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Women's role in literature
Women's role in literature
The portrayal of female characters in Shakespeare's plays
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In Henrik Ibsen's play, A Doll’s House, he delves into the obstacles of the social indifference appointed to women in a male-oriented society. During a time where a wife named Nora Helmer was to raise children and keep the house tidy, not understand things such as money or business. So when she secretly forges her father’s signature to borrow a large sum of money from the seemingly villainous man named Nils Krogstad she is no longer a “featherhead” or a “doll”, as her husband Torvald refers to her as. She becomes daring and tenacious and values love over the law. And then with the arrival of her friend Kristine Linde, who implies that Nora will have a harsh future when she finally realizes her marriage is based on deception. Kristine had married for financial security instead of her beloved Nils, yet in the end they are reunited as equals. Unlike the marriage Nora and Torvald have, allowing Nora to learn that she will never be happy unless she leaves her marriage and that she was merely a mold of someone her husband wanted her to be.
Without a doubt, Ibsen’s play reveals self-determination in many of the characters. In the following paragraphs self-determination is revealed in Mrs. Linde and Krogstad. Mrs. Linde had denied her opportunity for true love and self-determination by marrying for financial security, Krogstad wants a fresh start to regain good standing in his community, and both benefit from their self-determination by being reunited together.
At first, Krogstad plays the antagonist by blackmailing Nora in order to keep his job at the bank. Yet Nora’s husband fires him and Krogstad gets pushed further as he threatens Nora, “Inside of a year I’ll be the manager’s right-hand man. It’ll be Nils Krogstad, no...
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... shipwrecked man clinging to a bit of wreckage,” Mrs. Linde: “Two people on the same piece of wreckage would stand a better chance than each on their own”(Literature for Life 1184-1185).
In the end, not only was the play A Doll’s House by Henrik Ibsen about a seemingly normal housewife who becomes disillusioned and dissatisfied with her condescending husband, but was also about self-determination of the characters Krogstad and Mrs. Linde. Through their determination they were once again able to find happiness and faith in their life and in themselves. Mrs. Linde had a second chance for true love, Krogstad was able to make a fresh start in his life, and they both have each other for their new journey ahead.
Works Cited
Ibsen, Henrik . “A Doll’s House.” Literature for Life. Ed. X. J. Kennedy, Dana Gioia, and
Nina Revoyr. New York: Pearson. 2013. 1146. Print.
Ibsen, Henrik. "A Doll House." The Bedford Introduction to Literature: Reading, Thinking, and Writing. By Michael Meyer. 9th ed. Boston: Bedford of St. Martin's, 2011. 1709-757. Print.
Ibsen, Henrik. A Doll's House. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 916-966.
Ibsen, Henrik. A Doll's House. Literature and Ourselves. 2nd Ed. Ed. by Gloria Henderson, Bill Day, and Sandra Waller. New York: Longman, 1997
Ibsen, Henrik. A Doll House. The Bedford Introduction to Drama. Ed. Lee A. Jacobus. Boston: Bedford/ST. Martin’s, 2001. 659 – 688.
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
Through their everyday conversation, Nora and Torvald reveal that they have a relationship full of meaningless talk and games. “Is that my little squirrel bustling about?” (2), Torvald questions Nora. “Yes!” (2) She answers, running up to Torvald like a puppy. Because of her whimsical attitude, Torvald had assumed that Nora was always happy and carefree, so what reason would there be for meaningful conversation? Their relationship consisted of nothing truly real. Everything was fun and games and for show. Torvald scolded Nora like he would a child, “Hasn’t Mrs. Sweet Tooth been breaking rules today in town…” (4). Then, Nora would respond as a young child would facing punishment, “I should not think of going against your wishes” (4). This type of communications cannot be healthy in any relationship, and greatly hindered the relationship between the two.
Ibsen, Henrik. The Project Gutenberg EBook of a Doll's House. [EBook #2542]. The Project Gutenberg, 13 Dec. 2008. Web. 14 Mar. 2011. .
...ing of what he may have once declared to be truth. Ibsen uses Rank to make these truths about Nora and Torvald's personalities evident to the reader.
and the transition of control between characters Ibsen is able to create a commentary on the rights and values of a society devoid of many gender equality that are present today. The change in Nora. from being under the power of Krogstad and Helmer to eventually. leaving the house and the children was a ground breaking power shift. to portray in the social setting of late 1880’s
Ibsen, Henrik. A Doll House. Lives Through Literature: A Thematic Anthology. Ed. Helane Levine Keating et al. 2nd ed. New Jersey: Prentice Hall, 1995. 782-838.
and do things themselves. One of the women gets her own job and the other leaves her daughter for adoption. Thus showing they are making their own decisions in life. This is unheard of in the 1800's and shows Ibsen trying to have a society in which women do have an identity in society and can be heard. Throughout the play, a women is shown doing her own thinking and not listening to what men have to say even though that is not how it used to be. Ibsen creates this new society in which anyone, no matter the gender, should be able to make their own decisions about life and how to live it.
Nora’s life begins to fall apart with the arrival of Krogstad as Nora becomes fearful of him. The life Nora had now begins to slowly change as more people are added to the mix of visitors during the Christmas holid...
...ld does not leave the reader guessing or take away from the responsibility of parenthood. There are large differences among Ibsen's ending and the one presented, but both allow the play to hold on to that dramatic realism. This honesty when exemplifying the circumstances of women in history has made, A Doll's House, vital to study. If any official changes are made, it is most important to keep the main theme illuminated. The influential message that Ibsen has made clear is the value of self exploration for all beings and that principle should never be touched.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
Ibsen, Henrik. A Doll's House. In Four Major Plays. Trans. James McFarlane and Jens Arup. Oxford: Oxford University Press, 1981.