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How does nathaniel hawthorne feel about his characters in the novel the scarlet letter
Critical analysis of scarlet letter by Nathaniel Hawthorne
Critical analysis of scarlet letter by Nathaniel Hawthorne
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Characters in a story can come back to the same area at different times and have such a dramatic change in perspective.The Scarlet Letter, a novel by Nathanial Hawthorne, was a story about a women, Hester Prynne, who had to wear a scarlet A to mark her adultery and shame. Arthur Dimmesdale, her lover, was involved with her adultery but didn’t want to be identified. Roger Chillingworth was seeking revenge because of Hester’s crime. These three characters all took part on the three pivotal scaffold scenes. Hawthorne unifies his novel with three pivotal scaffold scenes to show how each of these major characters grow and develop.
In the first scaffold scene, during midday, Hester is standing on the scaffold, Dimmesdale is nearby sharing the platform, and Chillingworth is in the crowd. Hester is holding her baby in her arms quietly. “She was ladylike, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity, rather than by the delicate, evanescent, and indescribable grace” (51). Hester acted ladylike, and polite towards the punishment she was receiving. She was very resistant and immune to her surroundings, as everyone gathered around to watch her humiliation. She did not act out, she just stood there and waited for her time to be up and to leave the scaffold. Hester stood alone confronting her sin. Dimmesdale shared the
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The Scarlet Letter, a novel by Nathaniel Hawthorne, conducted a story with characters that are very dynamic and go through many changes. Each character had a battle to conquer and had to grow and develop to try to control it. The characters of this book revisited the scaffold three times, each coming back with a new perspective. This is because each character have developed and grown up. To return to the same area at different times, will mean a new perspective every
In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester. As the townspeople are ridiculing her, the narrator is praising Hester for her untamed but lady like beauty (60-61). The narrator goes so far as to compare her to “Divine Maternity” or Mother Mary, the ideal woman, the woman that is looked highly upon by the whole Puritan society (63). However, the conditions are set up to show the change in Hester due to isolation and discredit of the Puritan society. Throughout this scene the Puritans are condemning Hester for her sin as the narrator is condemning the Puritans for their severity.
Through the rhetorical device characterization, Hawthorne is able to promote his motive of exposing the audience to the life lesson: People grow stronger by recognizing their own weakness. Hester Prynne, the female protagonist in the Scarlet Letter charged with adultery, is forced to wear the embroidered letter “A” on her chest to symbolize the stigma of her sin. In the beginning of the novel,
The town is all out to witness the punishment of Hester Prynne some of the women are suggesting other punishments and the women are telling us about Hester and Dimmesdale. People say," said another, "that the Reverend Master Dimmesdale, her godly pastor, takes it very grievously to heart that such a scandal should have come upon his congregation." (Page 49) Reverend Dimmesdale is seen as a godly man. A man who does not commit sin and in his own mind at this point he feels fine and does not have any guilt. Dimmesdale at this point in the novel is seen as godly and throughout the novel is seen as godly even at the end after the last scaffold scene. Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her , so the man can be relieved of his guilt, some what ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without. Take heed how thou deniest to him--who, perchance, hath not the courage to grasp it for himself--the bitter, but wholesome, cup that is now presented to thy lips!" (Page 65) This is the first scaffold scene Reverend Arthur Dimmesdale is not showing any signs of guilt at this point, he is still fairly the same and has not began to inflict punishment on himself or so it appears. Dimmesdale in the first scaffold scene seems fairly normal and has not begun to transform himself but by the next time we see him at the scaffold he is taken a turn for the worst.
Hester and Dimmesdale’s affair goes undiscovered until Hester is pregnant and bears a child without having her husband present. As her punishment, Hester is forced to stand on the scaffold in the middle of the market place, with an A on her chest. Dimmesdale has not told a single person that he is the adulterer. He sits in the balcony with the Governor, a judge, a general, and the rest of the ministers, watching the display, without any expression or emotion. Hester and Pearl go to the Governor’s home to deliver a pair of gloves, but more importantly to inquire about the possibility of the government taking away her child. Also there with Governor Bellingham are Pastor Wilson, Reverend Dimmesdale and Roger Chillingworth. After Mr. Wilson asks Pearl a few questions, the Governor decides that Hester is unfit as a mother and that the child would be better off in the hands of the church. Hester begs Dimmesdale, whom she says knows everything about her and has charge of her soul, to speak for her. Therefore, he does, convincing the Governor to let Hester keep Pearl. This is Dimmesdale’s first step to becoming the moral blossom. Late at night, a few years after the previous incident, Dimmesdale takes a walk through the town. He climbs onto the scaffold and pretends to confess; though there is no one out at this time at night. Hester and Pearl, on their way home, pass Dimmesdale on the scaffold. Dimmesdale calls out to them and they join him, standing hand in hand in the darkness. Dimmesdale has begun the road to confession by acknowledging Hester and Pearl and by acting out confession. Now he feels guiltier than ever.
When the reader first meets Roger Chillingworth standing watching Hester on the scaffold, he says that he wishes the father could be on the scaffold with her. “‘It irks me, nevertheless, that the partner of her iniquity should not, at least, stand on the scaffold by her side” (46). At this point, Chillingworth wishes that Mr. Dimmesdale was also receiving the sort of shame Hester is being put through. Throughout the first few chapters of the novel, however, Chillingworth’s motives become more and more malicious. By the time Chillingworth meets Hester in her prison cell, he has decided to go after Mr. Dimmesdale’s soul. Chillingworth turns to this goal because Mr. Dimmesdale did not endure Hester’s shame on the scaffold. Had Mr. Dimmesdale chosen to reveal himself at the time of Hester’s shame, he would not have had to endure the pain of Roger Chillingworth’s tortures of his soul.
When being questioned on the identity of her child’s father, Hester unflinchingly refuses to give him up, shouting “I will not speak!…my child must seek a heavenly Father; she shall never know an earthly one!” (47). Hester takes on the full brunt of adultery, allowing Dimmesdale to continue on with his life and frees him from the public ridicule the magistrates force upon her. She then stands on the scaffold for three hours, subject to the townspeople’s disdain and condescending remarks. However, Hester bears it all “with glazed eyed, and an air of weary indifference.” (48). Hester does not break down and cry, or wail, or beg for forgiveness, or confess who she sinned with; she stands defiantly strong in the face of the harsh Puritan law and answers to her crime. After, when Hester must put the pieces of her life back together, she continues to show her iron backbone and sheer determination by using her marvelous talent with needle work “to supply food for her thriving infant and herself.” (56). Some of her clients relish in making snide remarks and lewd commends towards Hester while she works, yet Hester never gives them the satisfaction of her reaction.
Nathaniel Hawthorne was a truly outstanding author. His detailed descriptions and imagery will surely keep people interested in reading The Scarlet Letter for years to come. In writing this book he used themes evident throughout the entirety of the novel. These themes are illustrated in what happens to the characters and how they react. By examining how these themes affect the main characters, Hester, Dimmesdale, and Chillingworth, one can obtain a better understanding of what Hawthorne was trying to impress upon his readers.
In Nathanial Hawthorne’s The Scarlet Letter, the reader meets the character Hester Prynne who as the novel progresses, one notices the changes in her character are very dramatic. The changes are both physical and in her mannerism’s. There are many significant events which took place before the start of the novel and during the novel. Some of these events that lead to this dramatic change include the affect of wearing the scarlet letter, the secrets which she keeps, and her daughter Pearl’s evil characteristics. By these events, Hester Prynne’s image is transformed throughout the time of the story.
The Scarlet Letter is a story about human reaction to circumstances and the justification behind these actions. Each of the central characters in the novel represents a side of an extremely serious situation, adultery. Each of the characters has a certain amount of justification behind their actions and each searches for a way to rise out of his/her condition.
Hester Prynne exhibits the essence of truth and pride when she bravely faces the humiliation of the scaffold. In chapter 17, when Hester apologizes to Dimmesdale about concealing Chillingworth’s identity, she says, “In all things else, I have striven to be true! Truth was the one virtue which I might have held, and did hold fast, through all extremity…A lie is never good, even though death threaten on the other side (pg. 202)!” It is Hester’s pride, which sustains her from the beginning of the novel to the end, when she dies, still sporting the scarlet A on her bosom.
While Hester tries to protect Dimmesdale by not giving the name of Pearl's father, she actually condemns him to a long road of suffering, self torture and disappointment. She does this by letting him keep the sin he committed in secret while he watches her being publicly punished. Chillingworth observes Dimmesdale's desire to confess, as well as his lack of willpower to do so. Dimmesdale rationalizes not confessing; all the while Chillingworth is torturing with constant reminders of his hypocrisy. Hester never voluntarily confesses to committing adultery, and never feels any remorse for it. Her public punishment comes not as a result of her having any contrition, but rather her apparent pregnancy. She stays in the town to be close to Dimmesdale, as a reader would find on page 84, "There dwelt...the feet of one with whom she deemed herself connected in a union..." She also stays in town to convince others, as well as herself, that she is actually regretful for her sin even though she knows in her heart she is not. She does this to appease her guilt. As Hawthorne puts it on page 84, "Here...had been the scene of her guilt...
...h life because of that. Dimmesdale, on the other hand, faced Puritan torture under Chillingworth for the seven years without benefit of the release of guilt Hester had found by being in the public eye. Dimmesdale's only release from guilt was not the scaffold, but death itself.
Author, Nathaniel Hawthorne, in chapter 1 of his classic novel, “The Scarlet Letter” describes the surrounding of the prison. Hawthorne’s purpose in the first chapter of the novel is to establish a setting through the continual use of imagery, symbolism, and irony. He embraces an ominous tone of despondency and despair that helps the reader foreshadow the nature of the chapters and events to come.
The story setting is the impetus in The Scarlet Letter because New England during the mid- 17th century had unique customs and values that impelled conflicts and character transformations. Throughout the novel, Hawthorne accentuates certain settings within New England to portray the strictness and hardships in the town, while he counters with the forest and the isolated cottage settings. Hawthorne’s The Scarlett Letter portrays a strict, rigid Puritan town through utilizing both the physical and historical settings of the time period.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.