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Feminism in a thousand splendid suns
The arabian nights role of woman
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Ever since the beginning of time, women have been looked at as possessions, items of pleasure, and lesser than men. These views are often skewed by a corrupt society that is driven by masculinity and power. The movie Arabian Nights and the stories in The Thousand and One Nights, show a unique perspective of the roles of women in a Muslim society. Some of the stories portray women as disobedient wives, beautiful slaves who are always eager to please men, and as prisoners isolated from the real world. The main character, Scheherazade, decided to challenge these standards and fight for freedom, as well as love. By deceiving her husband, she saved all the other women from death and lead Shahrayar to sanity. Although she was not set up for success, …show more content…
Over that time she fell in love from a distance; but this is where her similarities with the average damsel in distress end. Scheherazade took her fate, and the fate of others into her own hands instead of waiting around for her prince in shining armor. The frame story in The Arabian Nights, describes her as intelligent, witty, and also very beautiful. Unlike other women in her time period, she is seen as more that just a prize to be won. Although some other women in the en-framed stories also show underlying strength. A great example of this, is in the story of “Ali Baba and the Forty Thieves.” Morgiana (Ali Baba’s maid after he becomes rich) shows multiple acts of courage and intelligence. The first is when she figures out that there are men hiding in the jars waiting to kill Ali and decides to dump them out of the cart. The second act of bravery, is when Morgiana is dancing and strikes down the leader of the Black Coda. At first glance Morgiana might have just looked like a servant girl with no value, but by the end of the story she is a hero and has a husband. This is very similar to Scheherazade’s story. Taking this all into consideration, one question still remains unanswered: Why do women need to commit outrageous acts of either betrayal or bravery to become relevant in literature? Many books allude to this answer but so far only one explains it …show more content…
Ava lives on a spaceship where women are locked away at night, and only have jobs such as tending to the animals and kitchen duty. They have no choice in who they marry but the men can pick whomever they want out of the “pile.” At first thought Ava sounds like the exact opposite of Scheherazade, but an unseen turn of events lands Ava on Earth with nothing after she took a chance to escape execution. The two things that make Scheherazade and Ava both powerful women, is their willingness to take risks and their ability to positively influence those around them. The reason that women always have to make a big move to get noticed in literature is because of oppression. Not only oppression from men, but also from society in general. In countries other than American, women are fighting daily for simple rights such as
Many women characters appear in fiction who have been damaged by or disintegrate under the stresses of life. Just as in life, however, many fictional characters survive, adapt, and triumph; these characters may never be recognized within a larger world, but they are vitally important to other characters and are the objects of deep love and respect. Creating this woman in fiction can often be difficult, because the writer must present a whole character, not one trivialized by sentimentality or stereotyped by convention. Willa Cather in My Antonia and O.E. Rolvaag in Giants in the Earth have developed such characters.
These constraints include being less emotional, not being involved with fashion, or even special types of careers, like nursing. One of the definitions of oppression includes mental pressure or distress, and I feel that men not being able to do some of these activities or commit to some of these lifestyles, simply because society views it as inappropriate, is a factor to oppression. If some men happen to like or favor some of these things, then what is the big problem with that? Society should not maintain the authority to determine roles for women and men and what things they should or should not be involved
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
First, men oppress women because of their beliefs and needs. For example, many men do not allow women to seek an education because they believe that education is not necessary since women's duty is housekeeping. In the book "Women in the Middle East," the authors Ramsay M. Harik and Elsa Martson state how females are convinced to withhold education and forced to perform household tasks as of their only responsibilities. "The girl will spend her life cooking and having babies, why does she need to read or write? This was a common attitude in much of the Middle East until the last fifty years or so" (24). One tool that men use to keep women under oppression is preventing women from obtaining education because education helps people to improve the way they reason, communicate, handle the problems, and overcome the odds. For example, an educated woman can convince to her husband to the idea that housekeeping and working can be performed at the same time. She can argue with her husband by proving him that she can cook before she goes to work, or she can work while her kids are at school. However, men do not want women to see...
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Throughout history, women were not always well regarded by men. Because of this, most societies treated their women as second class citizens. The stories from, Tales from the Thousand and One Nights, illustrate how the portrayal of women affected Muslim society in the Ninth century. Sometimes women were seen as mischievous, unfaithful temptresses. Other times they were depicted as obedient, simple minded slaves looking to please their master. With the use of charm, sex and trickery, they used the labels that they were put in, to their advantage; demonstrating that women during this century were clever, smart, and sly.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
... subjects such as literature, medicine, and philosophy. By knowing all this, Shahrazad is able to come up with a brilliant plan and uses it in a cunning way so that she is able to convince the king to cease killing the women. By use of sexual advancements, sly stories, and the help of her sister, Dinarzad, she is able to successfully follow through with her plan. A main factor driving her is her compassion and drive to help other people in need. The Thousand and One Nights is an intriguing story that will keep readers on their toes, and like King Shahrayar, keep coming back for the rest of the story.
In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text. Shakespeare's works had few females because women were not allowed to act in London in the late 1500s and early 1600s. Disregarding the standards imposed on women of his time, Shakespeare created many female characters that were strong-willed, intelligent, and daring. Hermia of A Midsummer Night's Dream is one such character. She disobeys her father, her king, and the Athenian law so that she might marry the love of her life. She discards all the luxuries of her familiar and comfortable existence for the uncertainties of a distant land in exchange for the freedom to love Lysander. The only complaint against Hermia by feminist critics stems from her willingness to defy one set of confinements derived and maintained by men-her father, the king, and the male authors of Athenian law-to become the subordinate of yet another man. However, even though she rebels away from the limitations she ultimately runs towards, she is much more indep...
Women have been discriminated against since the beginning of time, as early as the first people, Adam and Eve. Eve was called the evil one, who ate fruit from the tree of knowledge. Once she had the knowledge to know right from wrong, she chose to do wrong and give the fruit to Adam. Examples like these can be shown all over history books, in stories, tales and legends across the entire world. Women have been subordinate to men in virtually all societies throughout history.
In a nation brimming with discrimination, violence and fear, a multitudinous number of hearts will become malevolent and unemotional. However, people will rebel. In the eye-opening novel, A Thousand Splendid Suns written by Khaled Hosseini, the country of Afghanistan is exposed to possess cruel, treacherous and sexist law and people. The women are classified as something lower than human, and men have the jurisdiction over the women. At the same time, the most horrible treatment can bring out some of the best traits in victims, such as consideration, boldness, and protectiveness. Although, living in an inconsiderate world, women can still carry aspiration and benevolence. Mariam and Laila (the main characters of A Thousand Splendid Suns) are able to retain their consideration, boldness and protectiveness, as sufferers in their atrocious world.
In her book Princess, Jean Sasson conveys through the Princess Sultana's story of the many abuses of women in Saudi Arabia. For thousands of years, women in Saudi Arabia has earned no respect, given no identity (as if invisible), and were treated like sexual objects. Their only use is to produce male offspring, and to service their husbands sexually. This goes for all women. Although women of royalty are born free, they are just as insignificant as the lower class women. Through the eyes of Princess Sultana, Jean Sasson tells the cruel and unjust ways of the male society in Saudi Arabia.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
These highly regarded and well-respected female authors are showing that women can and do hold power in our society. These authors send the message to readers that women throughout time have been and still are fully capable of thinking for themselves. They can hold their own ground without having to subject themselves to the dominance of the males, be it in writing novels, raising a family, working in a factory, or pursuing a singing career. Thus, they as all women, deserve to be held in respect for their achievements and deserve equality.
Night's Dream, one will notice an immense difference in the way that a noble woman compared