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Erik Satie compositions
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Satie, Erik
The French composer Erik Satie was born on May 17, 1866, and died on
July 1, 1925, was the son of an English mother and a Parisian music publisher.
He entered the Paris Conservatory in 1879 but failed to benefit from academic education, which he embarked on again only in his 40th year, when he enrolled as a pupil of Vincent d'Indy and Albert Roussel at the Schola Cantorum.
Long before that, however, he had composed a number of short piano pieces, whose eccentric titles and unfashionable and yet convincing simplicity of melody were matched by an individual sense of harmony. It is still a moot point whether
Satie got his harmonic ideas from his fellow student and friend Claude Debussy, or whether the debt was on Debussy's side. It is quite clear, however, that
Satie's tasteful principles influenced Debussy in the composition of his opera
Pelleas et Melisande and that Satie was the main influence in helping Debussy to free himself from the musical domination of Richard Wagner. Satie became interested in plainsong through his association with a so-called Rosicrucian group, while he earned his living as a cafe pianist in Montmartre.
Satie was a conscious eccentric and a determined enemy of all establishments, including the musical. The comical titles that he attached to his small piano pieces are characteristic of the Bohemian wit in the Paris of his day. Irony and a deceptively childlike attitude, a dislike for pomposity of all kinds, and an instinctive secretiveness were hallmarks of both the man and his music. In 1916, Satie was befriended by Jean Cocteau and wrote the music for a ballet, Parade, on which Pablo Picasso and Leonid Massine also collaborated. By far the most important of Satie's works is Socrate , an harsh
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Claude Debussy is one of my favorite composers of all time. Claude Debussy’s music has had the ability to alter how I perceive music and, has made me gain a greater appreciation for all types of music. Growing up playing piano my entire life it was always hard for me as a child to follow all of the “rules” of what traditional classic music was interpreted as. Sheet music seemed so dull and boring to me, because I would be playing the piece but certain parts just did not sound appealing to my ear. My instructor always frowned upon me for this because it was different from what every other person was doing at the time. I recognized that Debussy’s style of music was also criticized much in the same way as mine was one day while I was listening to my favorite piece Clair De Lune. The song in my mind is simply perfection, the harmonies all flow beautifully but, according to others it is not what they want to hear because it is considered to be vague and lacks image. My struggle at being restricted to these so called rules of piano made me like Debussy more and more.
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Born on August 27th, 1862, Claude Debussy came from an ancestral background comprising of shopkeepers, suburban employees and peasants, none of which had any musical talent or affiliation. Much unlike a majority of composers known during the Classical and Romantic eras such as Mozart or Rachmaninoff, not only did he possess no musical family background, he also had had no extensive musical training...
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