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Interpretation in hamlet
Interpretation in hamlet
"hamlet" rosencrantz and guildenstern character analysis essay
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Rosencrantz and Guildenstern as the Fools of Hamlet
In William Shakespeare's Hamlet, Prince Hamlet replaces the letter that Rosencrantz and Guildenstern are carrying to England with a forgery of his own making, thus sending these two men to their deaths. He does this without giving it a second thought and never suffers from any guilt or remorse for his actions. Considering that these two men were friends from his youth, this would at first glance seem to reflect poorly on his character. However, one must consider carefully the characters of Rosencrantz and Guildenstern before passing judgment on Hamlet.
Rosencrantz and Guildenstern are sent for by the King and Queen to spy on Hamlet and learn why he "puts on this confusion" (III, i.2). While some are fooled by Hamlet's act of insanity, the king is not. He is convinced that it is an act and, being a sly man himself, he suspects that Hamlet is up to something. Having obtained the throne through deceit and murder, he believes Hamlet capable of the same. While King Claudius is evil, he is not a fool and he would never have sent for Rosencrantz and Guildenstern if they were such close friends of Hamlet. They are even told outright that they will be rewarded for their efforts (II, ii. 21-6).
The very fact that they undertake this task for the king is proof enough of their lack of love and loyalty toward Hamlet. Despite their actions, Prince Hamlet gives them ample opportunity to show their loyalty by admitting that they were sent for and why. By showing so much reluctance, they show themselves to be allied with the king. Hamlet asks them to "be even and direct with me, whether you were sent for or no." But after this direct question, Rosencrantz s...
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...let's warning. Either way, they are indeed fools and they die a fool's death in the end. They carry in the form of a letter, the king's command to have Hamlet beheaded upon his arrival in England. Hamlet switches the letter with a forgery and seals it with a likeness of the king's seal. The new letter orders the deaths of Rosencrantz and Guildenstern, thus they handcarry their own death sentences to their executioners. A poetic justice is served to these unfaithful "friends."
Works Cited
Frye, Northrop. 1991. Northrop Frye on Shakespeare London: MacMillan.
Girard, A Theater of Envy: William Shakespeare New York: Oxford University Press, 1991
Shakespeare, William. The Tradegy of Hamlet Prince of Denmark. New York: Washington Square Press, 1992
Watts, Cedric. Hamlet Twayne New Critical Introduction to Shakespeare; Boston: Twayne, 1988.
Within their very first appearances in the play, Rosencrantz and Guildenstern leave a memorable imprint upon the readers’ mind. They are rather blurred characters, with seemingly little personality and relatively little distinction between them. They are also “very isolated and self-serving figure[s]” (Friendship-Introduction). They finish one another’s sentences and even when being spoken to by Gertrude and Claudius, they are referred to almost as one person (Ham. 2. 2. 35-36). The reason for this is because they are not meant to represent an actual character, or in this case, a set of characters. They are meant as a symbol, a metaphor for the betrayal and dishonesty that occurs throughout the play. We see this instantly, as we find in their very first appearance that their sole purpose of coming to Denmark was to spy on their friend (Ham 2.2.10-18). Although Hamlet views them initially as old friends, the reader is able to view them as a distant and fake, portrayed together to lend to the concept that they are an idea rather than individual characters or merely the comic relief in the play.
Of the four young men who occupy a place in the life of Hamlet, Rosencrantz and Guildenstern appear, at least initially, to be his closest friends. They are schoolmates at Wittenburg, and Hamlet greets them both amicably, remarking, " My excellent good friends! How dost thou,....." Queen Gertrude affirms the status of their relationship when she says, "And sure I am two men there is not living to whom he more adheres." Rosencrantz and Guildenstern are unaware, however, of the real story behind the death of Hamlet’s Father. They do not have the benefit of seeing his ghost, as Hamlet has. Rosencrantz and Guildenstern are very loyal to the new King. Unlike Hamlet, they initially have no reason not to trust Claudius. But they become unwitting and unknowing pawns for both factions. Their relationship with Hamlet begins to sour. Hamlet realizes what the King is up to, and he becomes distrustful of the two. "’Sblood, do you think I am easier to be played on than a pipe?...
Rosencrantz and Guildenstern, false friends of Hamlet who succumb to Claudius' corruptness, serve as a distinct contrast to the loyal friendship that Horatio shares with Hamlet. Voltimand is used to contrast Polonius' often comic verbosity. While Polonius dresses up all his speeches with the language of the court, Voltimand is able to give his entire report on Fortinbras in a matter of seconds. The most powerful foil in the play is between Laertes and Hamlet. Upon hearing of the death of his father, Laertes becomes enraged, and seeks immediate vengeance; he does not delay, and acts instantaneously.
"Life after death: Helping former child soldiers become whole again." Haravrd School of Public Health. Harvard School of Public Health, 6 Oct 2011. Web. 22 Nov 2013. .
Young, K. (n.d.). Pros: Standardized Testing. Michigan State University. Est. 1855. East Lansing, Michigan USA. Retrieved December 2, 2010, from https://www.msu.edu/~youngka7/pros.html
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According to Machiavelli, the pursuit of all things regarded as virtuous and praiseworthy will only lead to the prince's ruin. This is completely true in the case of Hamlet, because he is on a quest to avenge his father's death. The battle between good and evil is constantly in the forefront of Hamlet's mind, as he wavers between acting civil or getting revenge outright. In the beginning, Hamlet struggles to remain good at all times, but this causes him extreme anguish. Hamlet is an honest man, who grieves for his father. He suffers because of the dishonesty of the others in the court, especially his mother and his uncle, and later, Rosencrantz and Guildenstern. Hamlet is able to see through them all, and realize that they're dishonest. He speaks these words to Guildenstern: "Anything but to th' purpose. You were sent for, and there is a kind of confession in your looks, which your modesties have not craft enough to colour. I know the good King and Queen have sent for you." (Hamlet, II, ii., 278-280)
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Rosencrantz and Guildenstern are Dead (R and G…) by Tom Stoppard is a transformation of Shakespeare’s Hamlet that has been greatly influenced due to an external contextual shift. The sixteenth century Elizabethan historical and social context, accentuating a time of questioning had specific values which are transformed and altered in Stoppard’s Existential, post two-world wars twentieth century historical and social context. The processes of transformation that are evident allow the shifts in ideas, values and external contexts to be clearly depicted. This demonstrates the significance of the transformation allowing new interpretations and ideas about reality as opposed to appearance, death and the afterlife and life’s purpose to be displayed, enabling further insight and understanding of both texts. Shakespeare’s Hamlet was written in the sixteenth century Elizabethan historical context, where certainty was questioned and there was a growing importance of individuals and their choice as opposed to fate.
Hamlet does not have much time to mull over his choices, for time is not on Hamlet's side. The king has his own plans to be rid of Hamlet. He sends Hamlet with Rosencrantz and Guildenstern to England for “My head (to) be struck off”(V.ii.27). Hamlet revises the sentencing papers, fully aware that Rosencrantz and Guildenstern would be executed instead.
Hamlet was one of two inspirations for Rosencrantz and Guildenstern Are Dead. I believe the play Hamlet was a little absurd, especially in the extreme role vengeance played, and how almost every character died in the end. Nothing was really accomplished in the play Hamlet, except how Fortinbras reclaimed his land.
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