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Character of satan in paradise lost
Discuss satan as a villain in paradise lost by john milton
Milton's view about Satan
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In John Milton’s Paradise Lost, Satan is an ambiguous character that puts a twist on this retelling of the Biblical villain. Milton forces the reader to look at evil and the antagonistic Satan in a more complex light in contrast to the unsympathetic figure referenced in other texts. As the fallen archangel, Satan is a struggling hero fighting against an oppressor, the devil that tempts man to their downfall, and the rebel that involuntarily does God’s bidding. Many of Satan’s attributes are complex and contain contradictory dualities. Satan is determined and believes in his own righteousness when he sees God as a dictator that uses his creations as amusement. Satan finally acknowledges God’s true nature and wants to be different. He is earnest …show more content…
Beelzebub, another of Satan’s many aliases, means “lord of the flies” (Matthew 12:14). Satan is describe here as the ruler of an insect that is commonly known as the carrier of many diseases to represent the disastrous power of the devil. He is also a serpent that crawls into people’s heart using his shrewdness to trick mankind. In 1 Peter 5:8, Satan is a roaring dragon that is a destructive threat to God. Satan’s power does not necessarily come from his strength, but from his appearance. Even with these powerful images, Satan’s power is no where equal to his Creator. Instead, Satan takes full advantage of the power to transform which becomes the ultimate weapon that allows him to appeals to the “ lust of the flesh, and lust of the eyes, and the pride of life” (1 John 2:16). Satan exploits the man’s knowledge of evil to divert their faith and stray them from the light. Furthermore, in The Screwtape Letters by C.S. Lewis, Satan extends his grasp by allowing his followers to become a part of the “ordinary” (1) in a person’s life. As creatures of the dark, the devils appear as the reflection of man weaknesses of materialistic satisfaction. Milton recounts Satan’s illusion of grandeur, as he relentlessly challenge God using his ever changing appearance, to reveal the gradual degradation of Satan’s goal of
In this passage Satan comes to the understanding that if he were to be given a chance for forgiveness, he would simply fall again twice as hard, which is exactly what occurs in I, Lucifer. He accepts the trial run on earth and at the end of the month rejects it, dooming himself again, and having to face the pain of his fall anew. While Satan's accounts of his fall, the garden of eden, and other biblically based stories seem plausible enough, he is still shown throughout as a completely unreliable narrator through obvious and intentional contradictions. This directly conflicts with Milton's narrator who claims divine inspiration for his work, suggesting a very reliable narrator. Due to this discrepancy in narration, I, Lucifer serves as an intriguing foil to Paradise Lost that continues the c...
...s Online - Harvard Theological Review - Abstract - The Social History of Satan, the "Intimate Enemy": A Preliminary Sketch. Harvard Theological Review, 1991. Web. 21 Mar. 2014.
Satan frequently characterizes “the tyranny of heaven” and employs negative diction in his depictions of both heaven and God (I.124). His negative portrayals of God and his kingdom highlight his utter dissatisfaction with being subservient to God and, from that, his desire for autonomy. In the exposition of the text, Satan’s emotions toward God make themselves apparent when Satan “throws his baleful eyes / That witnessed huge affliction and dismay / Mixed with obdúrate pride and steadfast hate” (I.56-58). Satan reveals himself to be furious with his continued subjugation to God as well as his inability to truly revenge himself against his subsequent punishment. According to Satan, God’s dissimulation of his power tempted Satan and others to rise
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
Satan is very easy to sympathize because he is more like man than god is, he has more characteristics and feelings that god does not have. He has jealousy, fear, pride and he makes mistakes like we all do. His pride is what got him where he is today, thinking he could take over heaven for the better of the angels. But when has god ever made a mistake? He doesn’t because he’s so perfect. When one looks around it is clear every human around you is not perfect. We all make mistakes, regrets, but that does not mean we should be thrown away from earth. The way Satan thinks, feels, and acts is all very human and that’s one reason we can sympathize with him, because we’ve all been there at one point in time. At an all-time low, that’s we he ends up embracing his future like he should.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
The poem Paradise Lost by John Milton tells the epic story of Satan's demise and the fall of Adam and Eve. Satan, disgraced and in hell after a war between his devils and God's angels, works to destroy the purity and good of God's newly created Earth. As he schemes, Adam and Eve live in perpetual peace and happiness in the Garden of Eden as rulers of the Earth. Throughout the progression of the epic, it becomes evident that Eve and Satan contain many similarities. The correlations between these two characters help the reader understand why they act the way they do but also see the devastating consequences of those actions. Eve and Satan are both tempters and use the same arguments to persuade their victims; they also hold subordinate positions and want to elevate their statuses.
Ask anyone to draw Satan and you 'll get a red snake-like figure with horns and a pitchfork. Satan, as introduced in the Hebrew bible is an unworthy adversary of God. His longing to be like God is quickly recognized and dealt with. God banishes him from Heaven and sends him to Hell. That 's the last we see of him until he talks with God about his faithful servant Job. In each interaction we see Satan in, we get only a glimpse of who he really is. Satan 's motive is not developed and we assume he does evil simply because he is evil
The identity of the true protagonist in Paradise Lost is a mystery. One would gather that Milton, a Puritan, would have no problem casting God as the hero, and Satan as the antagonist. However, looking back in history, Milton saw that most epic heroes had conflicts that prevented them from accomplishing their goals. God and his Son have no conflict, and Adam’s story does not really begin until the Fall of Man. Therefore, Milton was forced to select Satan as the hero of Paradise Lost because he adheres to the guidelines of epic poetry set by Homer, Virgil and others. There are many examples of how Milton uses and edits the tradition of these previous epics in the formation of the Devil as a hero. One of the most basic examples of heroism in epic poetry is the exhortation of the leader to his followers. In The Odyssey, Homer lets Odysseus give a speech that would convince anyone they could survive the journey to the Strait of Messina, "Then we die with our eyes open, if we are going to die, or know what death we baffle if we can. (Ln.1243-1245)" After passing the Sirens, the ship approaches the Strait, and the crew sees the twin terrors of Scylla and Charybdis, they are mortified. Odysseus again lifts their spirits with this speech, "Friends, have we ever been in danger before this? More fearsome, is it now, than when the Cyclops penned us in his cave? What power he had! Did I not keep my nerve, and use my wits to find a way out for us?
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...
Satan proves his leadership by managing to cause the fall of other angels as well. He has a legion of rebel angels that he has somehow convinced to join him in his revolt against God. The angels and he mistakenly believe him to be just as powerful as God (line 40). Perhaps his futile attempts to win are what attract the sympathy and understanding of human beings, for mankind is constantly trying to change things they will never be abl...
In his epic poem Paradise Lost, John Milton presents Satan as a complex and multifaceted figure. As Jeffrey Burton Russell describes in The Prince of Darkness, Milton’s goal in writing this epic poem was to “justify the ways of God to men” (Russell, chap.12, p.15). With this in mind, it is easy to interpret the character of Satan as a mere foe, the evil at the opposite of God’s goodness, and to see God as the obvious protagonist of the poem. Things in Milton, however, are not quite as black and white, and while the justification of God’s actions is at the centre here, it is the character of Satan who drives the poem forward, as a protagonist should.
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
John Milton’s Paradise Lost continues the epic tradition developed by the ancient Greek and Roman poets. Composed in exact imitation of its predecessors, the work depicts all characteristics of a traditional epic poem—including the epic hero, a powerful embodiment of societal values. Milton presents his hero in a most unpredictable form: Satan. Despite the unorthodox oddity, the former archangel exhibits the conventions of an epic hero. Milton’s forced perception of Satan as the hero of the poem reflects his stated purpose for writing the piece. By placing Satan in a traditional heroic role, Milton illustrates his manipulative and cunning nature, which anyone can easily fall prey to, and resultingly fashions Satan into an antihero.
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.