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Effect of literature on culture
Writing experience in your life
Writing experience in your life
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Discrimination has and always will be controversial, whether it is because of sex or color of skin it will always be around. Writer inspiration seems to come from firsthand accounts and experiences, at least that is the case with Sandra Cisneros, a Chicana writer, and Langston Hughes, and African American poet. When reading their stories the reader can identify how different life experiences have influenced and inspired them to write the way they do. Analyzing Sandra Cisneros and Langston Hughes, and pieces of their writing will demonstrate how similar their writing is, how minority discrimination, and cultural circumstances effect and shape different pieces of their respective writings. This paper will highlight similarities, differences and motives for writing the short story, “Woman Hollering Creek”, and poem, “I, Too” all backed up and supported by research done about the author. Born in Chicago Illinois, into a family of seven children, being the only daughter Sandra Cisneros is a Mexican American novelist and feminist writer. She has been one of the first Mexican American women to receive recognitions for her writing and has sold to date million of copies of her well known book, The House on Mango Street. Sandra Cisneros is an inspirational woman who writes about heroines, strong women who overcome stereotypical barriers. But also gives life to characters who dream and long for economic independence, such as Cleofilas in Women Hollering Creek. Cisneros grew up in the “barrios”, or ghettos of Chicago and moved back and forth thanks to her father’s homesickness and love for Mexico. Being the only woman in the family, other than her mother, she lived a suppressed childhood, wanting to be just as independent as her brothers an... ... middle of paper ... ...n. Works Cited Cisneros, Sandra, and Martha Satz. "Returning to One's House: An Interview with Sandra Cisneros." Southwest Review 82.2 (Spring 1997). Rpt. in Short Story Criticism. Ed. Anna J. Sheets. Vol. 32. Detroit: Gale Group, 1999. Literature Resource Center. Web. 20 Apr. 2014. DiYanni, Robert. "Langston Hughes: Poems." Literature: Approaches to Fiction, Poetry, and Drama. Boston: McGraw-Hill, 2004. 708-09. Print. Presley, James. “The American Dream of Langston Hughes.” Southwest Review 48.4 (Autumn 1963): Rpt. In Contemporary Literary Criticism. Ed. Deborah A. Schmitt. Vol.108. Detroit: Gale Research, 1998. Literature Resource Center. Web.17 Apr.2014. Shiverly, Charls. “Langston Hughes: Overview.” Gay & Lesbian Biography. Ed. Micheal J. Tyrkus and Micheal Bronski. Detroit: St. James Press, 1997. Literature Resource Center. Web. 20 Apr. 2014.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
The Women of House on Mango Street and Bread Givers Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only girl in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano experience in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical yet deceptively simple language.
Ed. Jennifer Smith. Vol. 11. Detroit: Gale Group, 2001. Literature Resource Center. Web. 12 Mar. 2014.
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
Growing up in two cultures, Sandra Cisneros witnessed the major impact of poverty and racism (Norton Anthology 1587). Using literature as an outlet, Cisneros wrote her first piece of literature at age ten (Norton Anthology 1587). The best lessons come to a person once the lesson is experienced. She often writes about the intricate dynamics between men and women. Cisneros displays colorful aspects of the Chicana culture. The Chicana culture is a unique combination of North American and Mexican American traditions. The skilled writer dominates her field by explicitly revealing the similarities and differences between the two societies.
Cisneros depicts Mango Street as a rough neighborhood, but she also conveys a sense of community. She writes down that “we are safe,” (Cisneros, 28) to indicate that she can find the sense of community. Even if the author does not think she belongs to Mango Street, she does not deny that her community lives there. At the beginning of The House on Mango Street, Cisneros states that “I had to have a house. A real house,” (Cisneros, 5) illustrating that after knowing the American society’s evaluation criteria of success, she wants to follow the upward mobility and be viewed as a successful figure not only because she wants to be appreciated but also because white people will change their stereotypes of Hispanic people if they see that a Hispanic woman can be as successful as other whites. Her ambition triggers her to want to explore the meaning of being a Hispanic girl in the real world. Furthermore, in the “My name” session, the author depicts her great-grandmother’s life. “She looked out the window her whole life… but I don’t want to inherit her place by the window.” (Cisneros, 11) Cisneros wants a marriage formed because of love, like most white people do; her desire indicates that she wants to live like the whites, so that they will respect her and the Hispanic race later. In addition, Cisneros points out that she
The following will discuss the presentation of female characters in Gregory Nava’s El norte and Sandra Cisneros’ The House on Mango Street. The film ‘El Norte’ tells the story of a brother and sister ,Enrique and Rosa, who flee from their home of Guatemala in search of a better life due to government killings and kidnappings after an attempted formation of a workers union by their father. The film gives an indication of the difficulties Spanish speakers had in their own countries and their survival in America. The House on Mango Street , a novel consisting of a series of vignettes tells the story of Esperanza, a young Latina girl, after her family moved to Mango Street, a poor Spanish barrio in Chicago. The story is told through the eyes
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race. Concluding this, the articles that helps define this is “The Latino/a Canon and the Emergence of Post-Sixties Literature” and “What is called Heaven”.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
Sandra Cisneros reveals her feminist views through her novel The House on Mango Street. She does this by forcing the reader to see the protagonist as an alienated artist and by creating many strong and intelligent female characters who serve as the protagonist's inspiration.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Within the works of Langston Hughes the theme of prejudiceness is portrayed in many pieces (Ed 2). Growing up as an African American boy there were situations where people prejudged him just because of his skin tone, of course the situations were hurtful, but it later on helped build a powerful story or poem (Ed 2). For this reason, Langston Hughes often narrowed in on the African American working class (Williams 2). Coupled with the African American working class, an individual 's race created a separation between people (Sundquist 2). The separation of individuals for no other reason but their skin tone infuriated Hughes and he took it to pen and paper to express the differences and opposing treatment of civilians (Sundquist 2). When it came to Langston Hughes the achievement of being the best was not his goal, rather it was to get his words across and let people relate or realize what he is telling. Along with the process of seeking awareness, Hughes worked with the categories “racial insights and national attitudes” (Emanuel 119). In addition to the way African Americans were treated, the chances of working and education were also unequal. The opening for a job tended to be much easier for a white citizen to get when being compared to someone with darker skin (MacNicholas 318). White citizens also believed they were superior and that African Americans were outsiders, therefore African Americans education wasn’t taken as seriously or wasn’t available to them (MacNicholas 318). Keeping the focus of racial prejudiceness in mind, Langston Hughes’ works pinpointed mainly cities and when being interviewed about what his goal in his writings is “Hughes replied “I explain and illuminate the Negro working condition in America. This applies to 90 percent of my work” (Emanuel 68-69). Langston Hughes, being an African
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
Have you ever had that uncertain feeling inside that something is just not right and needs to be changed? Sandra Cisneros’s novel The House On Mango Street is about a young Latina girl growing up in Chicago who learns more about herself and what she will become in the future. Throughout the series of vignettes, the reader encounters many women who are constrained by poverty and inequality. Women confront situations where they are waiting for men to help guide them, or they get taken advantage of by men. Although Esperanza experiences and witnesses the struggles and hardships that come with being a woman, she eventually understands that being a woman can be powerful, and that she is able to shape her own future.
The House on Mango Street by Sandra Cisneros tells the stories of a neighborhood of chicago in poverty and it’s residents through the eyes of Esperanza, a young latina girl living on Mango Street. Even though Cisneros tells the stories through a young narrator, adult themes like identity are not lost. Throughout the novella many things are seen to play roles in shaping people’s identities such as; poverty, name, home, culture, and childhood experiences. Through the stories of Esperanza and her friends it is clear that the most prominent factor in shaping someone’s identity is their gender.