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Modern interpretation of romeo and juliet
Balcony scene romeo and juliet analysis
Movie interpretations of romeo and juliet
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Romeo and Juliet is a play conforming around the context of tragedy, it is about a tragic love story coinciding a pair of star-crossed admirers from rival families. Following on, the play has been illustrated in films as well as plays and novels. One of many films (Romeo and Juliet) was directed by Baz Luhrmann and the original play was written and directed by William Shakespeare. In this essay I will be analysing the juxtaposition between the two. One of the two scenes I will be scrutinizing is the ‘balcony scene’; it is the second scene of Act 2. In this scene, Shakespeare attempts to portray a charming and mellow Romeo, ‘It is the east and Juliet is the sun’, representing Romeo’s feelings for Juliet. Furthermore, it deciphers that Juliet Shakespeare emphasises this context by writing “I 'll be new baptized” provoking the audience to produce an opinion of Romeo concerning his willingness and desperation for his love. On the other hand Luhrmann takes it further by showing that Romeo is willing to baptize (literally), this is shown when they fall into the water. Although, this isn 't clear as, when they fall into the water the dialogue isn 't complete. Thus, the audience would feel frustrated with Juliet for not accepting Romeo, as he is consequently trying to win over Juliet and has furthermore even baptized. From my observation Luhrmann 's and Shakespeare 's scenes differ as Luhrmann exploits his scene in a way which has more effect on the audience because of the fact that he includes religious factors which induces reality, such as the visual metaphor of baptism. However, Shakespeare displays the scene is plain words which decreases the effect it has on the Shakespeare has portrayed Romeo in this recognition to display that he is enrage; he is furious at Tybalt. It also illustrates (indirectly) that Romeo is beginning to amend; he is no longer the obliging and gentle character he used to be; he is the inauguration of a vicious and fierce individual, engraving sadness amongst the audience. In Luhrmann 's Romeo it is not said, instead it is vividly portrayed in Romeo 's eyes; He is driving recklessly. We can visualize his eyes are full of sadness and resentment. The audience would feel that Romeo has developed a lot as he is now pugnacious, moreover a hint of sinister can be vividly perceived from his eyes. The audience would prefer Luhrmann 's scene as it is exhibited with emotions and movements, instead of actually saying words. Furthermore, this has more of an impact on the audience because sometimes we can acknowledge the characters personas more through their body
Romeo and Juliet is a famous play that was first performed between 1594 and 1595, it was first printed in 1597. Romeo and Juliet is not entirely fictional as it is based on two lovers who lived in Verona. The Montague’s and Capulet’s are also real. Romeo and Juliet is one of the ten tragedies that William Shakespeare wrote. In this essay, I aim to investigate what act 1, scene1 makes you expect about the rest of the play.
However, the largest thing changed was the fate. In the end, when Romeo was about to die, Juliet wakes up but doesn’t have time to stop Romeo from taking the poison; whereas the King production, Romeo dies before Juliet wakes up. The purpose of Juliet to wake up before Romeo dies is to engage the audience and leave the audience with a sense of pity for the two lovers. In this scene, Romeo, crying, says “The doors of breath, seal with a righteous kiss…” From the quote, fate was highlighted due to the reason that Romeo says that he will seal the doors of breath, meaning that he will kill himself; yet, after he has said this, Juliet’s hand moves, but Romeo did not see. What engages the audience more is the dramatic irony, when the audience knows that Juliet is alive but Romeo doesn’t. This is the major method that the Luhrmann production recontextualises the
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
‘Romeo and Juliet’ is a tragic play about two star crossed lovers written by Shakespeare in 1595. The play is a timeless teenage tradgedy. “The play champions the 16th Century belief that true love always strikes at first sight,” (Lamb 1993: Introduction) and even in modern times an audience still want to believe in such a thing as love at first sight. Act II Scene II the balcony scene displays that romantic notion perfectly.
Romeo and Juliet's kissing scenes in the elevator, the alterations of the famous balcony scene in ACT II, scene ii, and Juliet pointing her gun at Friar Lawrence after threatening to commit suicide if she does not get what she wants are minor discrepancies that occur in Baz Luhrmann's production which are not as serious inconsistencies. The discrepancies that take place in Luhrmann's portrayal of the Shakespearean classic are quite different to the play format, primarily because of the modern influence, but all of these discrepancies build up to what is the now the famous "The Tragedy of Romeo and Juliet."
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespreare's Romeo and Juliet
Romeo’s language in Act V scene III is one of the main factors as to why we feel so much sympathy for the two lovers: “Do not interrupt me in my course”, from Romeo’s emotive language we feel sorry for him as we are made aware of his determination to resign to fate and end his own life. “Why I descend into this bed of death...
Shakespeare emphasizes the optimism of the scene by using language that creates positive connotations of the dark - to contrast the depressive connotations of act one, scene two. Romeo is grateful for 'night's cloak' which allows him to visit Juliet in secret without being captured and killed by the guards. This notion is developed later in the play - Romeo and Juliet meet primarily in the night-time whilst the main acts of violence occur during the day. this manipulation of stereotypical imagery, combined with the sense of contrasting and conflicting emotions.
In the play Romeo and Juliet, written by the renowned poet William Shakespeare, Shakespeare uses dramatization to develop characters. Romeo is represented as a dramatic teenager in Act 3 Scene 1 and Act 3 Scene 3, and throughout the rest of the play. In these scenes, Romeo is acting overly dramatic, like he is represented throughout the play. Romeo seeks out Friar Lawrence to discuss his dilemma of banishment. When the Friar tells Romeo that he is lucky he has received a banishment, and not death by the Prince, Romeo is livid; “Ha, banishment? Be merciful, say “death,”/ For exile hath more terror in his look, /Much more than death. /Do not say “banishment”. (III.iii.13-15). In this scene, more teenage aspect of Romeo is seen. Like a typical
3 Dec. 2013. Kerschen, Lios. A. A “Critical Essay on ‘Romeo and Juliet’. ” Drama for Students. Ed.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love. The play Romeo and Juliet by William Shakespeare is set in the fictional city of Verona. Within the city lives two families, the Capulets and the Montegues, who have been feuding for generations.
Some differences between the Luhrmann version and the play were in the Balcony scene, Death scene, and Party scene. The difference in the Death scene was that Juliet was awake when Romeo was taking the poison. A difference in the Party scene between the play and Luhrmann version was that Romeo and Juliet were kissing in an elevator. This is a big difference because in the play, Romeo and Juliet were in the corner of the building, and there were no elevators. In the Balcony scene in Luhrmann version, Romeo and Juliet were not even on a balcony, they were outside on the ground.
The balcony scene is a key part in Romeo and Juliet as it shows there