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How does science fiction affect society
The importance of scientific ethics
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Science fiction is a genre, which depicts what life would be like in a world with major scientific and technological developments. When it comes to science fiction, the exploration of future technology is a major element. Many stories and films focus on space, robots, aliens, a mad scientist, and/or artificial intelligence. “The universal themes found in science fiction—themes of freedom and responsibility, power, love, individuality and community, good versus evil, technology run amok, and more—present ample opportunity to explore complex issues and compelling controversies at length and in depth in ways that not only engage the intellect, but involve the emotions and expand the imagination.” The story “Flowers for Algernon,” by Daniel Keyes, is an example of science fiction that examines the impact of artificial intelligence. “The End of the Whole Mess,” by Steven King, is an example of science fiction that focuses on the fall of a mad scientist. The film “Gravity” is an example of a science fiction movie that explores the use of major technological advancement within space. In this paper I will assess the major themes portrayed in “Flowers for Algernon,“ “The End of the Whole Mess,” and the film, “Gravity.” Additionally, I will examine how these models of science fiction teach a major lesson about the imperfections of future scientific and technological advancements on society.
“Flowers for Algernon,” by Daniel Keyes, is an epistolary story that focuses on the use of artificial intelligence. Themes presented in this work include love, individuality and community, and power. The protagonist, Charlie Gordon, is a mentally retarded man who attends night school at a college for retarded adults. Charlie is the subject of the scie...
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...ese improvements may actually cause destruction. The moral of these science fiction models is that there is no such thing as perfect. Without the application of science in the film and the two stories, the same message may not have been portrayed. “Flowers for Algernon” shows how the idea of artificial intelligence may seem perfect to an overzealous scientist, but is actually a fatal mistake. “The End of the Whole Mess” demonstrates how a mad scientist may think he knows how to create a peaceful society, but is terribly misguided when he ends up with mental problems. “Gravity” displays a technologically advanced spacecraft, which ends up being of no use when astronauts need it the most. These three models of science fiction all teach a lesson about the inadequacies of future science and technological advancements and the harmful results they can cause to society.
A Comparison of the Themes of Blade Runner and Brave New World ‘Humanity likes to think of itself as more sophisticated than the wild yet it cannot really escape its need for the natural world’ Despite different contexts both Aldous Huxley within his book Brave New World and Ridley Scott in the film Blade Runner explore the idea that humans feel themselves more sophisticated than the natural world, yet are able to completely sever relations between humanity and the nature. Through various techniques both texts warn their varied audiences of the negative ramifications that will come from such disdainful, careless opinions and actions. All aspects of the ‘New State’ within Aldous Huxley’s novel Brave New World indicate a belief that humanity is more sophisticated than the wild.
Darko Suvin defines science fiction as "a literary genre whose necessary and sufficient conditions are the presence and interaction of estrangement and cognition, and whose main formal device" (Suvin 7-8) is a fictional "novum . . . a totalizing phenomenon or relationship" (Suvin 64), "locus and/or dramatis personae . . . radically or at least significantly" alternative to the author's empirical environment "simultaneously perceived as not impossible within the cognitive (cosmological and anthropological) norms of the author's epoch" (Suvin viii). Unlike fantasy, science fiction is set in a realistic world, but one strange, alien. Only there are limits to how alien another world, another culture, can be, and it is the interface between those two realms that can give science fiction its power, by making us look back at ourselves from its skewed perspective.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
...cieties, which are dreadful, dysfunctional societies. The citizens appear happy and in harmony; however, their joy is a façade because it is reinforced by science. These societies aim to achieve happiness and harmony through different technological means. Modern-day societies and governments use the media, legislation, and consequences to accomplish their goals, such as equality, harmony, and more. Although, Brave New World and The Twilight Zone reflect extreme utopian societies, they aim to warn people of the following risks: the power of science, the influence of beauty and youth, the function of the government, and more.
Sterling, Bruce. “Major Science Fiction Themes: Utopias and Dystopias.” Britannica Online Encyclopedia. Web. 26 Jan. 2011.
The twentieth century science fiction was enriched, made magnificent and took the interest of the readers to the epoch with the rise of the most imaginative, belligerent and brilliant Scottish writer Iain M. Banks who took the science fiction to a great height and created tremendous curiosity among the readers about his writing. Iain Banks’s novels cover almost all parts of human life and world. Though he shows the darker side of the future world, he is hopeful about the positive fine future world. The film-makers and broadcasters also have focused their attention on his novels. The Algebraist, a science fiction novel by Scottish writer Iain M. Banks, first appeared in print in 2004. The novel takes place in 4034 A.D. With the assistance of other species, humans have spread across the galaxy, which is largely ruled by the Mercatoria, a complex feudal hierarchy, with a religious zeal to rid the galaxy of artificial intelligences, which were blamed for a previous war. In center-stage Iain Banks portrays the human Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers. Taak's hunt for the Transform takes him on a dizzying journey, partly through the Dweller wormhole network itself. Banks lays out and layers his presentation of a civilized universe with consummate skill. One of the true pleasures of reading space opera is the reader's slowly unfolding understanding of the universe created by the author.
John Mandel’s novel Station Eleven is her attempt to invoke the message that technology is being overused in our society. In order to prove this theme, Mandel utilizes both characters that flourish without the presence of technological expectations and characters that need certain essential inventions and medicines to survive. This range of reactions inserts the idea that technology should be used only for survival and not for needless extravagance into the reader’s mind, and is successfully tied together through the statement that “survival is insufficient;” once it is achieved, the human mind has to start doing more to further creativity and art if we are ever going to progress. This continuation of the common theme of “forward-backwardness” that often appears in other apocalyptic fiction expands upon the same idea that we need to return to a time of art, or our abuse of technology will ruin us. Technology is not inherently the problem; our over-usage and neglect of human life
Relationships between people are important to maintain. During one’s lifetime, these relationships will change for the better or worse. In the novel, Flowers for Algernon, the author, Daniel Keyes, presents a change in the main character’s relationship with many people. Charlie Gordon, a 32 years old man who is mentally disabled takes the risk of undergoing a surgery that will make him intelligent. As Charlie’s intelligence increases, he finds out a lot about himself and becomes a different person. He learns the meaning of love, and experiences this newfound feeling with Alice Kinnian. Charlie’s teacher at Beekman College for Retarded Adults, Miss Kinnian, is one of the only people who is concerned and genuinely cares about him. When they part
Human’s eyes cannot detect how fast technology is growing in today’s society. In the two plays, The Nether by Jennifer Haley and The Effect by Lucy Prebble, the reasoning of how technology has become such an issue in the way humanity is trying to become. Albert Einstein, the German-born physicist and undoubtedly one of the smartest individuals ever, raised a dilemma in modern society by stating that ‘‘It has become appallingly obvious that our technology has exceeded our humanity.’’ However, in the Nether and the Effect, some plausibly real, if futuristic situations shed light that this quotation is quite simply incorrect. In the Nether, two participants experimented with a drug as part of a trial to explore how complicated an emotion love
Opinions are like the Stock Market; they’re constantly changing, sometimes even at the blink of an eye. In the short story, Flowers for Algernon by Daniel Keyes, Charlie Gordon, a 37 year old man with a severe learning handicap, goes through an operation to artificially increase his intelligence. Along the way, he discovers and tests against a mouse named Algernon. Throughout the story, Charlie’s thoughts about Algernon alternate drastically.
The film display the same type of “what if” writing, but applied to the genre of science fiction and explores both the limits of the human mind and the frightening possibilities of what machines may be capable of. The basis for the whole story is that of what if what is thought of as reality is someone or something else’s imagination. In the story, the world that most people live in is a kind of virtual reality for the mind while the body is grown for the sole reason of fuelling the machines. All this came about when humanity invented artificial intelligence, they gave machines the power of choice. Now that the machines could choose, they could use their imagination to rebel against their creators and rule the world. Humanity fought back and blocked the sun (the machines’ source of power) in an attempt to stop them. But the machines used their imagination to think of a new fuel. They made people living batteries, because of all the energy they generate to live, and grew them in fields of crops of healthy bodies and fed them the liquefied dead while their minds were kept active and alive in a virtual reality. The film, because the machines are declared “intelligent” once they are able to choose, gives the theory that the imagination equals intelligence, like Northrop Frye’s theory. Humans use their imagination to shape reality. Frye says that the human imagination can change the natural world into a man-made, or human, world. The more imagination one possesses, the more they have the power to change the
Praises resound around the world everyday in admiration of man's magnificent creation, technology. Scientific progress has been hailed the number one priority of man, while the development of society itself has been cast aside like an old beta vcr. When surrounded by a constant herd of machinery, finding purpose in life is often overshadowed by a desire to continually generate new scientific inventions. In the post-war classics Waiting for Godot and Slaughterhouse Five, the authors rally for meaning within the chaos of technology and stress the importance of "a possibility of choice"(Sartre 339). In addition to improved technology, Vonnegut and Beckett emphasize that members of society need to attach significance to their lives through the use of free will.
Perhaps one of the most versatile genres in films, television, books, artwork and any number of things today is science fiction. Many times I have seen a sci-fi movie filed under comedy or drama. That is one of the major things that has led to my love for science fiction, the simple fact that it can be so much more than just science fiction. I would like to present a definition of what science fiction is in this paper. My definition will not be exact, because so many people have a different idea of what counts as sci-fi and, not only that, but we may have found yet another venue for science fiction by the time this paper is complete. In order to define what science fiction is and to support my definition, I am going to give some examples of stories that I think fall into this genre first and then give a semi-solid definition of what I think science fiction is.
Looking solely at the first concept, technological singularity is the most pressing in today’s society especially with multiple films depicting apoc...
Everybody; old and young have active an imagination, but we all express it differently than others. For me I express my imagination with my artwork. For example; when I was younger I watched a lot of cartoons just like any other kid. My favorite cartoon at the time was He-Man. I loved the show so much that I frequently dreamt and imagined of being strong like him, but I knew it could not be possible so instead of dreaming, I drew up an entire comic book of myself being a super strong super hero just like He-Man all thanks to my vivid imagination and artistic ability. I’m sure I’m not the only one who has done something similar.