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Essay on twain's style
The writing style of mark twain
The writing style of mark twain
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The Victorian Age; the Industrial Revolution and the Civil War in America, all played a role in the shift of literary styles from the Romantics to the Realists. At the time preceding the Civil War, realists wrote about the apparent human condition in fiction and non-fiction form, portraying an accurate depiction of the people and events of that time. Along with this literary form, there was a new style of writing that became known as Regionalism. This new style used local "settings, customs and dialects" (Bedford 331). This regionalism depicts the life and times of a less educated, common, lower class fragment of society. One such writer of this style was Mark Twain, who wrote from a regionalist's standpoint in his depiction of the American Old West of California. He wrote as a western humorist, detailing out-of-proportion tales and folklore, of people indicative of the new territory. Twain's creative use of western colloquial diction heightens his reader's sense of region in his writing entitled "The Notorious Jumping Frog of Calaveras County". …show more content…
Simon's use of bad diction as he describes Jim Smiley as being the "curiosest man"(184), reveals to the reader Smiley's uneducated colloquial
As a very gifted writer and philosopher, Mark Twain, maintains his audience with the use of humor. He starts the essay out by saying, “You tell me whar a man gits his corn pone, en I’ll tell you what his ‘pinion is” (1). The
Jim is one perfect example of the message that Twain is trying to convey. As Jim’s character builds, his english is broken, and at times, is difficult to read. Twain has done this on purpose, to emphasize Jim’s lack of an education and the treatment he gets as a slave. In the beginning chapters of the book, Jim hears a sound and says “say-who is you? Whar is you? Dog my cats ef i didn’ hear sumf’n…” When reading Jim’s dialogue, the reader must have some reflection on the way his speaking is a result of slavery and the purposeful withholding of education.
Guttmann, Allen. “Mark Twain’s Connecticut Yankee: Affirmation of the Vernacular Tradition?” in Critics on Mark Twain, pp.103-107. Edited by David B. Kesterson. Coral Gables: University of Miami Press, 1973.
...f him as a person. He then finally thought of how Jim called him honey and how Jim was all he had. “I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt tow things, and I knowed it. I studies a minute, sort of holding my breath and then says to myself: “All right, then, I’ll go to hell” – and tore it up” (Twain 210). This moment was greatest turning point of the book.
In the 1850's, a new literary movement emerged. This movement, termed regionalism, shows fidelity to a particular region or culture, namely through character's speech, manners, and beliefs. One distinct characteristic of regionalism present in all such texts is the idea that people within these cultures are very difficult to change because the characters want to preserve their distinct way of life. Two short stories in particular effectively demonstrate regionalism—Mark Twain's "The Notorious Jumping Frog of Calaveras County," published in 1865, and Bret Harte's 1868 publication of "The Luck of Roaring Camp." Both Twain and Harte use regionalism within their short stories; however, they do so by utilizing completely different aspects of local
The most important scene within Twain’s text is without a doubt the scene where Jim is sent to Mr. Phelps farm, and Huck has to choose between helping Jim and staying loyal to Miss Watson. During the latter half of the novel, one of the men they were previously traveling with pulls the ultimate scam and captures then sel...
Twain describes local customs and the ways that the characters behave to create a more realistic setting for the story. In the story the characters engage in behavior or activities that would be unusual for a regular person to do. For example, the narrator says:
... is influenced my Mark Twain's interest in minstrelsy, and furthermore the stereotypical blackface characters represented in the increasingly popular minstrel shows that influenced a great deal in American society and culture, as well as created a very negative caricature of blacks during the time. Jim neglects the stereotype of the happy-go-lucky "Sambo" by running away from his master to obtain freedom, yet he also does not represent the "dandified coon," as he is fairly intelligent, selfless, and kind-hearted in all of his actions. Thus, as the growing popularity of minstrel shows continued and spread its influence among American culture, Mark Twain's depiction of Jim in The Adventures of Huckleberry Finn offers a rejection of the blackface portrayals of minstrelsy.
The diction is really casual in the chapters where Jim talks. This makes the diction simple and easy to understand with funny differences between this writing style and other more formal ones. Twain also uses a lot of irony. And Twain pays close attention to the diction of the speech of the various people from the various areas down the river. The writing style in this book is not flowery or poetic, just the speech of a young boy. “We stopped talking, and got to thinking. 'Looky her, Huck, what fools we are to not think of it before! I bet I know where Jim is.' 'No! Where?' 'In that hut down by the ash-hopper. Why, looky here. When we was at dinner, didn't you see a...man go in there. (234).” Mark found it really important to use diction for this story to show character growth throughout the
In this book a number of dialects are used, to wit: the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary “Pike County” dialect; and four modified varieties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech. I make this explanation for the reason that without it many readers would suppose that all these characters were trying to talk alike and not succeeding. (Twain 2)
First, Mark Twain uses educated diction and obscure descriptions of Simon Wheeler in an attempt to entertain the general public reading the newspaper “The Saturday,” the newspaper where Mark Twain published his original version of his short story. To begin, Mark Twain uses the character of Jim Smiley to interest the reader and keep them hooked at the obscure personality of Mr. Smiley and his frog. Jim Smiley, a man addicted to gambling and competition, fools others through deception and false manipulations and gains the reader’s attention through his dedication to win and compete. Through clever manipulation of words, Jim downplays the skill of his...
...nfortunate events, Mark Twain became very bitter, cynical and reclusive from the outside world. Edgar Allan Poe’s gothic style of writing and Mark Twain’s humorous and realism tone of writing have played a large role in the reasons of why literature is the way it is today.
Literary artists refuse to be categorized, defined, and completely fathomed by any standardized paradigm, but a writer's work exhibits his or her personality traits. Though authors are incapable of being defined by mere personality traits, literary accomplishments, and literary criticisms, an author's personality can be used to sketch a limited definition of his or her literature. Mark Twain's literature manifests his personality's candor, graphicness, humor, and criticalness that William Dean Howells describes in "My Mark Twain." These attributes are evident in "Old Times on the Mississippi," The Adventures of Huckleberry Finn, "The Notorious Jumping Frog of Calaveras County," "Fennimore Cooper's Literary Offenses," and "The Man That Corrupted Hadleyburg." Howells' portrayal of Twain facilitates some understanding of Twain's fiction, but by no means is Mark Twain's literature as simple as four personality traits. The traits of Twain's literature transcend simple entertainment, and he enlightens the reader about the need to reform literature, religion, society, and the individual.
Regionalism is emphasizing the local characteristics of a region whether they are good or bad. A regional writer is someone that writes what they feel is being abused universally through a person or place, and should be fixed. Regionalism usually results in criticizing a person, place, or country through literary techniques, such as symbolism, satire, and conflict. Mark Twain is known as a regional writer to some because of the geographic region he uses that exemplifies the country as a whole. Mark Twain’s novel, The Adventures of Huckleberry Finn, falls into the regionalism category because of its universal themes of slavery, morals, and society.
Mark Twain is world renowned for his authentic portrayal of southern dialect. Twain’s phonetic spelling of words, such as “genuwyne” rather than “genuine” and “swaller” instead of “swallow,” communicated the southern way of speech of his diverse characters in The Adventures of Tom Sawyer (Twain 54-78). He breathed life into his characters and gave them personality through his style and word choice. For example, Aunt Polly’s diction differed significantly from that of Huck Finn’s, and this hinted at the education, age, and gender of each character. Variations in the dialogue of characters and narration evoked a wide range of emotions as well as completed the imagery of each character and scenario. Additionally, the language of each character was kept consistent, realistic, and natural. Twain’s convincing prose distinguished him from the decorous authors of that time who wrote with acute formality.