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Essay on black african american music
American music and culture
American music and culture
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Scott Joplin Our nation is teeming with thousands of various music genres, each with their own unique flare. America also contains an ethnically diverse mixture of artists and composers that have all contributed to the history and patriotic culture of this country throughout time. Dwight Henry mentioned that “Music knits people together in some strange way,” and from the very beginning this has proved to be completely true, especially in the eyes of Scott Joplin. Scott Joplin was an African-American man living in the late 1890s and early 1900s. He was born on November 24th, 1868 in a community near the town of Linden, which is located in the northeastern region of Texas. He was raised with his five additional siblings by parents Giles and …show more content…
While his father earned a living as a hard working railroad laborer, his mother was a laundress and housekeeper whose employer agreed to providing Scott with piano lessons, therefore becoming his first steps toward fame. A determined young Joplin spent every hour outside of school endlessly working on building new skills and improving current ones.
Convinced that Scott’s musical aptitude was far beyond his age, German professor of music Julius Weiss decided to increase the depth of his learning and mentor the talented eleven-year-old without charge. Here, he gained a greater knowledge of folk and opera music and their numerous elements. By the time he was a blossoming teenager, he had already mastered instruments such as the piano, violin, and cornet, all while singing and serving as a dance musician.
In his early years of adulthood, Scott’s father abandoned his wife and children, leaving him to assume the role as head income provider. Joplin soon realized that a career in music was his true calling, so he, too, left and traveled around the Midwestern United States, playing the piano at local bars and saloons. After itinerantly working for a short period of time, Scott finally landed in St. Louis, Missouri in the year of
For a society that was now being defined by radically changing racial and ethnic diversity, the music that bore the label of “American” by definition required that multiplicity of cultures. Gershwin’s and Copland’s compositions both epitomize this idea because they were so successful in defining and uniting diverse elements of American culture into their arrangements, giving the American music scene a new exclusive tradition of both foreign sounds and exotic rhythms.
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
It was said that he thought he was born on July 4, 1900 (Armstrong 7). While Louis was still an infant his father, William Armstrong, abandoned his family. He spent the first years of his life living with his Grandmother since at the time his parents were going through a separation. At age 5, he moved into a home with his mother and sister, Beatrice, whom he called Mama Lucy. He grew up in a rough section of New Orleans. They were incredibly poor and did not have enough money. He would work different jobs just to take care of his family. Louis would work anywhere that he would be able to find work. He would sing on the street, which would result in his nickname, Satchelmouth that would be shorten to Satchmo. His nickname was a result of him having a wide
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
Many people hail “The Star Spangled Banner” as the greatest piece of American music. The audiences of America’s national anthem seem, instinctively, eager to express their respect by embracing the notion to remove their hats and stand up. However, not many people ponder over the question of what “The Star Spangled Banner” truly means. What does it mean? Why does it deserve so much reverence and honor? What exceptional difference allows it to prevail over the masterpieces of prominent composers like Mozart and Beethoven? The answer is fairly simple. “The Star Spangled Banner” symbolizes America’s perseverance, its set of moral laws and ethics, and its history that constitutes what America truly means.
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
Throughout time, music has been an influential part of society. As a form of entertainment and expression, its impact has always been felt both economically and emotionally. During the Vietnam war, music evolved into more a form of expression rather than pure entertainment. Emotionally charged songs became a method to oppose the war, and vent frustrations. While many songs opposed the war, numerous others focused on peace and happiness. They provided a positive perspective in an otherwise depressing time. Along with incorporating passion into music, cultural diversity increased in music greatly. Black artists became progressively more popular and accepted in the musical scene. This respect carried over to society slowly but surely. During the Vietnam war, music played a crucial role in the societal evolution into a state where emotions fueled actions, more emphasis was put on equality, all opinions counted.
At age 11 he dropped out of school and joined a quartet of boys who sang in the street for money. Louis also worked for a Lithuanian-Jewish immigrant family, who had a junk-hauling business and often gave him odd jobs. They knew he lived without a father so they took him in and treated him as family.
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
Rag time as it is most commonly know was the type of fast paced music played around 1885 in St. Louis. Scott Joplin was born in 1868 and lived until 1917, but has done a lot in his life span. He was one of the first African Americans to be know as a composer. Born in Texarkana, Texas to a large family with musical background, he began learning to play the guitar and beagle, and gained free piano lessons by showing such fast progression to his teachers. After death of his mother, he left the house at age fourteen. He learned much form traveling through Mississippi playing in local spots and learning form what was offered to him. In 1885 he arrived in St. Louis, at the time a center for a new music phenomenon called ragtime.
As he was born and raised in Honolulu, Hawaii, Mars’ was heavily influenced in his music by Michael Jackson, Prince, and Elvis. He, along with his five siblings, had a very musical upbringing and was exposed to many different genres of music at a young age. He learned how to play guitar in his teens and used it to write songs. When Mars moved to Los Angeles at age 17, he began to write songs