Sally Bowles In The Cabaret

When Answering the question whether Sally Bowles fails as a femme fatale and becomes a striking figure of a woman of the 1970s feminist, this concurs a question that we must intern first, who is Sally Bowles?

Sally Bowles shows an exorbitance of the once known the place of the Cabaret, where people would perform extreme acts. Sally deems herself to the holiness of living alone, bantering, being in control with herself and being a strong alcoholic. When sleeping with others, only to never marry as she hopes to live alone without children, and become a woman fully focused on her career as a future actress. Sleeping with men comes together as a point for only love and fantasies, but was that only showed to be an internal thought, and words that Sally showed to herself and the people around her. When did Sally ever show herself to obtain these actions in the film? When did she follow other woman, how can be explained

to this, when her only friend is a jewish woman who seeks justice of love for a man that is a Giglio? Would these characteristics show Sally and her friend, to be strong characteristics of a uprising feminist for the 1970s? Sally’s truth always showed a clear point of view of character throughout this film, to help us depict whether her choices would deem herself worthy of being a femme fatale, seductress? Or an uprising 1970s woman, feminist?

Once through with both her lovers, Brain and Max.

Sally seems to be at ease within herself, as to with her career in the Cabaret. Until she is found to be pregnant, without an anecdote to find whether or not who is father she decides to give up her baby, for her career in the Cabaret. Once telling Brain, this shows to touch Sally, never seeming to ever wanting the baby until Brain is interested in starting a family with her. This deludes her sightings, until things become sour in one scene at a picnic between Brain not showing enough attention to her. She beams at the chance to be a free woman, and decides to go through with her abortion which was her original idea. This concludes her life with Brian, and the choice to be run again by the MC. This does not show her to be a feminist, although great aspects show this be like the 1970’s, Sally invokes her ideas through an impulse of being a child, and this beams to be the circle point of why she chose to abort her child, it is as equivalent to not getting enough attention for choosing to keeping her

child.

When met by philanthropist, Max. Sally decides a life of passion and love not only money, but when her career as an artist fails.
Sally turns to the sight of living off of a man, to reignite the idea of her once having an actors lifestyle. Seeing as though Brain would never produce the attributes for her, Max becomes a perfect candidate. She hopes to control Max in a way where she will hope to marry him, and become his ‘Baroness’. Though still hoping to keep Brain on the side whilst doing so, things become steep when the audience finds themselves to be stuck between a love triangle between lovers, Brain, Max and Sally. Though Sally hopes to woo one another, but is stuck between a love triangle only both men can see. The men find hope of being together within an affair, but Sally hopes to be Max’s true love and offside Brains friendship with Max hoping for him to only be a second thought. Once found to be jilted by her true lover, Max, and to be fooled by Brain as he was Max’s lover as well. Sally leaves heartbroken, but her true heart remains jilted by one man most which is Max’s actions.

The question was whether or not Sally shows any true deeming qualities that show a 1970s woman from the feminist point of view, as does others for a 1930s seductress femme fatale. But in hindsight we only see inklings of both that perhaps just paraphrase accidentally into characters of those, as Sally’s true identity is only selfish child with no deeming qualities except hope to marrying rich or becoming the most star of any star written to be as a female actress in the 1930s. Thought we hope these true attributes are struggles form a woman stuck between war, men riddling woman to be home bed life, it can truly be concerned that Sally is only weak memories from a time that is wished to be must forgotten.