In "Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member," Lynda Boose explains that the punishment of scolds and shrews during the sixteenth and seventeenth century is not what makes modern day directors try to lessen Kate’s unwillingness by emphasizing a sexual attraction between Petruchio; it is more likely that it is due to the power struggle in today’s heterosexual marriages in general (181). Boose explains that Kate's placement of her hand under Petruchio's boot was part of a ceremonial custom when a bride was going to be offered a share of property by her intended husband, but also a physical representation of the marriage vow to love, honor, and obey (182-183).
According to Boose's research, this was a custom throughout the Elizabethan era: there are accounts of the ceremonial prostration of a woman before her husband in Russia (183). That the brides
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Kahn states, “[Kate] steals the scene from her husband who has held the stage throughout the play...” (98), and she uses this as an example to prove that Kate has not been tamed because she steals the show from Petruchio in the end as her final show of independence. Kahn then goes on to say that “[Petruchio] has gained her outward compliance in the form of a public display, while her spirit remains mischievously free” (98). This goes along with a quote from Frances E. Dolan’s Houshold Chastisements: Gender, Authority, and “Domestic Violence”, “The violence that subordinates learn, for instance, is not inevitably, as in Barker’s dynamic, turned against their oppressors; instead, a person who is the victim of violence in one location, or in relation to one person or group, may strive for dominance elsewhere (especially where the odds are better).” (Dolan, 164) At the end of the play when Kate gives her speech it is her way of fighting back that is not necessarily violent but goes against
Double Standards in The Taming of the Shrew A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
I think Kate's final speech can be interpreted in endless amounts of ways but it comes down to how someone's individual view of the play is. Personally I felt Kate's speech was very ironic and a coincidence since through out the play she's very mean to Pertuchio and her view on the whole marriage was pretty negative. Pretty much how I saw this play in a modern aspect is Kate was the girl with the bad attitude and Petruchio was the douche-bag who likes girls who are a challenge i.e. Kate and in some weird way Kate ended up seeing that her attitude isn't what someone like her or a women that is married should be presenting. Her final speech to me was her seeing her own demons in a sense through Pertuchio and she was having an epiphany on how
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
Women’s rights are a household topic that has been around for the better part of the last century in America, however back when the play was written, women’s rights were unheard of. So when Petruchio didn’t let Kate eat or sleep after they eloped (IV.iii.47-48) “The poorest service is repaid with thanks, and so shall mine before you touch the meat.” Petruchio is controlling everything that Kate is doing, which includes whether she eats or not which is sexist nowadays, but back in the 16th century, it was normal behavior. Petruchio could possibly just be trying to get his woman the best food possible, or in the case of his wedding, the best tailored clothes for Kate. Petruchio brings in a tailor for his wedding, and when the dress doesn’t live up to his expectations, he lets the tailor know (IV.iii.113-121) “O monstrous arrogance!... that thou hast marred her gown.” Petruchio cares so much about getting everything for his wife to be perfect that he does not let one thing fall out of line for his wedding preparations. These things could be taken as sexist acts; however they were just acts...
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
In Taming of the Shrew Hortensio mentions that Katerina is a shrew, but Petruchio does not care because she is wealthy. Petruchio could have easily found another woman, but with money involved Petruchio does what he can to “win” her love by attempting to talk with Katerina and eventually takes his time to try and tame Katerina. “When Petruchio first meets Baptista, Petruchio inquires about the dowry, once Baptista replies, Petruchio immediately demands to sign the contract. Baptista tells Petruchio to first win her love. Petruchio acts and has a one to one debate with Katerina, Petruchio does not win her love but tells Katerina he will marry her anyways, resulting in Petruchio tricking Baptista in winning Katerina’s love” (Shakespeare, Act 2 Scene 1 Lines 110-308). The paraphrase examines Petruchio increased desire to marry Katerina after being told about the dowry or money involved by attempting to win her love and deceiving Baptista of achieving to win Katerina’s. In 10 Things I Hate About You Patrick has an increased desire to attempt again and date Kat after being offered more money. Patrick takes the money and takes her out to different places, however, Patrick ends up falling in love with Kat and money began to no longer play a role for him showing a difference between the play Taming of the Shrew and 10 Things I Hate About You. In the scene where Joey confronts Patrick about his failed
In this marriage Katherine has no power. She is verbally abused by Petruchio and denied what she needs. As said in the article,“ Kate is transformed after enduring the irrational world of Petruchio 's country house, where she is denied food, sleep, and fashionable accoutrements of her social class” (Karen 263). Katherine is tamed and she praises and respects him now that she is tamed. At the end of the play, when Katherine and Petruchio are at the wedding, Katherine is the only woman out of all at the wedding that actually listens to her husband when they all call their wives. Katherine ends up giving them a speech and telling them to respect their husband: “Thy husband is thy lord, thy life, thy keeper, Thy head thy sovereign, one that cares for thee And for thy maintenance commits his body” (Shakespear V. ii . 162-164). She respects who he is and all the work that he does for her. Petruchio has the power in marriage because she respects him and his
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
This depiction of Petruchio conforms to Shakespeare’s technique of using false realities, in order to create humour. This can also be seen in the false identity that Petruchio puts forth in his quest for dominion over Kate (that of the eccentric egomaniac). However, these false realities are not enough by themselves, as the audience has nothing to go by but what they see before them, and so they are not to know that this is not Petruchio’s true personality, and so Shakespeare employs another essential element of humour: he lets the audience know what is truly transpiring, while the characters themselves remain oblivious to the truth. He does this using a soliloquy, in which Petruchio states the strategies he shall use in order to tame Kate:
Much responsibility lies with readers, actors, and directors. Remember, “There is nothing either good or bad, but thinking makes it so.” Katharina and Petruchio are both victims of their social situations, their passions, and their egos, and by Kate’s final speech, it is clear that she doesn't really believe what she's saying – she's just telling Petruchio what he wants to hear. The final speech, then, can be seen as an extension of Kate's newfound ability to "role-play," or act. Katherine’s motivations for giving this speech (fear, exasperation, amusement) and whether or not Kate derives any power in her new relationship with Petruchio
Men in Petruchio’s time would have been expected to flatter women they were trying to woo. Petruchio does just that. ‘The prettiest Kate of Christendom’. Men were expected to woo women because it was seen as a man’s job to make the woman fall in love with
Katherine reveals this attitude in Act 2 Scene 1, lines 31-35, "nay, now I see she is your treasure, she must have a husband; I must dance barefoot on my wedding day, and for your love for her, lead the apes to hell." Talk not to me, I will sit and weep!.. " This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke Petrucchio so rudely upon first encountering him. Katherine surely realizes that Petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an insincere lunatic who, "woo's a thousand.
During The Taming of the Shrew, Shakespeare has used pleasure and pain in order to tell the story of Petruchio and Katherina’s courtship. This is problematic for modern day audiences, as they do not find the courtship methods that Petruchio employs to woo Katherina particularly comical. However, it could be argued that Shakespeare crafted The Taming of the Shrew precisely for this reason, to feature his views on patriarchy and to make the audience see what was happening through a new perspective. The Elizabethan audience would have been shocked at the methods used in order to achieve the taming, even though it was well within a man’s right to discipline his wife if she was deemed unfit. From the very beginning of The Taming of the Shrew, Shakespeare indicates that this play will not follow traditional rules of decorum, and that it is intended to both give pleasure and cause pain in order to make both Elizabethan and modern audiences take note of his underlying message.
She announces that, “And place your hands below your husband's foot, In token of which duty, if he please, My hand is ready, may it do him ease” (5.2.193-195). Katherine believes that it is a woman’s duty to serve her husband and his every need, which conflicts her original attitude from the beginning of the play. Katherine’s monologue about a woman’s role proves that Petruchio has successfully “tamed” Katherine to the point where she has fully embraced her constructed role as a woman in