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Revenge in literature throughout time
Revenge literature
Revenge literature
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Occasionally, in a novel, the author will connect two characters in a way that one character cannot exist without his counterpart. Hawthorne has employed this tactic in the Scarlet Letter. Dimmesdale and Chillingworth are two characters that Hawthorne has intertwined and they depend on each other to survive. For Chillingworth, this retains a literal meaning because after Dimmesdale dies, the narrator describes Chillingworth by saying, “ All his strength and energy – all his vital and intellectual force – seemed at once to desert him, insomuch that he positively withered up, shriveled away, and almost vanished from mortal sight.” He informs us in the ensuing paragraph that Chillingworth died within the year. This is because revenge on Dimmesdale was Chillingworth’s sole purpose in life. However, the dependence applies to Dimmesdale as well. Dimmesdale encounters relief in Chillingworth’s presence. Chapters twenty-three and twenty-four are impeccable exhibits of Chillingworth’s dependence on Dimmesdale. In chapter twenty-four it says, “This unhappy man had made the very principle of his life to consist in the pursuit and systematic exercise of revenge; and when, by its completest triumph and consummation, that evil principle was left with no further material to support it, when, in short, there was no more devil’s work on earth for him to do, it only remained for the unhumanized mortal to betake himself whither his Master would find him tasks enough, and pay him his wages duly.” Chillingworth’s existence was like a fire, and after his fuel supply was exhausted, he died. Once Dimmesdale died, his fuel was removed and he slowly faded out of existence. Hawthorne also proposes an interesting theory that hate and love are essentially t... ... middle of paper ... ...y in Dimmesdale’s vicinity, so his intimacy with Dimmesdale has prompted his transformation into the leech and vengeful psychopath. In the first paragraph of chapter ten Hawthorne says, “But, as he proceeded, a terrible fascination, a kind of fierce, though still calm, necessity seized the old man within its gripe, and never set him free again.” This is when the roots of his obsession sprouted and bound themselves around his soul. Hawthorne’s knowledge of psychology is imperative in establishing a connection between Chillingworth and Dimmesdale. Whether it is his theory on the symmetry of love and hate, or his focus on revenge and relief, they contribute to the establishment of a connection between Chillingworth and Dimmesdale. Dimmesdale needs Chillingworth to relieve the weight of his religion, and Chillingworth needs Dimmesdale’s torture and pain to sustain him.
Chapter 15- After Chillingworth left the meeting with Hester, Hester for the first time realized that she hated him. This change occurred very rapidly as she went from pity to hatred after realizing all the pain that he has caused not only her but everyone that he has been in contact with. We also get another example of a juxtaposition that Hawthorne has created between the relationship Hester has with Chillingworth and Dimmesdale respectively. Hester’s relationship with Chillingworth is a hate filled one with no love, while her relationship with Dimmesdale is a forbidden one that is filled with love. Hawthorne has an obvious motive in writing this chapter, and that is to demonstrate to reader the effects of being consumed into something. Chillingworth
Obsession and hatred are such corrupt concepts that if one lets it consume them, it can make them inhuman. In the novel, The Scarlet Letter, written by Nathaniel Hawthorne, the character Roger Chillingworth is a walking symbol for how allowing revenge to become an obsession can change you into something horrible. As the story progresses, Chillingworth changes into a monster as his need for revenge and hatred grows stronger, causing him to sin by endlessly torturing Dimmesdale. Chillingworth grows into a more menacing person as he becomes a puppet to his own hatred, sin, and obsession.
Chillingworth contributes to those of guilt and alienation. For example, Chillingworth expresses his own guilt through the ironic searching of Dimmesdale’s. “He had begun an investigation… with the severe and equal integrity of a judge, desirous of truth… instead of human passions and wrongs inflicted upon himself,” (Hawthorne 121). It is conspicuous that Chillingworth, being engrossed in finding the truth of Dimmesdale and his adultery, which he observed through victimizing him, inflicted his own sin upon himself. However, Chillingworth does not only inflict guilt upon himself, but on Dimmesdale as well. The observable effects are “his inward trouble [which] drove him to practices more in accordance with the old, corrupted faith of Rome than with the better light of the church in which he had been born and bred,” (Hawthorne 136). These effects, which Dimmesdale puts blame on his inward trouble, or sin, is caused in part by the victimization of Chillingworth towards him. Hence, Chillingworth has altered Dimmesdale’s original, clergy-like practices to those that are a derivative of sin and guilt. A testament of inflicted alienation upon Dimmesdale is seen in evidence brought up prior, on page 128 of The Scarlet Letter, “… a bodily disease, which we look upon as a whole and entire within itself, may, after all, be
As a respected physician, Chillingworth was “a man of skill in all Christian modes of physical science, and li... ... middle of paper ... ... powerful grip over him, dies peacefully, and Chillingworth dies soon after. To plot revenge in any situation is harmful. Chillingworth’s plot of revenge brings the downfall of Dimmesdale, as well as his own.
The fact that revenge destroys both the victim and the seeker is another theme presented in the Scarlet Letter. Dimmesdale is the victim of Chillingworth’s revenge upon Hester and whoever her lover happened to be. Dimmesdale, beside his self-inflicted harm was also not helped by the fact Chillingworth enjoyed watching him waste away. However, Chillingworth is also subject to this destiny as evidence by his change in the novel. Chillingworth was considered wise and aged in the beginning of the novel, although, later he is seen as being dusky and evil.
One of the various ways Chillingworth serves as the devil’s advocate is by being the antithesis of Reverend Arthur Dimmesdale, the palpable Jesus figure of the narrative. Chillingworth keenly sets out to devastate Dimmesdale, as Hawthorne informs us when referring to Chillingworth's unearthing of Dimmesdale's secret, “All that guilty sorrow, hidden from the world, whose great heart would have pitied and forgiven, to be revealed to him, the Pitiless, to him, the Unforgiving!” The capitalization of the words "Pitiless" and "Unforgiving" confirm that Chillingworth is Satan in human form. Symbolically, on an additional, more perceptible note, Chillingworth steals one of Dimmesdale's gloves and drops it on the scaffold in the middle of the town. The sexton returns it to Dimmesdale saying, "Satan...
In Chapter 9, “The Leech,” Hawthorne uses many devices to reveal aspects of both Chillingworth and Dimmesdale’s character. For instance, even the title of the chapter hold significance in regards to Chillingworth’s character. Hawthorn used the old-fashioned term “leech” for “physician” because of its double meaning; while Chillingworth is acting as the minister’s doctor, he is also metaphorically sucking the life out of his as he seeks his revenge. Throughout the chapter Chillingworth’s evil nature is developed through the descriptions of his features. While before his expression had been “calm, meditative, scholar-like,” Hawthorne soon describes the change in his face to be “something ugly and evil” (Hawthorne 145). In addition, Hawthorne
Life is unpredictable, and through trial and error humanity learns how to respond to conflicts and learns how to benefit from mistakes. Reverend Arthur Dimmesdale from Nathaniel Hawthorne’s The Scarlet Letter is a character who changes and gains knowledge from the trials he faces, but first he has to go through physical, spiritual, and emotional agony. In the midst of all the havoc, the young theologian is contaminated with evil but fortunately his character develops from fragile to powerful, and the transformation Dimmesdale undergoes contributes to the plot’s climax.
When Roger meets with Hester in the prison, he tells her, “I seek no vengeance, plot no evil against thee… the scale hangs fairly balanced” (Hawthorne 70). Chillingworth shows kindness towards Hester and accepts that it is partially his fault that she was not faithful. This act of forgiveness seemed to have taken all the light out of him, because from this point forward, his life was consumed with darkness. When Hawthorne describes Chillingworth, he says, “there was something ugly and evil in his face…haunted either by Satan himself, or Satan’s emissary” (117). Chillingworth was the antagonist of the story because he let the evil take over. By letting his life be consumed with seeking vengeance for Dimmesdale, he allowed the evil in him to win. Chillingworth’s vengeance shaped his appearance and even his looks displayed the darkness that was within him.
Hawthorne uses imagery to highlight the blackness and darkness of Dimmesdale’s guilty heart. Dimmesdale says this about himself when he is talking with Chillingworth says that the men meaning himself, “shrink from displaying themselves black and filthy in the view of men…they go about among their fellow-creatures looking pure as new-fallen snow; while their hearts are all speckled and spotted with iniquity of which they cannot rid themselves.” (Hawthorne, 129) Hawthorne uses the dark imagery and the contrasting terms such as “speckled and spotty heart” compared to “pure as new-fallen snow” to show how the guilt in a man’s heart remains with them on the inside even if they don’t show it on the outside. Hawthorne is alluding to Dimmesdale and how he k...
“The sun, but little past its meridian, shone down upon he clergyman, and gave a distinctness to his figure, as he put his plea of the guilty at the bar of eternal justice”. (Hawthorne 201). As he was standing upon the scaffold the sunlight came upon Dimmesdale. In chapter 23 the minister and Chillingworth were having a conversation, Chillingworth claimed that Dimmesdale has escaped him, and the minister had said, “May God forgive thee. . . thou, too, hast deeply sinned”. Dimmesdale knew Chillingworth was trying to get revenge on him. He has spoken the truth about Chillingworth.
4. The Scarlet Letter was written and published in 1850. The novel was a product of the Transcendentalist and Romantic period.
...Now go thy ways, and deal as thou wilt with yonder man” (Hawthorne, 192). Chillingworth’s plan for revenge is based on Dimmesdale not confessing to his crime.
The theme Hawthorne builds up in Chillingworth is not simply his pain and torment. It is a more important representation of the weakness in the values of the people in Puritan times, and how their perseverance for "justice" skewed their views on life and forgiveness. Because of his mindset, Chillingworth torments himself with his goal to destroy Dimmesdale just as much as Dimmesdale tortures himself for their seven years together. Chillingworth is ruining his own life and does not realize it, because he no longer sees the value in life as he tries to ruin one.
Guilt is defined as being “a feeling of responsibility or remorse for some offence, crime, or wrong… especially against a moral or penal law” (Guilt n.p.). Behind the almost soap opera-like plot of a married woman in a Puritan society committing adultery along with the revenge and affair storylines that ensue, Nathaniel Hawthorne’s The Scarlet Letter explores the multitude aspects of guilt. The character of Dimmesdale is a perfect example of a guilt-stricken man ruined by the consequences of his feelings The author provides evidence on multiple occasions through Dimmesdale about how guilt can be brought about or evolved through the poisonous need for self-preservation, and how such guilt can consequently manifest in the forms of both self-torment and projection. Through Dimmesdale’s arc, The Scarlet Letter proves how guilt is both produced and is brought about by mental corruption.