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The All in the Family episode “Sammy’s Visit” chronicles the situations and conversations the Bunker family has when they find themselves in the presence of a celebrity. The significance and use of gendered/sexed voices becomes very apparent throughout the episode as the characters interact and communicate with one another.
At the beginning of the episode, the audience gets a sense of the dynamic between husband and wife, Archie and Edith. Archie gets home from working his second job as a cab driver, sits down, and immediately asks Edith for a cup of coffee. His tone makes it clear that he is annoyed that he even has to ask for coffee; He seems to expect it. She quickly obliges and asks about his day, which makes clear their subordinate/superior
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relationship. Their conversation work is altercasted in a way that reinforces the expectation that Edith is a well-tempered wife who follows the demands of her more dominant, outspoken husband. They seem to be following a social norm, especially of their time, where Archie sees himself as having all of the power in the household, and expects to be treated accordingly. In their initial conversation, Archie tells the family to try to guess who he drove in his cab that day, to which Edith replies, “I’ll try first, living or dead?” (2:30). Archie seems dumbfounded by her question and sends her back to her game of solitaire mockingly. Edith’s conversation style is really only developed through her conversations with Archie, but it most closely follows the feminine style as defined by the two-culture approach. She is portrayed as a gossip who can’t keep a secret the second she finds out that Sammy Davis Jr. is stopping by the house. Edith has a high-pitched tone and speaks quite loudly, but not in an assertive way, which is one way in which she communicates her gender identity. She is also polite, doesn’t interrupt the other characters, and does not use as much profanity as her husband, Archie. Archie definitely follows the masculine style of communication, which is focused on talking directly and assertively.
As Palczewski states, “Masculine style avoids personal disclosure and vulnerability... [and] uses communication to establish and maintain control or status,” (66). He asks rhetorical questions as a way to mock his wife and the other characters and is the initiator of most conversation topics throughout the episode. Archie’s conversation style and identity work is heavily influenced by his intersectional identity. He is a white, straight, cisgender, middle class, able-bodied man, which essentially puts him at every advantage possible. As a person who doesn’t experience any sort of prejudice or mistreatment, it is apparent that he doesn’t really know how to treat others who are different from him. He is ridiculed for making a number of racist and xenophobic remarks throughout the episode, but does not see a problem with what he is saying. The power of his intersectional identity gives him a sense of entitlement over the other characters.
Even after Sammy Davis Jr. arrives at the house, Archie continues to make bigoted, narrow-minded remarks. After a number of gawking neighbors enter the house to take pictures with Sammy, he and Archie begin talking about his career. Archie makes comments about Sammy’s race and religion, and gets upset when Edith and his daughter tell Sammy some of the things he has said about black people. Sammy makes clever, sarcastic remarks
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back at Archie’s racist statements, which, while they are witty, show just how prejudiced and entitled Archie is. When Sammy jokes about having a kissing clause in his contract requiring him to kiss white women, Archie says, “Now no prejudice intended, but I always check with the bible on these here things,” (20:43). Sammy continues to make witty remarks back to Archie, most of which go over his head, as he doesn’t think he is racist or xenophobic, but it becomes increasingly clear to the audience. The final moment of relationship work between the two comes at the very end of the episode, when Archie’s friend, Bert, shows up with the briefcase that Sammy was waiting for throughout the episode. Bert asks to get a picture of Sammy, and Sammy asks that Bert take a picture of him and Archie. Right as the flash goes off, Sammy kisses Archie on the cheek, almost as a final way to refute Archie’s statements. Sammy even sends Archie the picture and writes, “To Archie Bunker, the whitest guy I know,” (24:58). Sammy’s intersectional identity, which essentially is the same as Archie’s with the only difference being that he is black, also helps to define his gendered voice.
In one sense, he spoke and carried himself according to the two-culture approach as Archie did. This masculine style of speech was evident in his tone of voice, his assertiveness and directness, and through his sarcastic remarks. However, he seemed to follow the critical ethnographic approach in some ways. In comparison to Archie and Mike (Archie’s son-in-law), Sammy was much more polite, reserved, and spoke with better grammar. Characteristics like these are typically attributes of a feminine style of speech, but Sammy resists them to some
extent. With the exception of some of Sammy’s speech, the majority of the conversation work done throughout the episode closely follows the two-culture approach. As defined by Palczewski, “...communication problems between women and men are similar to problems that arise when persons from different language groups attempt to communicate. The two groups have different cultural goals and rules for conversation, which lead to communication problems,” (64). This approach is heteronormative and reinforces the gender binary, assuming that people will only speak either as masculine or feminine, and that speakers are all cisgender. The speech between the men and women in this episode, specifically Archie and Edith, seemed to have some disconnect. Archie kept getting upset with silly remarks Edith was making, All in the Family reinforces the idea that gender as power is apolitical and that power imbalances are only natural. It seems to be expected that Archie has the power over the household and that Edith should comply without question. From this chapter on gendered/sexed voices, I learned how gender can be communicated through literal communication, but that people don’t have the ability to fully develop their identity. Instead, a person’s identity is partially constructed and influenced as a result of how other people interpret conversations.
Sammy is a product of his generation. In the 1960s the social climate was changing. The new ideas of the youth were taking over the traditions of their parents. Music and the drug culture began to change the perspective as more people were listening to rock and roll music and experimenting with mind-altering drugs in an effort to free themselves from the strict societal demands of the 1950s. Sammy demonstrates this as he describes his work uniform - the bow tie and apron. This can also be observed when Sammy's manager, Le...
Updike chose to have Sammy speak with colloquial language. By having Sammy speak in this manner it expresses to the reader his age and allow them to connect with him. For example in the beginning of the story Sammy describes one of the girls, “There was this chunky one, with the two-piece -- it was bright green and the seams on the bra were still sharp…” Sammy’s description of the girl as “chunky” reveals his age to the reader and how much he progresses later on in the story. Furthermore, Sammy’s informal speech provides the reader with the understanding that he is an average teenager, thus,
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
When the people laugh at these kids, they are exemplifying an implicit social view of the African Americans: it’s one of contemptuous amusement for the people on the bus. James plays into this negative view of African Americans by pretending to hit her and having the people laugh at them again when the girl ducks down beside her mother (232). This exchange shows how conscious James is of what White people think of him, e.g., “ I look toward the front where all the white people
During the progression of A&P, Sammy's words and action reflect his growth from an immature teenager to a person who takes a stand for what he believes is wrong.
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
Now that Sammy has chosen to become a juvenile delinquent, he realizes "how hard the world was going to be" for him in the future. He has left a life of safety and direction for one of the complete opposite, and he must be willing to accept the responsibilities of his actions, no matter the consequences.
As the student begins his essay, he points out that Sammy is part of the lower class structure. He is an “eighteen-year-old boy who is working as a checkout clerk in an A&P in a small New England town five miles from the beach” (2191). While working an afternoon shift on Thursday, he notices “these girls in nothing but bathing suits” (2191) enter the store. It is in this scene that the student begins to identify the differences between the group of girls and Sammy.
Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
Sammy observes their movements and gestures, up until the time of checkout. At which point, they are confronted by the store manager and chastised for their unacceptable appearance. He believes their attire is indecent. Sammy, feeling that the managerial display was unnecessary and unduly embarrassing for the girls, decides to quit his position as checker. Though he knows that his decision may be hasty, he knows that he has to follow through and he can never go back.
Sammy worked a typical boring job and what seemed to be in a typical small town. The only person in the store he really related to was Stokesie, which is the foil to Sammy, because Stokesie is married, has kids and eventually wanted to be manger one day. Something Sammy did not want to stick around and see. The customers in the store were all pretty much the same, in which Sammy did not show much emotion towards except he referred to them as “the sheep pushing their carts down the aisle” (Updike 261). It is easy to tell Sammy did not like his job, but it also seemed he had no other option, as if he was stuck in his small town and there was no way out. Then out of the blue he saw three girls wearing only their bathing suites walk in the store. Sammy noticed something different about them, like they were liberated from the conservative values of those times; they were part of a new generation. Especially Queenie, he referred to...
He doesn't think maturely and he has a teenager's mind. Sammy is selfish because he only cares about what he thinks. However, he disagrees with his boss, and Sammy ends up quitting his job which was not very smart. Sammy upholds the three girls and their negative actions. In addition, Sammy does not even get any of the girls.
While there are many similarities the two Characters Tom and Sammy have some few contrasts between themselves. First off, Sammy is more of a sarcastically critical person. As he shows as he describes the shoppers one by one as they are in they enter and shop in the store. Such as when he calls an old woman “A Cash Register Watcher.
Sammy’s decision in the end to break away from the conformity that is in the A&P to establish himself is a raw truthful decision. He has chosen to follow his heart which Updike shows is what every person should do. This story is great for readers of all ages, because Sammy could be any person in modern contemporary society who is struggling to find themselves in a world dominated by conformity, rules, and standards of norms. Updike’s story is a powerful message to seek individualism. Although sometimes the road to self-identity is not known the journey getting there is worth all the while.
Sammy in “A & P” and Junor in “Fiesta 1980” both have authority figures that they are constantly having issues listening to. Both boys struggle internally to decide what they should do in their difficult situations. Sammy struggles with