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Shakespeare's plot and characterization
Shakespeare
Tragic shakespearean characters
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Character Analysis: Mercutio
In Shakespeare’s Romeo and Juliet, Mercutio, a supporting character, is an Italian man with a realistic outlook on life who proves himself to be a humorous, yet attentive friend with gregarious tendencies. While he is not the most amiable of companions, Mercutio’s actions demonstrate the underlying good intentions he harbors for his loved ones. Looking beyond the well-meaning but crass comments and absence of proper empathy, Mercutio’s benevolent nature is apparent. Although his method of social interaction relies heavily on his opinions, which in turn rely on the amount of his experience and wisdom, Mercutio tries to lend a helping hand in his own way.
Mercutio’s opinionated way of thinking greatly influences how he speaks about certain subjects. Not one to reserve his tongue, Mercutio’s
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pragmatic views prevent his from fully sympathizing with Romeo’s unrequited infatuation with Rosaline. Unlike Romeo, Mercutio is not one to be described as a visionary, rather a pragmatist who is amused by Romeo’s lovesick demeanor. In Mercutio’s words he says, “If love be rough with [Romeo], be rough with love. Prick love for pricking and [Romeo] beat love down,” (1:4 27-28). Mercutio is not one to succumb easily to the pressures of romance, a trait exemplified by his bemusement at Romeo’s sorrowful lamenting about his unreturned affections for Rosaline. To let one’s delusions become one’s main motivator is nothing short of ludicrous to Mercutio, shown by his statement where he admits, “True, [Mercutio] talk of dreams; which are the children of an idle brain, begot of nothing but vain fantasy; which is as thin of substance as the air, and more inconsistent than the wind...” (1:4 96-100). Though his views of romance and reality might differ from the views of his close friends, Mercutio stays true to his status as Romeo’s close friend. Although much more of a realist than an idealist, Mercutio is known for cracking a few jokes here and there, especially at the expense of his friends.
Ever the joker, Mercutio also finds ways to incorporate his jokes into a form of sympathy by trying to distract Romeo from his hopeless crush with humor, “ You are a lover. Borrow Cupid’s wings and soar with them above a common bound” (1:4 17-18). Mercutio lightly pokes fun at Romeo’s love for Rosaline and calls him Cupid, encouraging him to rise up against the restrictions pinning him down, which would be his unrequited love. Mercutio is also not above making jokes at his own expense for the sake of cheering up his friend, “What care I what curious eye doth quote deformities? Here are the beetle brows shall blush for me” (1:4 30-32). Mercutio is claiming he does not care who looks upon him and references to his bush-like eyebrows, a message for Romeo to be comfortable in who he is and his own abilities instead of worrying if he is good enough for Rosaline. While Mercutio enjoys being the cause of more than a few laughs, he uses his comedic skill to benefit his friends as well as poke fun at
them. To be humorous and a social butterfly were expected skills for someone of Mercutio’s rank. As a blood relative to Prince Escalus and Count Paris, as well as having the ability to socialize with both the Capulet and Montague houses, Mercutio has a plethora of favorable social opportunities. Mercutio has the ability to capture the attention of others, retelling stories using vivid descriptions and well detailed puns, as well as going so in depth that he becomes swept away by his wayward imagination, such as when he told the story of Queen Mab. “O. then I see Queen Mab hath been with you. She is the fairies’ midwife, and she comes in shape no bigger than an agate stone...because their breaths with sweetmeats tainted are. Sometimes she gallops o’er a courtier’s nose…” (1:4 54-55, 76-77). This social charm of his makes him an excellent wordsmith, an ability he uses often for the amusement of himself and to better the moods of his friends. Mercutio is not without his flaws, yet he manages to take what one would consider a fatale personality flaw and use it to become closer and more supportive of his friends.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
Mercutio’s Desire for Attention Young men, when surrounded by their friends and peers, tend to act in a more impulsive and careless way. They often do things to impress the people around them. They might be more inclined to show off and take reckless actions. In the first act of Romeo and Juliet, Mercutio displays this tendency by eliminating his self-control that might otherwise be present.
When Romeo is down, Mercutio is there for him, much like. the nurse is who Juliet turns to, when she needs to talk. She chooses to talk to the nurse, rather than her own mother. Mercutio is the one. who gets Romeo over Rosaline, and tells him that there is more to base.
clever punning - 'If love be rough with you, be rough with love' and '
Mercutio is the comic character in the play and when he dies, the humour is replaced by seriousness. He is a relative of The Prince who is serious and formal whereas Mercutio is informal . Because he is neither a Montague nor a Capulet he can chose not to be involved in there feud yet the death of Mercutio increases the tension between the two families. He is a close friend of Romeo and Benvolio although he is very different to both. Mercutio likes to ho...
I love people think that Mercutio is responsible for most of the deaths in the famous play Romeo and Juliet people also commonly think that it could be Romeo spot too. In my opinion it was all the fires fault. The fire was doing the right thing at first when Romeo first confronted the fire about Mary and Juliet. The fire turn Romeo down saying that it was a crazy idea. He was right to say that because Romeo was just in love with Rosaline less than 24 hours before that. But unfortunately it doesn't stop there. The fire it's an idea. He thinks they're from you and Juliet get married then maybe the two households. She didn't come together for the power of true love. His idea eventually did work, but under different circumstances. The first is to Romeo to
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
In Shakespeare’s Romeo and Juliet, the views of love held by the character Romeo contrast sharply with the views of Mercutio. Romeo's character seems to suffer from a type of manic depression. He is in love with his sadness, quickly enraptured and easily crushed again on a passionate roller coaster of emotion. Mercutio, by contrast is much more practical and level headed. His perceptions are clear and quick, characterized by precise thought and careful evaluation. Romeo, true to his character begins his appearance in the play by wallowing in his depression over Rosaline who does not return his love:
that he sees his love as a confusion of emotions, and that it is not
Through the flaws in the characterization of his characters, Shakespeare allows their weakness to manipulate and cloud their judgment. This fundamentally leads to the outcome of Romeo and Juliet, with each weakness presenting a conflict that alters the characters fate. Being especially true with the star-crossed lovers, William Shakespeare leads their perfect love into tragedy with these conflicts. In Romeo and Juliet, Juliet, Friar Lawrence, and Tybalt all contribute to conflicts that enhance the plot. From destructive flaws in their characterizations, Juliet, Friar Lawrence, and Tybalt are all consequently controlled by their weakness, therefore affecting the outcome of the play.
As life proceeds its slow waltz, and humans live their lives, meeting countless other people in the same predicament of nearing an unavoidable end. In this cycle of monotony and conversation there can be people found that are different. Those who are never bothered by the burdens of death and monotony, and hurry through life to greet death as a lost friend they had encountered many times on their sprees of invincibility. From the handful of people who resemble these characteristics, one can be found in the William Shakespeare play Romeo and Juliet. In which the zany character to be found is Mercutio, who is of neither Montague nor Capulet but falls to the hands of Capulet in the defense of Romeo of Montague in a fight of a childish altercation. In which even at his fall in Romeo and Juliet, Shakespeare still displays his distinct characteristics that greatly define him such as: humor and impulsiveness.
In Act One of William Shakespeare’s play, Romeo and Juliet, we meet Romeo, Mercutio, and Tybalt. Right away, we get an idea of who these characters are and what kind of role they will play throughout the story. Romeo, Mercutio, and Tybalt share many distinctive characteristics and personalities in the story. We learn that Romeo is the romantic and handsome son of the Montagues. In the beginning of the story, he was depressed, but his mood quickly changed as the story went on. We also learn that Mercutio is Romeo’s closest and good friend who tries to make Romeo forget about his first love, Rosaline. He is a great entertainer and he’s very sarcastic too. Instantly, we learn that Tybalt is a Capulet and Juliet’s cousin. He is very hot-headed, aggressive, and violent. He loathes the Montagues very much. Finally, in Act One of William Shakespeare’s play, Romeo and Juliet, we meet three characters, Romeo, Mercutio, and Tybalt and we directly get an idea of what the characters are like.