The definitions of good and being are similar because these two words define the best in people’s character.The three poets: Sonia Sanchez, The Roots and ee cummings prove throughout their poem that there is more than one meaning of being. Each of the poets defines “being” as a good thing because it defines a person’s worth. Sonia Sanchez, The Roots and ee cummings made it clear throughout their poems that there could be more than one meaning to these words by giving us different definitions. Being and Unbeing doesn’t have a certain definition because it’s based on the person's value. A person’s character and perspectives are not similar to others which is why these words have more than one meaning. Each poet may have a different definition of being, but they all have on definition in common for “being” be yourself. …show more content…
Throughout, his poems he gives us two different definitions. There might have been more than two meanings of being, but these two were the ones that stood out the most to me. As a person you have a choice to be yourself around others, or to be someone you’re not. Accepting who you are and being yourself makes you a better poet, according to Cummings. His idea of “being” is to accept who you are because you are the only person who can accept of who you are no one else. “Nobody else can be alive for you; nor can you be alive for anybody else” (19). Throughout Cummings poems he believes that “being” is harder than “unbeing” because there may be people out there that won’t accept of who you
In chapter one of “Bad boy” “Roots”, Walter Dean Myers explains his background. In “Roots” Walter Dean Myers, explains where he came from and about his family. He comes from a semi large family, a total of 6 siblings. His birth mother, Mary Dolly Green, died shortly after the birth of her last child, Imogene. After she passed George Myers, Walters father, was left with seven children, two of which came from a previous marriage. The two kids were both girls Geraldine and Viola. When Walter thinks of his mother he thinks of George’s first wife, Florence Dean, stated on page 3. Later in the chapter 5 it talks about the marriage of Walter’s father and Florence, ending in a divorce.
Who exactly is a good person and what about them makes them a good person? In David Foster Wallace’s Good People, the question of what a good person is brought up. Lane and Sherri are Christian college kids who attend the same junior college. Sherri got pregnant before marriage and decides to keep the baby, and while Lane decides to stay supportive he has lost feeling of love for his girlfriend. Two different definitions are brought up, the question is which one is the true meaning of a good person? A good person is either a person who does good deeds but doesn’t truly mean them from the inside or a person who is down to earth from the heart but may not always do good deeds.
The poem “anyone lived in a pretty how town” by E.E. Cummings talks about the cycle of life and the importance of structure, symbolism, and language of the poem. For instance, the poem has nine stanzas, which has a rhyming pattern of AABC. The rhythm of the poem is significant for it supports one of themes, the cycle of life. Cumming uses season to explain the poem's progress. “spring summer autumn winter” (3) and “sun moon stars rain” (8) symbolizes time passing, which represents life passing. In the poem, as the seasons and skies rotate, life continues along with them. In addition, the uses of the words “snow” (22), “buried” (27), “was by was” (28), and “day by day” (29) leading to death. Towards the end of the poem, the depression of death was mention, but Cumming was just stating the n...
Baldwin was a well-defined writer. “In his essays, he constantly depicted and expanded upon personal experiences” (Magill 104). Baldwin's ability to write with such passion and drama is what makes him truly gifted. “In his fiction he drew on autobiographical events, issues, and characters, building dramatic situations that closely reflected his intimate experience of the world” (Magill 104). Baldwin’s talent of choosing words carefully and connecting images with emotions helped him achieve maximum effect in his work (Magill 104).
E. Cummings creates a critical and intolerant tone. He uses his work to criticize “most people” and how they blindly follow others. Cummings intolerance arises from others critical opinion of not normal people, whom the townspeople of the writing do not acknowledge. The uniqueness of both the main characters in the writing and Cummings is shown by the distinctiveness, inconsistency, and incorrectness of the writing. This tone directly relates to the theme and how anyone and noone are compassionate, caring people who actually recognize the value of life ,but are surrounded by townspeople who just stumble through life without a care or emotion. Cummings uses the seasons, bells, his unique composition and the repetition of “Women and men” and “anyone” to create and emphasize the unfortunate cycle of life. The use of the seasons in lines three,eleven, and thirty-four emphasise the passing of time and the unchanging ways of the townspeople. “Women and men”, in lines five and thirty-three,are used to remind us of Cummings definition of “most people” and how people tend to blend in and follow. The bells in lines two and twenty-four are used to indicate a change in the character 's, the first bell is before love and the second bell is rang before death.These significant life transitions show how love and death are final. life The character “anyone” introduces a person, unlike any others in the town, between him and his
Not so much in, "In Just-" but Cummings took his father's pastoral background and used it to preach in many of his other poems. In "you shall above all things be glad and young," Cummings preaches to the reader in verse telling them to love with naivete and innocence, rather than listen to the world and depend on their mind.
The first poetic device the speaker uses to convey his or her meaning in this poem is the unorthodox grammar and sentence structure. The poem starts with the lines “anyone lived in a pretty how town / (with up so floating many bells down)” (1 – 2). In this case, this improper grammar reinforces the point that is the story of “anyone” (1). As such, the “how town” (1) represents the fact that the name of the town does not need to be specified, as this happens to everyone in every town. The speaker therefore alludes that the events of this poem are natural and they happen to anyone anywhere. E.E. Cummings deliberately uses “anyone” (1) and “no one” (12) as pronouns with ambiguous antecedents to generalize the poem’s meaning to society and all people in it. In this way, the speaker uses these thoughts as social commentary.
During E. E. Cummings ' life, he made many arguments in favor of individualism and condemned conformity. During a speech at Harvard, he once stated, "So far as I am concerned, poetry and every other art was, is, and forever will be strictly and distinctly a question of individuality" ("E. E. Cummings"). His unique writing style is also a testament to how he valued individuality and creativity—how his poetic style was drastically different from most of the poetry that had been written before him.
Although the imagery in each poem is distinct, the similarity of message in both poems is evident. The poems are similar in that the narrator’s lives are empty and contain no passion for pursuing anything. The ideas reflected in these poems are seen even today, in such things as listless living and job-related apathy. Both poems suggest that a life where dreams of meaningless things are pursued will end without purpose or significance.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
The ideas of freedom and good are closely related. Freedom is the idea of being free or at peace instead of being trapped or unable to live as you choose. Good is something that is right or proper. Without the concept of good, there would not be freedom, a fundamental, universal right.
One of the aims of Being and Nothingness is to describe consciousness, or human subjectivity. Sartre distinguishes two different modes of consciousness in order to accurately describe human subjectivity. These two modes are being-for-itself and being-for-others. Being-for-itself refers to a transcendent conscious being (Oaklander, 238). Transcendence is the antithesis of facticity. I will describe facticity first, in order to make the concept of transcendence more tractable. Facticity denotes the concrete details of the subject’s being including past decisions, plac...
God-like or what God wants. The same problem applies to many other words within the English language, however is best illustrated by the word ‘good’. The problem which occurs with words having many different meanings within differing contexts is that it leads to possible differences of interpretation. There is possible room for difference in interpretation within the different usages of words such as ‘good’ because words used in the definitions can be seen to mean different things. An example of this is, as I have stated above, good can mean; an inherent quality which is widely beneficial, within this definition ‘widely’ can mean anything from often in the life of one, or universal to every being.
Whereas, Hughes depicts a speaker that struggles with personal identity issues because he hasn’t developed a sense of self-perception and, as a result, lacks the capability to define himself as a person. The character of Dave in Wright’s story struggles with the concept of personal identity because he wants to alter the way others perceive him by going on a quest to prove his manliness and earn the right to be respected. However, Dave’s attempt to alter their perceptions of him ultimately destroys their impressions of him since he failed to own up to his actions like a real man would in order to gain the respect that he sought. The speaker of Hughes’ poem struggles with the concept of personal identity because he lacks the capability to define himself since he hasn’t had the opportunity to reflect and discover his inner self in order to gain a sense of self-perception. Most of the time personal identity issues occur in real life but they also take place in works of literature as well since these stories portray characters or speakers in different scenarios that struggle with the concept of personal identity. There are numerous reasons of how these two stories portray characters or speakers that struggle with the concept of personal identity but this is only one example of the ways they
The Third Life of Grange Copeland is a novel by Alice Walker about a black sharecropper’s life in rural Georgia. Grange’s life begins his married life with Margaret as an optimistic sharecropper. By the time Brownfield is born, however, the white landowner's exploitation of Grange's labor, resulting in irreversible indebtedness, and spawned hopeless frustration. Therefore, Grange's rage is misdirected to his wife and son. On the other hand, Brownfield determines not to work for the same white man who controlled his father. Even as he tries to break from Grange's behavior patter, he unknowingly becomes involved with Josie. Though, when Brownfield falls in love with and marries Mem, the same cycle begins again. I argue that as life constantly change, Grange and Brownfield are forced to change as well, despite the difficult and often painful choices.