed to reality. Robert Frost in one sense also describes particular moments in time, where his narrator comes to realisations. However, Frost writes more indirectly than Heaney, and all together more metaphorically. In “A Leaf Treader” he symbolically talks about life and death through the autumn season. He does the same, in “The Road Not Taken” where the two roads are described to be a metaphor for the decisions one makes in life, and the inevitable regrets we face due to those decisions. In “Stopping by a Woods on a Snowy Evening” Frost directly talks directly of a moment in time, however the significant meaning being that in life one needs a moment of solace to appreciate peace and beauty.
His use of emotion in these words shows the utter frustration he gets from his inability to
Use of Diction, Imagery and Metaphor in Seamus Heaney’s Poem, Blackberry-Picking Seamus Heaney’s poem “Blackberry-Picking” does not merely describe a child’s summer activity of collecting berries for amusement. Rather, it details a stronger motivation, ruled by a more primal urge, guised as a fanciful experience of childhood and its many lessons. This is shown through Heaney’s use of language in the poem, including vibrant diction, intense imagery and powerful metaphor—an uncommon mix coming from a child’s perspective. Heaney emphasizes the importance of the experience of Blackberry picking by using diction that relates to sensory imagery and human urges.
Beowulf is a poem translated by Seamus Heaney that tells the story of the protagonist named Beowulf. Beowulf was warrior who had the strength of many men. He had grown up and molded himself to fulfill the role of a hero, throughout many occasions. Everytime he had finished a remarkable feat, it was subjected as evidence which was always there showcasing his accomplishments, godsend strength, and loyalty as a leader. Even in the most difficult situations, Beowulf had the courageousness to be side by side with God, letting him be victorious than anyone had ever
“I wanted to grow up and plough, /To close one eye, stiffen my arm.” (“Follower” 17-18). Seamus Heaney is writing about a son; interested in following his father’s footsteps to become a farmer. The poem depicts the son’s past memories of his father. Fascinated in his father’s work, influenced by his mastery at farming, the son strives to become the same at a young age. “The Writer” on the other hand, portrays a father’s observation of his daughter, struggling to write a story as an author. Both pieces, share a common interaction between parent and child, but the parent-child relationships themselves are fundamentally different. These poems represent a reflection of how the parents respectively tackle the task of raising their child.
Seamus Heaney’s “Digging” and Eavan Borland’s “In Search of a Nation” focus on issues involving identity. Boland’s essay reveals an individual uncertain in her personality, sexuality, and nationality while Heaney’s poem depicts a man who recognizes his family’s lineage of field laborers yet chooses the pen over the shovel. The benefit of reading the two works vis-a-vis reveals how Ireland has influenced their lives.
father. He admires the times he had with his father, and seeing both of them walk in an
love doing the work that they do and in 'The song of the old mother'
Heaney is not typically a political poet, with nonpartisan themes prominent in his poetry. However, he breaks this image in Act of Union, along with Whatever You Say, Say Nothing, branching into more political themes. The cause of this was largely due to the Troubles in Ireland from the early 1960s, which largely affected Heaney due to his role as a Northern Irish poet. He was also pressured by many journalists on his view, which is described in Whatever You Say, Say Nothing. Although Act of Union is unmistakably one of Heaney’s most political poems, it subtly delivers the message of Heaney’s outlook on the Troubles through the dramatic monologue of England, introducing an ambiguous persona.
death is of the way the poet feels about the frogs. In the first verse
was the first time that he was not able to do anything and had to lie