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Sarah Jeannette Duncan’s A Mother in India
Patriarchal Victorian Men Create Monstrous Victorian Women
706 Words
A Mother in India, as a story depends on the facade of appearance and the reality of emotional abandonment within a male dominated & Victorian society. Duncan’s point is that Victorian men create monstrous Victorian women. Relationships of any emotional worth are rendered impossible between Helena and her daughter Cecily because of a life long separation imposed by the father. It is impossible for Helena to be Cecily’s emotional or spiritual mother because Helena is not emotionally equipped to be anything else other than a servant to her husband. Her life has been pre-arranged by a series of male allowances and dictates. Helena and Cecily’s relationship must be emotionally void to work within the shallow, materialistic pre-arrangement of their lives. Helena has nothing to offer her daughter but the emptiness that she’s acquired over her lifetime.
Helena has spent her life in an emotional vacuum. When Helena is forced to draw on emotional experience for her daughter’s sake she finds immature childish emotions are all she has. Cecily is as a doll to Helena that does not live up to its warranty upon close scrutiny. She recoils from the situation looking with repugnance at her alien possession. Cecily is frequently referred to as an it as opposed to my daughter by Helena. Cecily is also frightened by...
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Alexie Sherman, a boy under an Indian Reservation that suffers from bullying since the 1st grade, who would have a hard time being around white people and even Indian boys. US Government provided him glasses, accommodation, and alimentation. Alexie chose to use the title "Indian Education" in an effort to express his internalized feelings towards the Native American education system and the way he grew up. He uses short stories separated by the different grades from first grade to twelfth grade to give an idea of what his life was like. He seemed to have grown up in a world surrounded by racism, discrimination, and bullying. This leads on to why he chose not to use the term Native American. He used the term "Indian" to generate negative connotations
The Absolutely True Diary of a Part-Time Indian which was written by Sherman Alexie, combines humor and tragedy to tell a first-person narrative story of Arnold Spirit Jr., a 14-year-old Native American teenager, and the events in his life about pursuing his dreams. This book is a semi-autobiographical novel and it has won the 2007 U.S. National Book Award for Young People's Literature and the Odyssey Award as best 2008 audiobook for young people. The language in this book is simple, humorous and spontaneous, however, tragedies have played a more important part than comedies.
...oes not make mothers” ~ Anonymous (Quotations about mothers, 2011). Daisy seems to be more of a child than a mother, and Ma brings out the characteristics people would want in their ideal mothers. The mother they would want is the one that cares about them, is always there for them, and takes real responsibility for their job as a parent.
Being unwanted, uncared for, unloved and forgotten by everybody even by your own family is a much greater poverty than the person who has nothing to eat. As the book The absolutely True Diary of a Part-Time Indian by Sherman Alexie talks about an Indian boy, Arnold Spirit, who was born in the Spokane Indian reservation in Wellpinit with brain damage. Arnold takes us along on his journey and we learn how absolutely awful and devastating poverty is and it is not for an individual but for an entire community. This condition leads to senseless death. They never had the chance to be anything but poor and hopeless Indians. If they stop dreaming of being poor and start searching for hope and try to live up with high expectations and accept more to them. They will look to their future with excitement and confidence and begin to do more of what they ever imagined. As a result, they will have a better living condition. Throughout the novel, we learn from Arnold’s fight for a better life. He inspires us and gives us hope. He goes to Reardan where white people live searching for hope. There, he makes new white friends and changes their ideas about Indians. Another inspiration we see in this book is, Mary Spirit, Arnold’s older sister, who leaves her reservation to make her dream come true. She goes to Montana, gets married and starts focusing more on writing her romance novels rather than focusing more on the reservation opinions. Therefore, Arnold’s and Mary’s decision is that they are not simply Indians or White but human being who belongs to many tribes.
Before finding out about her biological parents, Asha acts very immaturely and inconsiderately. The first example portraying Asha's unsophisticated behaviour takes place while Asha has a disagreement with her parents because of her poor grades. After her mother offers to helps, she replies, “'I don't need a tutor, and I definitely don't want your help,' Asha says choosing her words to sting her mother'” (Gowda, 150). Here, Asha is deliberately trying to hurt her mother's feelings and is acting very inconsiderately. Also, the fact that she is yelling at her mother, even though her mother is only offering to help, showcases her immaturity.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Marjane’s mother was one of the most influential people in her life, her mother taught her to be strong and independent. By introducing her mother through the story of her mother getting photographed at a demonstration, Marjane presents her mother as being independent and rebellious (Satrapi 5). Later in the novel Marjane’s mother argues with her father to allow Marji to come to a demonstration with them, she claims it is Marji’s time to “defend her rights as a woman” (76). Because her mother taught Marji that it is okay for a woman to rebel and speak her mind, Marji never hesitates to speak up and will not conform and allow herself to become just another veiled, female traditionalist. Marjane’s mother shows her acceptance of Marjane as an independent woman when she visits her in Austria and asks her for a cigarette (204). Marjane’s mother is not ignorant, nor does she hold her daughter back to the rules of society. She knows Marji is grown up and treats her as an adult, allowing Marji not only to view their relationship in a different way but also to view herself in a different way: an independent adult who can make her own choices.
Anna Quindlen’s short story Mothers reflects on the very powerful bond between a mother and a daughter. A bond that she lost at the age of nineteen, when her mother died from ovarian cancer. She focuses her attention on mothers and daughters sharing a stage of life together that she will never know, seeing each other through the eyes of womanhood. Quindlen’s story seems very cathartic, a way of working out the immense hole left in her life, what was, what might have been and what is. As she navigates her way through a labyrinth of observations and questions, I am carried back in time to an event in my life and forced to inspect it all over again.
"I can no more forget it, than a mother can forget her suckling child". Jane Austen wrote these words about her novel, Sense and Sensibility, in a letter to her sister Cassandra in 1811. Such a maternal feeling in Austen is interesting to note, particularly because any reader of hers is well aware of a lack of mothers in her novels. Frequently we encounter heroines and other major characters whom, if not motherless, have mothers who are deficient in maturity, showing affection, and/or common sense. Specifically, I would like to look at Sense and Sensibility, which, according to Ros Ballaster's introduction to the novel, "is full of, indeed over-crowded with, mothers" (vii). By discussing the maternal figures in this work, I hope to illustrate the varying possibilities of what mothering and motherhood can entail in Austen, and what this curious spectrum of strengths and weaknesses means for the heroine involved.
Motherhood is a compassionate kinship between the mother and her offspring. Becoming a mother can be planned or unplanned depending on the person. Families tend to cherish the new beginning to a little human life. When someone decides to have a new life, it isn’t easy, and not only can some women not get pregnant, but the variation your body endures is amazing. The body goes through many life changing experiences. Some women can gain weight, or have a rollercoaster of emotions due to their hormones. Having a child is a very hard thing, because your whole life changes and it’s not all about you anymore. Children cannot control the family or mothers they have when born, they aren’t able to understand the concept of what is happening with their mothers or families until they are older. In novels, Incidents in the Life of a Slave girl, by Harriet A. Jacobs and The Awakening by Kate Chopin motherhood is portrayed in many different ways. The two stories differ in my way but both encounter similarities of motherhood in various ways.
In her opinion, as well as many other authors we have read, a mother does not need to be blood related. She only needs to care for her child, be there for her child, and love her child. She is the dominant woman force in her child's life, influencing, teaching and setting an example for her child.
Ruth Prawer Jhabvala was born in Germany but she moved to England at the age of 12. She then moved to India in the fifties, where she married and settle for the better part of her life.
The Das parents’ negligent relationship with their children in Clear Light of Day mirrors India’s independence from Britain. Before their deaths, Mr. and Mrs. Das were preoccupied and inattentive to their four children, Raja, Tara, Bim, and Baba. They spent most of their time at the club, playing “their daily game of bridge” (Desai 50). This pastime is so important to them that they neglect to take care of their kids. For example, Mrs. Das tires of “washing and powdering” Baba, her mentally disabled baby, and she complains, “My bridge is suffering” (103). Mr. Das also does not focus on his children and “he [goes] through the day without addressing a word to them” (53). Unfortunately, Mr. and Mrs. Das are unable to ever form a loving relationship with their children because they both pass away. After Mrs. Das falls into a...
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.