Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender role in literature
Gender role in literature
American literature has many ethnic groups
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Never Marry a Mexican
The American writer with the Mexican roots Sandra Cisneros often uses Spanish into her writings. She substitutes English words by Spanish when she feels that Spanish better convey meaning. Cisneros’s ability to speak two languages gives her a unique position. She can tell not just her stories but also of those around her. From the words of the author, “if I were asked what it is I write about, I would have to say I write about those ghosts inside that haunt me, that will not let me sleep, of what which even memory does not mention” (Roberson 62). This paper focuses on a short story Never Marry a Mexican and explores the reasons for such a provocative statement.
Never Marry a Mexican became one of the short stories in
…show more content…
the first Cisneros’s collection Woman Hollering Creek in 1991. In this work Sandra Cisneros writes about a woman Clemencia who is constantly told by her mother not to marry a Mexican, “never marry a Mexican, my ma said once and always” (Cisneros 68). The truthfulness of mother’s words Clemencia could see in her own family in the childhood. “Nothing but a big show-off” (Cisneros 71), that is how her mother described the husband. Clemencia’s mother is an example for all the girls how hard can be a life with a man who grew up in Mexico, “having married a Mexican man…Having had to put up with all the grief a Mexican family can put on a girl” (Cisneros 69). Her mother played a really big part in Clemencia’s upbringing because of her cheating on her dad, while he was deadly sick, “that man she met at work…she was seeing even while my father was sick” (Cisneros 73).
Thus, from very young years Clemencia saw that having an affair in not a happy marriage was normal. She turns herself into a strong woman that treats men the way men treat women under the machismo way. Cisneros’s heroine thought she had a control, “you’re nothing without me. I created you from spit and red dust” (Cisneros 75), but, in reality, it was an illusion. The disappointment in the relationships and marriage formed Clemencia’s stereotyped character, “not a man exists who hasn’t disappointed me, whom I could trust” (Cisneros 69). A young woman always became a witness of infidelity. The main reason for that, “I’ve helped them to it” (Cisneros 68). The collapse of hopes for a true love, a happy family provoked Clemencia to disrupt her anger on the masculine. Thus, she started to use men, “borrowed. That’s how I had my men” (Cisneros 69), but she could never find a man, “I could trust to love” (Cisneros 69). Basing on the memories about her family, mother’s behavior and on her personal experience, Clemencia made a decision, “I’ll never marry. Not any man…Not because I couldn’t….Marriage has failed me” (Cisneros 69). From Clemencia’s words, “Mexican, Puerto Rican, Cuban, Chilean, Colombian…I don’t care. Not men I
considered as a potential lovers” (Cisneros 69). One more thing that destroyed all the hopes of young heroine was relationships with Drew. This man was older and married. Therefore, he was another proof of men’s unfaithfulness. The author upraised not only a theme of not marry a Mexican but not marrying in general. Cisneros showed her heroine as a woman that seduces married men but that how Cisneros emphasizes that all men are betrayers. Clemencia was exploited by a love of her heart Drew that in the end decided to stay with his wife. A chain of disappointments made Clemencia feeling crazy, capable of murder or suicide, “I’ve been walking with my head full of images…Suicide” (Cisneros 83). Cisneros writes in a very real fashion. She is pushing back against the machismo way of life. By showing Clemencia’s life the author carries an idea of not marry a Mexican and marry any man at all. The examples of infidelity point out that there is no trust to men, no true love. Each page of this short novel shows how the relationships destroy the soul of a woman, how from very early age an unhappy family and mother’s words can influence the whole life of a child. In conclusion Never Marry a Mexican is a short story that reveals lots of problems such as family relationships, problems of parents and children, ethical issues. Therefore, it is a manifest of a miserable woman to be free of a fake love that can destroy a life.
Cleofilas, must endure the hard labor of her husband’s temper and if she doesn’t take on both gender roles for example: housework, caring for her children, and the outside duties of the home, she suffers the consequences of her husband and the beatings. Juan Pedro, Cleofilas husband is just like society in this situation, he doesn’t think twice about laying a hand on his wife. Whereas, in Cleofilas situation, society doesn’t want to get involved and will place the incident “under the rug” they don’t want to be asked questions, by the husband or the
Contreras’s writings exhibited issues that were of great concern to women. She explored single parenthood, violence, both physical a psychological against women, lesbianism, and growing old. On the contrary, she used her stories to depict the weakness of men. Her writings included sterility, jealousy, and homosexuality amongst the male sex. Her stories revealed a distinctive concern for emotions and psychological motivation. Emotions such as terror that many women are exposed to in their relations with men are prevalent in her literary works.
As you read you can picture his settings and characters. For the purpose of this book review, the reader will discuss how a migrant community in search of the “American Dream” encounters the “American Nightmare” as described by Tomás Rivera in his novel, “ …And the Earth Did Not Devour Him.”
The autobiography Journey of Hope Memoirs of a Mexican Girl and the documentary short “Children in No Man’s Land” has brought into light three important topics that are results of immigration. The first is the “American dream” and the notion of yearning to migrate abroad to seek dreams formed by misconceptions of the limited knowledge one has of their destination. The second is assimilation and the process of assimilating oneself to their new homeland. The third is a unique situation presented in both these works, which is estrangement from their family members. This paper attempts to critically analyze the unique journey of immigration for Rosalina, Maria de Jesus, and Rene. It argues that glorified images and dreams of what America could be like falsely creates a sense of hope. It focuses on the dual task of reviewing the process of assimilation based on each immigrant situation, and an examination of familial estrangement as
She felt that breaking the standards placed on her by her cultural norms it would displease her tradition loving father. He felt that Cisneros should find a husband and not focus on her education so much. Cisneros writes “I am the only daughter in the Mexican family of six sons” (Cisneros 366). This not only exemplifies the internal family issues of being the only female, but also the external problems of the norms placed on women in a Hispanic culture to be an ideal wife. Tan’s essay emphasized the fact that her race, gender, education and up-bringing played a role in people knowing her writing, even though she does not want it to.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
A woman’s self-worth and self-esteem are vital to experiencing happiness in a marriage. In addition, low self-esteem can cause a woman to feel abandoned because she is not getting enough emotional support from her husband. Cisneros demonstrates this through the character of Cleofilas in the story. For example, Cleofilas often reminds ...
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
Cleofilas grew up in a male dominant household of six brother and father, and without a mother, she no woman figure to guide her, give advice on life, or how to love a man. Cleofilas turned to telenovelas for a woman’s guidance on love and appearance, and she began to imagine her ideal life through the television series. Once Cleofilas was married she moved away into a home with her husband, were she pictured everything to be like the couples on the telenovelas, but she soon starts to realize life isn 't exactly like how they view it in the telenovelas. In the story Sandra make the statement ‘From what see can tell, from the times during her first year when still a newlywed she is invited and accompanies her husband, sits mute besides their conversations, waits and sips a beer until it grows warm, twists a paper napkin into a knot, then another into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments, leans against her husband’s sleeve, tugs at his elbow, and finally becomes good at predicting where the talk will lead, from this Cleofilas
Secondly, the viewpoint of the victim illustrates the perceived despair and loneliness caused by the purposeful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male-dominated society. Works Cited:..
Sandra Cisneros portraits Clemencia in various ways in “Never Marry a Mexican”. Clemencia is stuck in an interracial world, she wants to fit in, not only fit in but become better, become more powerful and loved. Clemencia is a very resentful woman, she is full of hatred, not only for others but also within her own self. Clemencia is a mistress of several men, but one in particular who she happens to find herself in love with, Drew. Clemencia becomes extremely obsessed with her relationship with Drew. “You think I went hobbling along with my life, whimpering and whining like some twangy country-and-western when you went back to her. But I’ve been waiting. Making the world look at you from my eyes.” (pg. 59) Clemencia’s resentment against Megan, Drew’s white wife, goes beyond the necessity of having Drew, but also involves the belief that she will never be like that “ redheaded Barbie Doll in fur coat” (pg. 64) referring to Megan due to the racial inequality she has grown to experience throughout her life.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.