More handpicked essays just for you.
Analysis on the scarlet letter by nathaniel hawthorne
Analysis on the scarlet letter by nathaniel hawthorne
Nathaniel hawthorne critical analysis the scarlet letter
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Nathaniel Hawthorne’s, The Scarlet Letter, the author uses three scaffold scenes to mark the development of Hester Prynne. The image of Hester atop the scaffolding is a metaphor for her forced solitude; for her banishment from society; and for the futility of her punishment. In the first scene, Hawthorne uses the scaffold to explain how Hester can not believe that the “A'; and the baby are real. In the second scaffold scene, Hawthorne tries to convey to the reader that Hester has fully repented for her sin, however this is not true. In the final scaffold scene, Hester does not yet fully repent for her sin because her love for Dimmesdale is still strong. Through Hester, Hawthorne is trying to communicate to the reader that it difficult for Hester to repent the sin of adultery.
In the first scaffold scene, the author writes “Could it be true? She clutched the child so fiercely to her breast, that it sent forth a cry; she turned her eyes downward at the scarlet letter, and even touched it with her finger, to assure herself that the infant and shame were real. Yes!-these were her realities-all else had vanished'; (page 41) From this quote the reader learns that Hester is just beginning to deal with the shame of her sin. It is evident from this quote that she has not yet come to grips with her actions. She is in an utter state of shock, and it seems as if she is trying to find a way to forget about her sins. What is also learned from this quote ...
In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester. As the townspeople are ridiculing her, the narrator is praising Hester for her untamed but lady like beauty (60-61). The narrator goes so far as to compare her to “Divine Maternity” or Mother Mary, the ideal woman, the woman that is looked highly upon by the whole Puritan society (63). However, the conditions are set up to show the change in Hester due to isolation and discredit of the Puritan society. Throughout this scene the Puritans are condemning Hester for her sin as the narrator is condemning the Puritans for their severity.
The central theme in The Scarlet Letter is that manifested sin will ostracize one from society and un-confessed sin will lead to the destruction of the inner spirit. Hawthorne uses the symbol of the scarlet letter to bring out this idea. In the novel, Hester is forced to wear the scarlet letter A (the symbol of her sin) because she committed adultery with the clergyman, Dimmesdale. Because the public's knowledge of her sin, Hester is excluded physically, mentally, and socially from the normal society of the Puritan settlement. She lives on the outskirts of town in a small cottage where she makes her living as a seamstress. Though she is known to be a great sewer amongst the people, Hester is still not able to sew certain items, such as a new bride's veil. Hester also has no interaction with others; instead she is taunted, if not completely ignored, by all that pass her by. Despite the ill treatment of the society, Hester's soul is not corrupted. Instead, she flourishes and improves herself in spite of the burden of wearing the scarlet letter and she repeatedly defies the conventional Puritan thoughts and values by showing what appears to us as strength of character. Her good works, such as helping the less fortunate, strengthen her inner spirit, and eventually partially welcome her back to the society that once shunned her.
The key difference between Hester and all of the other main characters in The Scarlet Letter is that she had nothing to hide. These circumstances enabled her to get the courage to show who she really was. When Hester was forced on to the scaffold for all to see she made no effort at hiding the mark of sin on her chest with the very object produced by it. She is true to her self and the town for making no attempt in hiding who she is, and for lack of a better metaphor, she quite literally wore her heart on her sleeve. After Hesters brief imprisonment, she gives some thought to leaving the town but decides against it.
Hester Prynne's guilt is the result of her committing adultery, which has a significant effect on her life. Hester is publicly seen with the scarlet letter when she first emerges out of the cold dark prison. "It had the effect of a spell, taking her out of the ordinary relations with humanity and enclosing her in a sphere by herself" (49). The spell that is mentioned is the scarlet letter, "so fantastically embroidered and illuminated upon her bosom" (49). The scarlet letter is what isolates her from everyone else because it symbolizes sin. Hester is in her very own sphere, where her sin affects her livelihood and has completely cut her off from the world. Her entrance into the sphere marks the beginning of her guilt and it occurs when she is in the prison after her first exposure to the crowd. The prison marks the beginning of a new life for Hester, a life full of guilt and seclusion. Her problem is that her shame is slowly surfacing while she faces the crowd realizing that she has been stripped of all her pride and everything that was important to her in the past. The lasting effect of Hester's sin is the shame that she now embodies due to her committing adultery. The shame that is ass...
The first scaffold scene focuses on Hester and the scarlet letter. Hawthorne is using this to show the value of Hester's public humiliation, the baby, and the letter A. Hawthorne states,” She ascended a flight of wooden steps, and was thus displayed to the surrounding
The first scaffold scene takes place at the very beginning of the story. In this particular scene, Hester has moments before walked from the prison door carrying her baby and donning the scarlet letter, which stands for adultery. She must make this procession in front of the entire town. After the march, Hester is forced to stand alone on the scaffold until an hour past noon.
Within the Scarlet Letter by Nathaniel Hawthorne the imagery of revelation works as a reoccurring theme to bring the reader into the characters view of the incidences going on before them. These ‘revelations’, scattered throughout the story, work as awakenings or realizations of the current situation that the character is presently in or situations they may have to face in the future. All of the characters presented into the story have revelations of some sort. One key discovery theme used in this story is the realization of identification; this is presented as the characters previously thinking they knew somebody and what they stood for, yet they are proved wrong in their beliefs. Another reoccurrence of a theme, used in the story, is the usage of the scaffolding in the center of town to unfold a revelation in the characters lives. The scaffolding situation takes place three times within the story, each time with a different circumstance and a change of the witnesses to the scene; but with a revelation that slightly changes the character from what they were before they stood upon the scaffolding. The first instance when the scaffolding appears is the beginning of the story when Hester Prynne is sentenced to stand upon it, bearing her child and the ominous letter ‘A’, for a set time as her punishment for adultery. This takes place during the day as the entire town is placed before to observe. The second scene of scaffold revelation brings the Reverend Dimmesdale to the top of the platform alone as he attempts to lift the weighty guilt off of his chest. Finally, towards the end of the story, we see Hester, Reverend Dimmesdale, and their child, Pearl standing together in front of the judging crowd. In each of these scenes the revelations captured in that moment by the character or characters remain pivotal parts of story and ultimately of the characters lives.
He explains that the scaffold that Hester is sentenced to stand upon as punishment is meant to be a comparison to the famous weapon in the French Revolution, the guillotine. Reynolds points out that it was custom in Puritan New England to refer to such places as to where Hester stood as the gallows, not scaffolds. “[…] the central setting of the novel, the scaffold, is, I believe, an historical inaccuracy intentionally used by Hawthorne to develop the theme of revolution” (619). Here he is saying that Hawthorne purposely misused the term in order to spur up themes of revolution. Although he fails to mention Hawthorne’s motive in doing so, it does credibly show the reader that there are possible and deliberate connections made between the French Revolution and The Scarlet
As a result of not telling the authorities who the father of her child is, Hester Prynne and her daughter, Pearl, are put onto the scaffold at the market place in Boston, Massachusetts for public interrogation. In addition to that, she is also forced to wear the scarlet letter, which represents her sin of adultery. From this, the readers can infer that one of the themes of this novel is that a person should be punished for their wrongdoings and sins. Her emotions and feelings at the moment in time are ignominy, shame, and embarrassment; the scaffold symbolizes humiliation. Thus, by presenting the first scaffold scene to the readers, they are able put together many literary elements in the plot
In the beginning of the book, Hawthorne paints the picture of a female named Hester who has sinned. Not only is she publicly ostracized for having an affair while unmarried, but her major repercussion, her daughter, receives her punishment as well because she derives directly from sin. It is through these tribulations that Hawthorne exemplifies Hester and Pearl, no matter how young, as strong, independent females. These characteristics were not easily applied to females during this time. Hawthorne’s ability to show Hester collected and under control to the crowd, although she may have felt otherwise inside, while she exits the prison and while she is on the scaffold, exhibits her as a strong woman. The fact that Hester exits the prison “by an action marked with natural dignity and force of character, and stepped into the open air, as if by her own free will”, and the fact that while on the scaffold, under pressure, Hester refuses to give the name of the father of her child, also proves her strength and compassion. She states, “Never!....It is too deeply branded. Ye cannot take it off. And would that I might endure his agony, as well
Hester’s principal qualities of strength and honesty are revealed throughout the novel. Her strength is seen in her actions after her sin is revealed. Foremost, she thinks of her adultery as an act committed out of passion and denies the belief that man’s nature is corrupt
Hester’s sin is that her passions and love were of more importance to her than the Puritan moral code. This is shown when she says to Dimmesdale, "What we did had a consecration of its own. We felt it so! We said so to each other!" Hester fully acknowledged her guilt and displayed it with pride to the world. This was obvious by the way she displayed the scarlet letter. It was elaborately designed as if to show Hester was proud.
In The Scarlet Letter by Nathaniel Hawthorne, people who commit a crime must face public humiliation by being forced to stand upon a scaffold. One of these people was Hester Prynne who commits adultery and was forced upon the scaffold. Throughout the book, there are three scenes where after standing on the scaffold, the person would feel relieved. The scaffold is a representation of freedom because when someone is standing on it they will be free of their sin.
In the first scaffold scene, during midday, Hester is standing on the scaffold, Dimmesdale is nearby sharing the platform, and Chillingworth is in the crowd. Hester is holding her baby in her arms quietly. “She was ladylike, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity, rather than by the delicate, evanescent, and indescribable grace” (51). Hester acted ladylike, and polite towards the punishment she was receiving. She was very resistant and immune to her surroundings, as everyone gathered around to watch her humiliation. She did not act out, she just stood there and waited for her time to be up and to leave the scaffold. Hester stood alone confronting her sin. Dimmesdale shared the
Throughout the existence of mankind, the arduous trail from sin to salvation has been trekked repeatedly. In his novel The Scarlet Letter, Nathaniel Hawthorne discerns the struggles of earning forgiveness. The novel focuses on the aftermath of the sin committed by Hester Prynne and her lover, Arthur Dimmesdale. It chronicles the adversities the duo face and in the process showcases the tough nature of absolution in Puritan society. Hawthorne shrewdly arranges the novel around three key scenes, all of which occur on the scaffold, the center of indignity. Over the course of the novel, the scaffold in the three scenes serves as a dynamic symbol adapting to the changing relationships between the characters and the revelation of their sins. The