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National Identity and its Elements
The basic elements of national identity
Examples of satire in the simpsons
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Bethel through her engagement of tones that are satirical, sarcastic and pensive makes an effective argument as to the fluidity of the Bahamian national identity. Whenever Bethel describes people thinking that “one” thing describes the national identity she always uses a sarcastic tone referring to that viewpoint as “absurd”, “extol” or puts air quotes around worlds like “authentically Bahamian.” However, when she describes her viewpoint she has a pensive tone with use of inclusive language like ‘we’ or ‘our.” Two examples of this is when she says “we know not one identity but among them, landing now here, now there, as it suits us” and “we prefer to emphasis flux over fixity, change over stagnation.” Bethel is very sarcastic in her tone when describing Fox Hill she says that it is the “immutable symbol of Bahamianness,” and “the quintessence of our national spirit” and “like the statues in the square in the square or the straw market or the flag, a symbol whose meaning melts when you look at too long?” She is almost mocking Fox Hill because it is what many describe as the “ideal Bahamian identity.” Through the tone of satire she dispenses of this truth by continually showing that Fox Hill’s history is malleable and fluid always changing. Bethel builds the readers up to feel that we have found the marker of national identity but dispenses of this marker by showing that “travel is untethered, collective life is recognized to be made up of many different routes Identity can freely be regarded as a garden planted with trees, but as a sea spotted with islands, and one’s own reality as a series of migrations among them.”
Bethel employs a variety of strategies in advancing her argument. The three that were most effect were her use o...
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...she refutes this with strong counterarguments about the changes that has happened to Fox Hill; thus the need to view the village not as the marker of Bahamian identity but as this malleable, fluid source of “Bahamianness” that is free from stagnation. When Bethel discusses the Pierce Lewis Theory of Monuments she introduces this argument of monuments amping the reader to think that the marker of the ideal Bahamian national identity is in Rawson's Square. However, after Bethel attributes the un-relatable nature of this argument to the Bahamian context any hopes of monuments being the cornerstone of national identity was washed away. This style of writing is very effective because what it does is introduce what the reader may be thinking and then logically proves why this viewpoint is wrong. As a result, allowing the reader to see that only her viewpoint makes sense.
...n the author diminishing the strong persuasiveness afforded by the logos and ethos in his argument because of his excess of pathos and tone, which is perceived as condescending.
In a lively account filled that is with personal accounts and the voices of people that were in the past left out of the historical armament, Ronald Takaki proffers us a new perspective of America’s envisioned past. Mr. Takaki confronts and disputes the Anglo-centric historical point of view. This dispute and confrontation is started in the within the seventeenth-century arrival of the colonists from England as witnessed by the Powhatan Indians of Virginia and the Wamapanoag Indians from the Massachusetts area. From there, Mr. Takaki turns our attention to several different cultures and how they had been affected by North America. The English colonists had brought the African people with force to the Atlantic coasts of America. The Irish women that sought to facilitate their need to work in factory settings and maids for our towns. The Chinese who migrated with ideas of a golden mountain and the Japanese who came and labored in the cane fields of Hawaii and on the farms of California. The Jewish people that fled from shtetls of Russia and created new urban communities here. The Latinos who crossed the border had come in search of the mythic and fabulous life El Norte.
Alexie’s contrasting style is used to help support his thesis that America is a contradiction. Sherman uses events and people to show the contradiction in our history. “How did we get from there to here? This country somehow gave life to Maria Tallchief and Ted Bundy, to Geronimo and Joe McCarthy… to the Declaration of Independence and Executive Order No. 1066…” and forces readers to understand the contradictory state of the union, and the entire world. The forced analysis put forth in “What Sacagawea Means to Me” pushes the readers of TIME to digest his complex thought, and to enrich themselves in a history different than the one found in their high school
It is rare to find a book that is as informative as a textbook but reads as easy as a short story. But Keith H. Basso is successful in creating an interesting ethnography about the Western Apache culture by using two usually overlooked topics, geography and oral history. Geography and the location of places is usually forgotten or seen as just topography, but Basso proves that geography is more than a location. It is the forgotten history of the name of a place that makes the locality more important than it seems. While whitemen (a term frequented by the Apache to describe White European culture) has constantly renamed places for convenience and prove of colonization, Basso overturns this ignorant and offensive practice and attempts to understand and map the geography of Western Apache by using the original place-names. Therefore this paper will be an attempt to explore the "sense [sic] of place as a partake of cultures, of shared bodies of 'local knowledge' with which whole communities render their places meaningful and endow them with social importance" (Basso 1996:xiv). And from Basso's detailed accounts of interacting with the natives of Western Apache, I will also attempt to demonstrate the importance of spoken (oral) language in relating and learning about ancestral history.
Through the use of his words, Douglas is not only able to make the audience hear his argument but visualize it as well. Douglas’ uses a lot of imagery, metaphors and symbols to help better understand his speech. Through the use of imagery, Douglass shows the struggle for freedom with the founding fathers and the condition of the slave in America at the time he’s the speech. He paints a picture for his audience about how the founding fathers wanted to set themselves free from a tyrant king and how they accomplished their goal. He also uses many metaphors through out his speech. One being the most effective one, “For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, and the earthquake” (69). By saying this Douglas is trying to say that only talking is not going to do anything but something stronger to let them know that it’s going to take much more than that to end slavery once and for all. This piece compares to Rogin’s writing style but Rogin uses imagery and metaphors as well. In the beginning of the text he quotes William Carlos Williams who says, “History begins for us with murder and enslavement, not with discovery” (26) which already allows the readers to picture in their mind the kind of brutality he is speaking of. The imagery that comes to mind is the cruelty towards the Native Americans on their
Crusius, Timothy W., and Carolyn E. Channell. The Aims of Argument: A Text and Reader. Boston: McGraw-Hill, 2003. Print.
Although both authors have very good rhetorical skills, and their claims are supported with evidences and the sources of information, Peggy McIntosh is more successful than Selwyn Duke, because she used the historical and cultural facts, ...
Smith suggests that Anne Hutchinson rally for change clashes with an intolerant leadership promoting rigid adherence to authority. In New England, Hutchinson was from an elite neighborhood. She had expertise in healing and childbirth. As such, she was an important resource among the female population and afforded her some degree of power. Hutchinson migrated to the new world. Her story is about the intolerance of women.
...xtent will this essay bring about a change in Antigua? The Antiguan scene can only be modified by the government choosing to run the country in a more manner that will benefit everyone associated with Antigua, especially its natives. The native’s behaviours are related to their jealousy of tourists, and of the tourist’s ability to escape their own hometown to take a vacation. While a tourist can relate to the idea that the exhaustion felt after a vacation comes from dealing with the invisible animosity in the air between the natives and themselves, having this knowledge is almost as good as not having it, because there is nothing that the tourist, or the reader, can really DO about it! If Kincaid’s purpose is solely to make tourists aware of their actions, she has succeeded. If Kincaid’s purpose is to help Antigua, she may not have succeeded to the same magnitude.
Daniel Murphree, “Perpetuating a Mythical Paradise: Transnational Visions of the Colonial Floridas,” Terrae Incognitae 37 (Jan. 2005): 41-52.
Native American literature from the Southeastern United States is deeply rooted in the oral traditions of the various tribes that have historically called that region home. While the tribes most integrally associated with the Southeastern U.S. in the American popular mind--the FIVE CIVILIZED TRIBES (Cherokee, Chickasaw, Choctaw, Creek, and Seminole)--were forcibly relocated to Indian Territory (present-day Oklahoma) from their ancestral territories in the American South, descendents of those tribes have created compelling literary works that have kept alive their tribal identities and histories by incorporating traditional themes and narrative elements. While reflecting profound awareness of the value of the Native American past, these literary works have also revealed knowing perspectives on the meaning of the modern world in the lives of contemporary Native Americans.
Looking back on the years leading up to Florida statehood it is tempting to believe that the outcome was inevitable and to ignore the disagreements that occurred at the time. This view was shared by planters who imagined those years as stable and lacking any significant changes or crises. Documents written at the time along with books such as Creating an Old South contradict this view and reveal a number of divisive issues including geographic divisions and disagreement over the ultimate fate of Indians that reveal that the idea of an unchanging South was just an illusion with no basis in reality.
The house in the story is still standing, but is surrounded by industrialization is a symbol for the loss of tradition in the South. The house which was built during the cotton boom was on the most selected streets of its time. The house has seen the grand times to the loss of tradition with the battle of Jefferson and now is the grave for tradition.
“For my part, by introducing some reasoning into my speech, I wish to free the accused of blame and, having reproved her detractors as prevaricators and proved the truth, to free her from their ignorance”.(Sprague 50).
cultural identity. We can see literal family separation in Jamaica Kincaid's “Annie John,” through both